Thursday, April 25, 2019

The 1985 Listening Post - Accept - Metal Heart

Accept - Metal Heart


#71
March 4 1985
Accept
Metal Heart
Genre: Metal
4.25


Highlights:
Metal Heart
Up to the Limit
Screaming for a Love-Bite

I actually do appreciate what Accept is doing on the title track: completely appropriating and incorporating Beethoven’s “Fur Elise” into the song. Because I think, if he had existed in the 70s, Beethoven (and perhaps Tchaikovsky) would head up a metal band (the song also includes “Slavonic March” by the latter. No doubt. However, it would probably be more Yngwie Malmsteen or Steve Van than Accept. But, who knows? 
It’s been a while since we had some good metal and, truth be told, I wasn’t expecting anything really extraordinary from Accept, a band that has always been middling in their offerings at best. But this is the kind of record that propels the genre instead of helping to snuff it out. 
They get their AC/DC on in “Up to the Limit” and channel Motorhead on “Wrong is Right” and score more often than not. Considering how the former was putting out some real garbage at this point, it’s good to have this. 
Without a doubt, Metal Heart is the high point in the Accept story. 


The 1985 Listening Post - Katrina and the Waves -Katrina and the Waves

Katrina and the Waves - Katrina and the Waves


#70
March 1 1985
Katrina and the Waves
Katrina and the Waves
Genre: Pop Rock
4.75 out of 5

Highlights:
Do You Want Crying
Que Te Quiero
Walking on Sunshine
Mexico


This is Katrina and the Waves. Not Katrina and the Waves 2, which was released last year. And which we missed. This album is a redux of the first album which was self released in Canada only. 
Got all that?
Great.
This album opens with the Paisley “Red Wine and Whiskey” and I’m immediately reminded of The Bangles. And that’s a very good thing because later in the record, the original version of “Going Down to Liverpool” shows up and,  it’s great, but it’s impossible to get The Bangles’ version out of my head, so it pales in comparison.
Could we all just take a second and call “Walking on Sunshine” what it is, which is the best Supremes song the Supremes never recorded. That’s all Motown right there. Proving that Berry Gordy knew what the fuck he was doing. 
But.
What’s the secret behind this record? Robyn Hitchcock connection. Not Robyn. But the Rhythm Guitarist for his old band, Soft Boys, Kimberley Rew, who wrote all the tracks here. A lot like the drummer for A Drop in the Gray, whose songs were never recorded by them, but he would go on to massive success as a writer. 
Rew knows how to craft a hit. In fact, i wonder how much he had to do with how very very good those Soft Boys records were, given how annoying Hitchcock was on his own until he put together another band. And Vince De La Cruz is also an excellent songwriter (he wrote “Do You Want Crying” and the excellent “Mexico”). 


The 1985 Listening Post - Robyn Hitchcock & the Egyptians - Fegmania!

Robyn Hitchcock & the Egyptians - Fegmania!


#69
March 1 1985
Robyn Hitchcock & the Egyptians
Femgania!
Genre: Rock
4.25 out of 5


Highlights:
Egyptian Cream
My Wife and My Dead Wife
Strawberry Mind
Heaven


Does Robyn Hitchcock just need a band? This seems like a recurring theme. I haven’t enjoyed anything out of this guys since the Soft Boys’ Underwater Moonlight but this one is all loopy pop rock and goodness. In fact, unless I’m crazy, I can hear the future sounds of Jellyfish in here. Like this is where the true resurrection of Power Pop may have been. Like a Pop REM or a next stage Big Star. Yeah, this has Big Star written all over it. No? I haven’t had as much fun listening to Robin as I did on “My Wife and My Dead Wife” and “Strawberry Mind”, which reminds me of the funniest Ray Davies moments. 
I dig it. 


The 1985 Listening Post - Severed Heads - City Slab Horror

Severed Heads - City Slab Horror


#68
March 1 1985
Severed Heads
City Slab Horror
Genre: Noise/Experimental
1.75 out of 5

This is worse than bad. It’s boring. Boring, percussive background music. It *might* be okay to have on while shopping at John Varvatos in the old CBGB space. 
It’s The Residents without the wit, aplomb, nuance or artistry. (See: “The Bladder of a One Thousand Bedouin”).

The 1985 Listening Post - James Young (and Jan Hammer) - City Slicker

James Young (and Jan Hammer) - City Slicker


#67
1985 Housekeeping
James Young (and Jan Hammer)
City Slicker
2.75 out of 5

Highlights:
Something to Remember You By
No Mistake

Put on the second track, “Something to Remember You By” or the final one, “Empty Promises” and you might hear what I hear: James Young writes songs that could’ve been recorded by the Tubes, probably with the same chart success. Tell me that isn’t a Fee Waybill song. 
What’s most interesting to me about this is what happens when you pull a band like Styx apart. 
DeYoung becomes an unctuous showman.
Tommy aims for the MOR.
Young tries to spit a bit of edge. 
Put that all together and you get Styx. Take it apart and it doesn’t quite make it. 
This album tries really hard to bust out and almost succeeds. Young sounds like a rock n roll Hetfield but it’s all so poorly produced and the songs just aren’t there. 


The 1985 Listening Post - Cock Robin - Cock Robin

Cock Robin - Cock Robin


#66
1985 Housekeeping
Cock Robin
Cock Robin
Genre: Synth-Pop
2.25 out of 5

Highlights:
Just When You’re Having Fun
Once We Might Have Known


Okay, raise your hand if you thought this was the name of a glam metal band. 
Just me?
Who on this green earth would name their male/female duetting gentle pop, Berlin-meets-Air Supply wannabe Cock. Robin.???
This is the sort of unctuous trash that wins Eurovision. Or writes songs for Paul Young. 
Barf. 
Only when it sounds like they are aping Missing Persons (“Just When You’re Having Fun” “Because It Keeps on Working”) is the album…any…fun.

https://www.youtube.com/playlist?list=PLBJ7ztNazTVA8TFZ2W8yblyQ1xz_pTuUO

The 1985 Listening Post - A Drop in the Gray - Certain Sculptures

A Drop in the Gray - Certain Sculptures


#65
1985 Housekeeping
A Drop in the Gray
Certain Sculptures
Genre: SynthPop
3.75 out of 5

Highlights:
All the Same
Past Your Frame 

Has anyone ever heard of this band? I’ve not. The music is fine, standard issue new wave synth pop that owes a LOT to A Flock of Seagulls. And, you know what? That first Flock album is terrific, so you could have a worse role model. 
Danny Phillips is the songwriter here and he gets the job done, but the band, the band is tight and they really come through, like The Fixx or Gene Loves Jezebel or some iconic 80’s band or, as is the case on “Turn Me Round”, like latter day Elton John. 

But the secret story here is the drummer. Marty Frederickson. 
From A Drop in the Gray, Marty “has co-written several of Aerosmith's songs since the mid-1990s, including four of the songs on 1997's Nine Lives (including the single "Nine Lives"), ten of the songs on 2001's Just Push Play (including the singles "Jaded", "Fly Away from Here", and "Sunshine"), both of the new songs on 2002's O, Yeah! Ultimate Aerosmith Hits(including the single "Girls of Summer"), and the lone original track on the 2004 cover album Honkin' on Bobo ("The Grind”).” He was also the singing voice of Jason Lee’s character in Almost Famous.
Other artists he has written for are The Struts, Carrie Underwood, Buckcherry, Ozzy Osbourne, Motley Crue. So, I guess he’s done okay and there’s a reason for his success and it can be found on this record. Although he didn’t write it, it’s filled with super listenable, somewhat memorable, not offensive but not too maudlin music that hits the earholes just right.


https://www.youtube.com/watch?v=G9NiMiFTAkw&list=PLBJ7ztNazTVBcYiGT9h1k2xZMdjyzzs8q

The 1985 Listening Post - Fetchin' Bones - Cabin Flounder

Fetchin' Bones - Cabin Flounder


#64
1985 Housekeeping
Fetchin’ Bones
Cabin Flounder
4.25 out of 5


Highlights:
God’s Hanky
So Brilliant
Briefcase
Plus Seven
Asteroids


What do we have here? This is…this is the music of the 90s. Who are Fetchin’ Bones??? How did I miss a band that sounds like REM but fronted by a woman who’s lyrics you can understand???
This is college rock. This is Indie rock. This must’ve been played on college radio, no? How could they avoid it? It’s Jangle Pop, cow-punk, alternative. It’s out of time. It needed to be released 5 years later.
It sounds a lot like if you took The Go-Go’s and just pushed them 10 years into the future. And that’s not just because Hope Nicholls is the lead singer. That bassist, Danna Pentes, is biting hard on Jane Weidlin’s lines. (Also, Mike Mills, but early Mills). The faux-country “Spinning” is everything I would hope an Adam and the Ants cover band would sound like. It’s hilarious. And spot on Adam. And a little bit of Buzzcocks. 
This album is a lot of fun. Reminds me of The Regrettes. Anyone else?



The 1985 Listening Post - Tony Carey - Blue Highway

Tony Carey - Blue Highway


#63
1985 Housekeeping
Tony Carey
Blue Highway
Genre: Rock
3.25 out of 5


This is the kind of glam pop rock that is the other side of the Planet P guy. Big. Echoey. Symphonic keys. Eminently listenable and yet redundant. Familiar to the point of almost being boring but also scores in its generic rock idiom. Bon Jovi had more charisma than Tony, sadly. So did, John Parr. And Billy Squier. And Rock Springfield. And…and…and…
They are obviously aiming for the Bryan Adams/Bruce Springsteen target and they get there, production-wise, but the songs don’t have the necessary hooks.
With the right video Carey could’ve been an MTV Star. Instead, he’s a footnote, I guess. He’s not as dull as Gary Myrick, however. 


The 1985 Listening Post - Live Skull - Bringing Home the Bait

Live Skull - Bringing Home the Bait


#62
1985 Housekeeping
Live Skull
Bringing Home the Bait
Genre: Post-Punk
3.25 out of 5


I once went through a Sonic Youth phase. It was around 2005. I remember this vividly because I wondered if it was possible to listen to Sonic Youth and do something else at the exact same time. I chose to read Harry Potter and the Half Blood Prince while listening to Daydream Nation and Goo. 
I had no issue whatsoever paying attention to the book. 
I don’t know who Live Skull is but I bet they influenced  or were influenced by Sonic Youth because a lot of it sounds the same. This is not an indictment or criticism of either but, I do have some books on my shelf that are begging to be read….
I eschewed this whole scene while it was, apparently, happening around me at NYU. It’s only later that I am beginning to appreciate the Live Skull/Sonic Youth/Glenn Branca/Swans sound of the lower east side. 
You are forgiven if, when listening to “Wisdom & Gravy” you think you’ve accidentally started listening to Evol. These two bands are interchangeable. 


The 1985 Listening Post - Uli Jon Roth & Electric Sun - Beyond the Astral Skies

Uli Jon Roth & Electric Sun - Beyond the Astral Skies


#61
1985 Housekeeping
Uli Jon Roth & Electric Sun
Beyond the Astral Skies
Genre: Rock
4 out of 5

Highlights:
The Night the Master Comes
Icebreaker

I’m just gonna ask this: Why didn’t Meat Loaf turn to Uli John Roth when Jim Steinman wasn’t available? Sure, Desmond Child writes radio hits but this guy seems to be a perfect match for Meat’s soaring theatricality. This is the guitarist for Scorpions so a lot of the bombast is expected and so is the Spinal Tappiness but I love it for all of that. 
This reminds me of Steve Vai but with an emphasis on songs. The playing is remarkable but so is the mind bending weirdness.
I planned on a couple tracks before bedtime but I couldn’t go to sleep until I finished.
And I’m glad I didn’t cuz the opera meets prog rock “Eleison” was worth staying up for. No, it’s not “good”. But the fact that it exists, coming so soon after hearing a metal band invoke Carmina Burana, has me thinking about Randy Rhodes and his influence on guitarists of the era. 


Wednesday, April 24, 2019

The 1985 Listening Post - Wire Train - Between Two Worlds

Wire Train - Between Two Worlds


#60
1985 Housekeeping 
Wire Train
Between Two Words
Genre: Alternative
4 out of 5


Highlights:
Last Perfect Thing
Skills of Summer
Love Love


The 80s are changing. But also staying the same. Swirling, U2 adoring, guitar rock with echoey drums are de rigueur complete with American singers trying to sound as British as possible. 
I loved 83’s In A Chamber and this is more of that jangly anthem sound. Even bringing an old Bob Dylan track “God On Our Side” to the era, in a way that probably had Mike Peters going, “huh. Shoulda done that.”
It gets a bit murky by the end, like they had one gear and couldn’t get out of it. It’s not, not in the least, I’m on the Wire Train train but In a Chamber is just a bit better. Although I bet, if he wanted to, Peters could’ve had a legal case over “Two Persons” as it sounds more like The Alarm than the Alarm does. And that song is excellent, btw. 


The 1985 Listening Post - The Bongos - Beat Hotel

The Bongos - Beat Hotel


#59
1985 Housekeeping 
The Bongos
Beat Hotel
4.25 out if 5 (I’m being generous, I know)
Genre: Power Pop/Pop Rock

Highlights:
Space Jungle
Beat Hotel


What??? Is this...Power Pop?!? It’s sublimely weird. What if the Romantics took over Bow Wow Wow and wrote a song? “Apache Dancing”. 
There’s a bunch of The Byrds as well as The Knack in here with some Big Star as well. If only they toured with REM or somebody they might’ve had a chance. 
Perhaps it’s that I’m just hungry for music like this but I really love this record. It’s at times delicious, goofy, dumb and comfortable. 



The 1985 Listening Post - The Box - All the Time, All the Time, All the Time...

The Box - All the Time, All the Time, All the Time...


#58
1985 Housekeeping
The Box
All the Time, All the Time, All the Time…
Genre: SynthPop
4.25 out of 5

Highlights:
Remnants
With All This Cash
My Dreams of You

From the lush opening of “Remnants” this is different than the first Box record. But, if I was expecting more anthemic prog the left turn on track two, the angular, R&B tinged “With All This Cash” raised my eyebrows. 
It’s almost as though they decided to throw caution to the wind and make an album they thought could be their last. 
Narrator: “It wasn’t”.
This is a Canadian Band that at once contains that clean, polished, indescribable Canada sound while also seeming wholly…British and unlike anything I’ve heard from the Great White North. 
So much of this reminds me…Yes. And also, Genesis. And Eurythmics, but more interesting to me (“L’affaire Dumoutier (Say to Me)”).
I wonder if Bruno knows about this Montreal band. 



The 1985 Listening Post - Velvet Underground - VU

Velvet Underground - VU


#57
February 1985
Velvet Undergound
VU
Genre: Rock
2.75 out of 5

Highlights:
Stephanie Says
Temptation Inside Your Heart


This is going to be really hard for me. I loathe Lou Reed. It’s rare that I can stand anything that comes out that guy. And, sure I appreciate the Velvets but I’ve never been an acolyte. I was much too young to them to be fresh for me and had moved on so I never went back to them the way I did The Rolling Stones when I was trying to determine if I’d missed anything with them (I did, for sure).
So, how to look at this? This is a collection of songs written and recorded in 1969, but rediscovered and remastered and released in 1985. It really shouldn’t be part of this retrospective because the purpose of this is to see if there was anything released that I missed to plug those holes. And, yes, this WAS released in 1985 so there’s that but it’s not music OF 1985. 
It’s like listening to The Door’s Greatest Hits in 1980 and learning to appreciate something you missed. I did exactly that, because that was what you did in High School at that time but it didn’t turn me into a Doors fan. Just a fan of some of their songs. 
So, I really have no context to compare these songs to anything except Lou Reed’s 78-85 output and what VU stuff I’d been exposed to.
It says a lot that the best song here “Foggy Notion” is the best track. It’s written by the entire band, sounds like a jam (which is a genre of music I like less than jazz fusion) and at least sounds like a freewheeling group having a good time. It’s on “Temptation Inside Your Heart” that I really hear the Gordon Gano that people talked about at the time. And I like the band’s interchange but not because it adds to the song but because they are kind of slagging each other for their limitations. 

Here’s my takeaway:
Lou Reed sucks unless he has people who are smarter and more talented than him to put him in check and help him. He’s like a blind guy and they are his seeing eye dogs. The dogs prevent him from running into the street and getting hit by a car. On his own Lou walks right into 5th avenue and dares the taxis to hit him. And they do, over and over again.
This isn’t really changing my mind about Lou Reed. Sorry, guys. 
Since we are playing “Let’s listen to music from 34 years ago that was recorded 15 years before that!” let’s project 15 years later and imagine a young Lou Reed is a contestant on the first year of American Idol and he auditions with “Ocean”. He definitely gets put through to the next round to see the judges. But not because he’s amazing. Mostly because he’s a remarkably bad singer. Not “Rock and Roll” bad. Like, shitty, unlistenable, can’t hold a note without sounding like he’s struggling to just sustain one at all and tortured by the next one, bad. 
I would love to see 2000 Simon Cowell take this pretentious fuck down. 
How’s that?


The 1985 Listening Post - Van Morrison - A Sense of Wonder

Van Morrison - A Sense of Wonder


#56
February 1985
Van Morrison
A Sense of Wonder
Genre: Celtic Rock/Soul
2.75 out of 5


Highlights:
Tore Down ala Rimbaud

After two great albums my experience with Van was verging on torpor, reaching a nadir on Inarticulate Speech of the Heart. 
He’s much more approachable here but that doesn’t mean he isn’t unimpeachably dull. He is. That starts on song three and goes all the way to “A Sense of Wonder” so I imagine you could turn the cassette over and skip all the boredom and have a nice little ep. But that would mean you would miss the Celtic-Country (Celtry?) instrumental “Boffyflow and Spike”, which is really no great loss. And then you would find yourself thinking, Hey, this cover of “If You Only Knew” is pretty good! And then stab yourself in the ear for sitting through “Let the Slave (Incorporating the Price of Experience)” with it’s lyrics taken from William Blake and such. 
God, fuck you, Van. 

The 1985 Listening Post - Pentagram - Relentless

Pentagram - Relentless


#55
February 1985
Pentagram
Relentless
Genre: Heavy Metal
3.25 out of 5

Highlights:
Sign of the Wolf (Pentagram)
Dying World

My wife took my son to school this morning. As every morning, Cody, our black lab, watched them through the diffused corrugated window with his paw on the floor level sill. 
I had brewed some David Lynch signature coffee in my French Press and was lamenting my inability to get it right. 
With a morning free I opened Sonos, set it to party mode (all the speakers) and figured I had enough time to get through this doom metal album. 
I set the volume to a house filling but not wall shaking level and pressed play.
Within 4 measures, Cody got up and left the room. He did not retired to the couch in the living room or the sofa in the family room. He didn’t go into our bedroom. No. These are all his usual hangouts on colder mornings. He went straight outside and sat on the grass as far away from the house as possible.

That is my review of this record. 

OK, that’s not totally fair. This record isn’t as hard or demonic as others in it’s genre. In fact, it sounds more like very early Black Sabbath than anything else. In that regard, I don’t hate it. My dog does. 


The 1985 Listening Post - Onslaught - Power From Hell

Onslaught - Power from Hell


#54
February 1985
Onslaught
Power from Hell
Genre: Death Metal
2.5 out of 5


Highlights:
Death Metal

2 months into the year and this is the FIRST death/satan metal album? Color me surprised. 
Sounding more like a Metallica cover band that only learned Witchfynde songs, Onslaught could be Slayer’s cousin. Just more demon-y.
The band has lofty and epic aspirations. Not only are they singing about the devil but also about Thermonuclear Devastation, which I take it, they are against. And there are a bunch of instrumentals just make me wonder if they couldn’t come with adequate ways to describe a “Skullcrusher” so they just didn’t. And then they just decided to name the next instrumental “Skullcrusher II” cuz, why not?
The playing is fine, not great. The songs are fine, not great. The mix is bad. The production is muddy. I bet they get better, though.
It’s all so tiring. How do 15 year old boys listen to this over and over and NOT want to kill someone? 
And then it ends with an excerpt from Carmina Burana? Why? Why present music that is exponentially better than yours? As an example of your suckage?
Ugh. 


The 1985 Listening Post - The Tubes - Love Bomb

The Tubes - Love Bomb


#53
February 1985
The Tubes
Love Bomb
Genre: Rock
3.75 out of 5


Highlights:
Piece By Piece
Theme from a Wooly Place


One reason I love doing this is going back and rehearing an album that was summarily dismissed when it was released. My roommate, an inveterate Tubes fan, bought this and we both declared it garbage. Although I recall a moment of trying to find the love in it… that was when we learned that Rundgren ordered the songs randomly or something. Maybe that’s a false memory.
Anyhoo. 
Completion Backwards? Loved it.
Outside Inside? LOVED it. 
So, how’s this? 
Well, the opening single could really have used…gulp…David Foster.  And I even kind of even like “Stella”. Again, needs Foster and it sounds like Fee laid his vocals down when no one was around. And then couldn’t wait to get out of there. 
“Come As You Are” is the lame attempt at a radio ballad hit. What’s missing? David Foster.
I really don’t hate Side One. It’s fine. It’s like they’re trying to recreate Outside Inside and, I think that’s the right move, after all, mailbox money. And the title track…I get what they are trying to do. 
But, jeez, Fee’s voice sounds worse here than on his solo record. 

Side Two is where it all gets weird. It’s like…the 80s funk rock Tubes Abbey Road. It sounds like it was programmed by an IT guy but one who really understood percussion and bass. (And “Theme from a Wooly Place” is one of the earliest Mashups.
It’s like a 20 minute party track and…I kind of love it. Sorry not sorry. It’s not meant to be heard except as one long track, and even then, you probably don’t need to hear it more than a couple times. But, still. It’s nowhere near the failure we all thought it was.


The 1985 Listening Post - The Sound - Heads and Hearts

The Sound - Heads and Hearts


#52
February 1985
The Sound
Heads and Hearts
Genre: Post-Punk
4.5 out of 5

Highlights:
Whirlpool
Total Recall
Restless Time
World As it Is


I adored 1981’s From the Lion’s Mouth (I barely remember it now…1000+ albums later but it got a 4.5 from me. It’s great), so I was really looking forward to this from these guys. All the 80s synth-y bands are in here. A little bit Chameleons, some Echo, some U2, I even think there’s the anthem of The Alarm. 
I really think I should listen to this again. Everytime I’d really get into it, someone would call me to do something, bath, dog, chores…and every time I’d come back to whatever song I was listening to and think, “I really like this one. Maybe it should be a highlight.”
I’m just gonna keep it in the library and add it to the “Return to” playlist. And I bet Radiohead has heard this…just listen to “World As it Is” and try to not hear tracks on In Rainbows. Almost a flat out steal of “Jigsaw Falling Into Place”.
But don’t be fooled by labels. Apple Music lists this as “punk”. It’s not. And Wikipedia and Allmusic list it as “Post-Punk”. It’s not. It’s…kind of New Wave meets prog rock. 
But it’s forward thinking, hence my label. 



The 1985 Listening Post - Pale Fountains - ...From Across the Kitchen Table

Pale Fountains - ...From Across the Kitchen Table


#51
February 1985
Pale Fountains
…From Across the Kitchen Table
Genre: Jangle Rock
3.75 out of 5

Highlights:
Limit
These Are the Things


I wasn’t much blown away by the first Pale Fountains record. And, I guess, not that many people were, either, inasmuch as after this one, their second, they were done. 
The well-produced tube way busker sound comes off better here and is an improvement over the first. But, that’s all it ends up being. Occasionally they sound like they are trying too hard to be original and different and just sound forced. 

https://www.youtube.com/watch?v=RY5E_QKFpA8&list=PLBJ7ztNazTVAop8mmNxggcIucQahzo36H 

The 1985 Listening Post - Santana - Beyond Appearances

Santana - Beyond Appearances


#50
February 1985
Santana
Beyond Appearances
Genre: Rock
2.5 out of 5

Highlights:
Touchdown Raiders

Here’s what I want to know. I want to know about the song, “Written in Sand”. I want to know how that song ended up on this record. 
Why?
Because it is credited to Mitchell Froom and Jerry Stahl. 
Jerry Stahl.
The guy who wrote Permanent Midnight.
He also wrote an episode of CSI that I appeared in. (Tiny party but, holy shit, Jerry Freaking Stahl!!)
And, pursuant to my curiosity he wrote, under the pseudonym “Herbert W. Day”, the cult prog film, “Cafe Flesh”. 
Cafe Flesh. A film whose score was written by:
Mitchell Froom.
I want to know how they ended up working together on a porn film and then writing for Carlos Santana. 
That’s what I want to know. 
(They also collaborated on NightDreams, which was also a porn/cult film from the same director that was released the year before.
THAT is the story that needs to be told. 

This is a Santana record. Which mean, as usual, boring songs with great guitar work. But also…synths. 
Too
Many
Synths

The 1985 Listening Post - Strange Advance - 2WO

Strange Advance - 2WO


#49
February 1985
Strange Advance
2WO
Genre: New Wave
3.75 out of 5


Highlights:
The Second that I Saw You
We Run



This is exactly the kind of record that would be marked down to $.99 at Sounds Records, that I or someone would pick up for nothing (Well, not nothing, $.99 is the equivalent of about $2.50 today), listen to once or twice and throw a couple tracks on a mixtape for friends. And those tracks come early in this album. Numbers 2 & 3. “The Second That I Saw You” and “We Run”, both of which stood out to me and, lo and behold, were actual hits in Canada. (I adore Canada). I have to wonder how much the late Michael Kamen’s involvement had to do with songs like “Home of the Brave” sounding like Pink Floyd. Cuz, boy oh boy, does it (And, well, Roger Taylor).
A solid mid-80s New Wave Prog record.

The 1985 Listening Post - Fear - More Beer

Fear - More Beer


#48
February 28 1985
Fear 
More Beer
Genre: Punk
1.5 out of 5


Maybe they should’ve been a one off, since The Record was a masterpiece of snot-punk. The band is trying to be musically interesting but when they are literally singing paeans to “More Beer” you really are better off using the record as a coaster. 
I think they’re trying to be funny. They aren’t. Ving is trying to emulate Biafra’s vibrato. He fails. 
Just bad. 
It’s a shame. “Waiting for the Meat” almost sounds like The Kipper Kids do punk. I almost like it. And then I don’t. 


https://open.spotify.com/album/1h7Z1CaE6v0MLIKBpcGO9Y?si=LlYzAcsMTDieplnkh7v_4Q

Tuesday, April 16, 2019

The 1985 Listening Post -Tears for Fears - Songs from the Big Chair


Tears for Fears - Songs from the Big Chair


#47
February 25 1985
Tears for Fears
Songs from the Big Chair
4.5 out of 5


Highlights:
Shout
Everybody Wants to Rule the World
Mother’s Talk
Head Over Heels

Did Roland Orzabal get therapy? I mean, duh, but, to go from the anguish of The Hurting to the catharsis of Big Chair is really something to behold. 
Dennis Miller’s use of “Everybody wants to Rule the World” for his 90s talk show almost ruined that song for me, even now I can’t divorce the two. Shame, really. 
I’d only heard “Head Over Heels” as a single but to hear it in context of the album, bleeding in from “Broken”, it’s really a piece of mastery.
Big Chair is a much more hopeful record than The Hurting. It’s less a collection of songs than it is an experience.
I’m glad I finally heard it. 


The 1985 Listening Post - Treat - Scratch and Bite

Treat - Scratch and Bite


#46
February 24 1985
Treat
Scratch and Bite
Genre: Glam Rock
2.75 out of 5

Imagine being in a band in 1985 and deciding that latter day Kiss was the band you want to emulate, sound wise. Listening to the title track and tell me that it doesn’t sound like it fell off Crazy from the Heat or Hot in the Shade. 
So, this is 3rd rate 80s Kiss, which is not the best music you can make. Or take “Too Wild” which is bad Leppard. Or maybe it’s awful Bon Jovi. 
Damn, everything sounds like it’s aiming for inclusion on the St. Elmo’s Fire soundtrack.

https://open.spotify.com/album/6HtQYZ8m3UtD2k6Xt7Vwvx?si=sJ2ubscvRdKu6Kbd0d7Fiw

The 1985 Listening Post - Mick Jagger - She's the Boss

Mick Jagger - She's the Boss


#45
February 19 1985
Mick Jagger
She’s the Boss
Genre: Rock?
2.25 out of 5

Why is this so muddy? Why can’t anyone produce Jagger or the Stones right? Everything sounds like it was recorded in an old studio in one take by excellent musicians who really need a better mixing board. 
Just looking at the list of musicians…it’s a murderer’s row of brilliance…all to support Mick Jagger so he can sound like…The Rolling Stones?
The biggest problem with this record is it has no sense of urgency. It sounds like what it is: a record made by a millionaire doing whatever he wants, with no pressure to succeed, playing with house money. 
I know “Just Another Night” was a hit but, come on, it’s really not that good. Let’s all just agree in that, right?
I had “Lucky in Love” as a highlight for a while but…that song is 3 hours long…jeez. 
Why is the back cover a picture of Mick leaning over to change a tv channel from Wheel of Fortune? How is that the choice?


The 1985 Listening Post - Yoko Ono - Starpeace

Yoko Ono - Starpeace


#44
February 18 1985
Yoko Ono
Starpeace
Genre: Dance Rock
1.25 out of 5

Protest rock. It can really change…nothing. But at least it is a document of a moment in time when people gathered together to fight against…
Oh, who’m I kidding? 
If you aren’t going to use the proceeds to fight against some kind of inhumanity ala Live Aid, you are just yelling about something you don’t like. 
Yoko Ono makes bad music. This is bad music about needing “peace” instead of a Star Wars Missile Defense System. 
Here’s the deal: The musicians are all exceptional. So, no matter what, that part is eminently listenable. What drags this down is Yoko. Her lyrics are cloying, her voice is grating. That story is as old as her involvement in music. 


The 1985 Listening Post - The Associates - Perhaps

The Associates - Perhaps


#43
February 9 1985
The Associates
Perhaps
Genre: SynthPop
2.75 out of 5

Highlights:
Schampout
Helicopter Helicopter


I really liked The Associates’ Sulk. So this is a slight disappointment. They took 3 years between records and when they got back this sound was already passe. So, in the end they sound like a second rate Erasure. Especially on “Waiting for the Loveboat”. It’s all very energetic but somewhat directionless and adrift in a climate that would be uninterested. Also, every song is about 1 minute too long. 
Billy Mackenzie, who was essentially The Associates, was briefly married to the cousin of Melvin Dummar and committed suicide in 1997. 


https://www.youtube.com/playlist?list=PLBJ7ztNazTVCiSVENmzt2-xUAP-P2D03x   

(Missing 2 tracks - Helicopter Helicopter and Don't Give Me That 'I Told You So' LooK) .  

To listen to Don't Give Me That 'I Told You So Look go to the 26:00 mark of this video https://www.youtube.com/watch?v=1gQtzND7J2k

Helicopter Helicopter can be found in here:



The 1985 Listening Post - Joan Armatrading - Secret Secrets

Joan Armatrading - Secret Secrets


#42
February 4 1985
Joan Armatrading
Secret Secrets
Genre: MOR Rock
3 out of 5

I’ve never cared much for Joan. I feel like her reputation is the result of management and PR success. Every album has been an exercise in aiming for the middle, imo. 
So, I almost pulled her from this list because she doesn’t ever seem to fit into the “rock” idiom. I was convinced that this one is different and, it sure starts off that way. “Persona Grata” sounds like 80s Prog Rock and “Temptation” follows it with some close approximation of Eurythmics. Both songs are really good but, these sounds are played out by this point so Joan just sounds like she’s a few steps behind the rest. 
Joan can sing. She can write perfectly good MOR pop songs. But she leaves me wanting. Always has. 

The 1985 Listening Post - Honeymoon Suite - The Big Prize

Honeymoon Suite - The Big Prize


#41
February 14 1985
Honeymoon Suite
The Big Prize
Genre: Rock
3 out of 5


Highlights:
Bad Attitude
Once the Feeling


That clean, clear stadium ready arena rock sound from Canada is back. Much more Foreigner than Power Pop this time, though. Reading up on this, engineer Bob Rock’s work here got him noticed by a little band from New Jersey, Bongiovi. 
Also, Ian Anderson is a guest flautist on “All Along You Knew”. Who knew? And it’s the best Jethro Tull song in years.
This time it’s a lot more generic than before. I know there were hits on this record but, for the life of me, I can’t discern them. 


The 1985 Listening Post - Chastain - Mystery of Illusion

Chastain - Mystery of Illusion


#40
February 12 1985
Chastain
Mystery of Illusion
Genre: Heavy Metal
3.5 out of 5

Highlights:
I fear No God


The first thing that I think is…ok…satan metal. I don’t miss it. 84 was lousy with it. 
But, David Chastain is a monster and…this lead singer…could be Diorites but has a better vibrato and sustain. And it’s a woman. A woman who crushes Joan Jett, Lita Ford…all of them. This band could tour with Rock Goddess and put on a helluva show. 


The 1985 Listening Post - The Smiths - Meat is Murder

The Smiths - Meat is Murder


#39
February 11 1985
The Smiths
Meat is Murder
Genre: Alternative Rock
2.25 out of 5

Highlights:
Well I Wonder 
Meat is Murder

Here we go.
Based on that first album I am very hesitant. I’ll see you in 40 minutes.

This is part II of the “Morrissey sucks” saga. Honestly. The band is terrific. The music is great. The playing…I love it. And then Steven starts his nonsense and I’m out. (He has not earned a one word moniker. I just can’t with this guy)
Johnny Marr is writing gorgeous and interesting music that is pushing the genre and Steve is rambling about, warbling “melodies” that could be placed into any song. 
Only on “Well I Wonder” does he come close to melding the two together. And the title track. That one really works for me. 
Morrissey is awful. 

The 1985 Listening Post - The Firm - The Firm

The Firm - The Firm


#38
February 11 1985
The Firm
The Firm
Genre: Rock
2.75 out of 5

Highlights:
Satisfaction Guaranteed


One day someone needs to explain the appeal of Paul Rodgers to me. I mean, I guess Free had a couple good songs but, when Brian May and Roger Taylor were trying to figure out how to continue without Freddie but while using the Queen name, they employed Rodgers for one of the worst records of the decade. And one that is overlooked by everyone, them included (I hope) 20 years before that, looking for a Robert Plant replacement, Jimmy Page goes to gravel screeching white boy blues Rodgers and the result is…well…not as good as Whitesnake. How’s that?
I avoided this one for my whole life. It was not enhanced by finally hearing it. (Although I quite enjoyed “Satisfaction Guaranteed” and this can not be explained. 

The 1985 Listening Post - The Beat Farmers - Tales of the New West

The Beat Farmers - Tales of the New West


#37
February 1 1985
The Beat Farmers
Tales of the New West
Genre: Roots Rock
4.75 out of 5

Highlights:
Bigger Stones
There She Goes Again
Reason to Believe
Lost Weekend
California Kid
Lonesome Hound
Happy Boy


I bet Gin Blossoms listened to this album a LOT. I know I did. It was a big college album among my peers. That’s where I heard it for the first time. There’s soooo much to love on this album, from that first cowpunk Bigger Stones”, right into the roots rock cover of “There She Goes Again”, which actually proves what a great song it is, reinvents it and makes it fresh. The scorching redux of Springsteen’s “Reason to Believe” is actually better than the original and should always be played in its stead. 
Side One is a masterpiece of 80s roots tock revival. The Beat Farmers give The Long Ryders a run for their money with it. 
And Side Two is almost as good. In fact, full disclosure: I loved the first side of this album so much that I almost never listened to side two. I think I’ve heard it once before today. 
Everything I don’t like about Los Lobos, Chris Isaak and latter day Blasters is what is done right here. 


The 1985 Listening Post - The Blasters - Hard Line

The Blasters - Hard Line


#36
February 1 1985
The Blasters
Hard Line
Genre: Roots Rock 
3.25 out of 5

Highlights:
Common Man

The second song, it hits me…Remember when I loved X and then i didn’t anymore? It was right around The Knitters time. Actually, a little later, around Ain’t Love Grand. But, when I discovered The Knitters I thought…hmmm…maybe that’s when I stopped liking X. 
That second song, “Just Another Sunday” is co-written by John Doe of X. (So is the tenderly boring two step, “Little Honey”)
These snarky, snotty punk bands went full C&W/Roots and they weren’t “bad” at it. But the fire was gone. The music was laconic and too smooth. It’s like they sanded the edges off ala Los Lobos and Chris Isaak. As the dirt and snot was washed away what we are left with is just perfectly fine and competent but unexciting. 
If you were 10 at the time of Elvis, you are 45 when this record comes out and it’s made for you. 
The album does it for The Blasters for 2 decades, apparently. I’m ok with that.


The 1985 Listening Post - Girlschool - Running Wild

Girlschool - Running Wild


#35
February 1 1985
Girlschool
Running Wild
Genre: Glam Metal
2.5 out of 5

Highlights:
Are You Ready?

This shouldn’t be classified this way. I mean it should but Girlschool should be more of a METAL band than an edgy version of Heart. Which is what this sounds like. I get covering Kiss’ “Do You Love Me?”, its a good cover for a band like Heart. But Girlschool…weren’t they harder than this? I mean, at this point Betty Blowtorch could’ve kicked their ass. Except that Bianca Butthole is dead. But, when she was alive, her band was twice the band Girlschool is here. This is an attempt to commercialize this group with a replacement lead singer and a new guitarist and they sound like watered down Crue. 
Go listen to The Donnas instead. 


The 1984 Listening Post - The Lords of the New Church - The Method to Our Madness

The Lords of the New Church - The Method to Our Madness


#377
January 1984
The Lords of the New Church
The Method to Our Madness
Genre: Goth Rock
3.5 out of 5

Highlights:
Method to Our Madness
Kiss of Death

How did we miss this?
Oh well. I managed to not hear any Lords during the early days of this project. I liked Dead Boys album enough. But this, this sounds like what happens if Motley Crue went psycho billy. 
This is glam. But it’s ugly glam cuz Bators is not a genuinely charismatic guy. He’s a punk. There’s nothing wrong with that. But they sound like they want hits and that’s something a Vince Neil could pull off regardless of vocal abilities. 
This album feels longer than it is by half. 


The 1985 Listening Post - King - Bitter Sweet

King - Bitter Sweet


#34
1985 Housekeeping
King
Bitter Sweet
Genre: Pop Rock
3.5 out of 5


Highlights:
Alone Without You

I’ve never heard King before this project. Except for that one hit song. So, it’s kind of weird that the second track, “Platform One” sounds a lot like a Throttle Back Sparky song, “Serial Monogamy”, a minor effort on our part. I don’t know how that happened but, truth be told, both songs are pretty mediocre. 
The keyboards on “I Cringed, I Died, I Felt Hot” bite hard on Elvis Costello’s “Charm School” and that’s a shame cuz the song isn’t terrible on it’s own. Perfectly fine thriller, save for the ripping off. 
Everything here sounds like every other New Wave band from the aforementioned Costello to Culture Club to Adam Ant which means that King doesn’t really have an identity of his own. 


The 1985 Listening Post - The Kang Gang - The Bad and Lowdown World of

The Kang Gang - The Bad and Lowdown World of


#33
1985 Housekeeping
The Kane Gang
The Bad and Lowdown World of the Kane Gang
Genre: Blue Eyed Soul
3.75 out of 5

Highlights:
Gun Law
Take this Train
Losersville

Right off the bat I can’t tell if this is R&B or rock. As New Wave and Punk and New Romantics tried to find their place in a world where their 15 minutes were really up a lot of them seem to have tried a hybrid dance/rock sound. This is that. There is an artery of that sound this is the INXS expressway, these guys headed to that on ramp and stayed on the Shabooh Shoobah interchange to the George Michael Junction and waved at Joe Jackson’s Body & Soul shop as it past it going 90.
This is white boy soul at its whitest and souliest. For a record listed as “Rock” and “New Wave” it’s not. Had I known….


The 1985 Listening Post - Quarterflash - Back Into Blue

Quarterflash - Back Into Blue


#32
1985 Housekeeping
Quarterflash
Back Into Blue
Genre: Pop Rock
3.25 out of 5


Highlights:
Walking on Ice
Caught in the Rain
Talk to Me

The bouncy New Wave opener, “Walking On Ice” is an almost welcome piece of confection which is like a replacement for Pat Benatar who decided to forgo rock in favor of a softer, more mature sound. 
But, New Wave is so early 80s and the band never really manages to sound like anything more than a montage song provider for an 80s teen flick, “Caught in the Rain” is a perfect example. Great chorus hook which works especially if you imagine laughing teens, standing at their lockers, laughing, wearing acid wash jean jackets and unironic fedoras over crimped hair.
The whole album is competent. It never really reaches any heights but it’s also never turgid or ugly. It’s a piece of 80s MOR pop.


The 1985 Listening Post - The Legendary Pink Dots - Asylum

The Legendary Pink Dots - Asylum


#31
1985 Housekeeping
The Legendary Pink Dots
Asylum
Genre: Post-everything
2 out of 5


I got nothing. 
This is a double album by the band that brought us that obnoxiously semi-interesting album The Tower at the end of 84. Welp, here they are with…opera? Soundtrack to unmade movie? “Femme Mirage” sounds like it was written for a late 70s horror movie and then it turns into…a carousel New Wave track about a psychopath that could be included on…an 80s horror movie?

Side Two opens with what portends to be a neo-classical instrumental but devolves into standard sub-par no wave that we’ve heard from them before. And then devolves into random soundscapes that ends with a riff from “The Jets Song” from West Side Story. Why? I don’t know. I just want it to end...and it does with…classical meets prog meets…Disco? What?

The rest of it is just indulgent people with a lot of studio time who couldn’t even find a way to be as inventive as Pink Floyd or Spirit. 

The 1985 Listening Post - The Big Sound Authority - An Inward Revolution

The Big Sound Authority - An Inward Revolution


#30
1985 Housekeeping
The Big Sound Authority
An Inward Revolution
Genre: Mod Revival 
4 out of 5


Highlights: 
A Bad Town
Loverama
Moving Heaven and Earth.
This House (Is Where Your Love Stands)


Disciples of Paul Weller make an album that sounds like it was inspired by Paul Weller. 
It’s fine, much of it is actually very good but take the best big band tracks from the Jam compilation Snap! and this pales in comparison. 





The 1985 Listening Post - Rat at Rat R - Ameri$ide: Rock and Roll is Dead

Rat at Rat R - Ameri$ide: Rock and Roll is Dead


#29
1985 Housekeeping
Rat at Rat R
Ameri$ide: Rock and Roll is Dead (Long Live Rat at Rat R)
Genre: Noise Rock
3.75 out of 5


Highlights:
Assassin

This isn’t noise rock, much as it would like to classify itself as such. It’s actually more early stages screamo/emo/bordering on wannabe industrial. And I kind of love it. If Pearl Jam was more interested in, say, Swans, than being a jam band, it might sound like this. 
It bores into my brain in all the right ways. 
Upon reading I think I know why: It turns out this band has close ties to Glenn Branca. Now, I’d heard about Branca’s Guitarestra for years but had never actually heard it and, when I did, I was blown away. The Ascension is magical in it’s construction and execution. It was one of the first records I had never heard before but gave 5 stars to, and that’s a difficult feat. I didn’t know until I was the last few years old how much I love “noise rock” but I really do when it’s done well and I love Branca and this. 


The 1985 Listening Post - #28 1985 Housekeeping Naked Raygun All Rise Genre: Punk 3.75 out of 5 Highlights: Home of the Brave Knock Me Down What happens when you replace the rhythm section of your rather pedestrian punk band? You add a musicality that was previously missing. The snot nosed kid/angry protestor sound that would continue with bands like The Offspring & Against Me! is in full effect on songs like “Knock Me Down” but the jazzy stuff that I loved on Dead Kennedys’ “The Prey” and thought Black Flag kept missing is evidenced on “Mr. Gridlock” a commentary on traffic that, well, I could see blasting on the 405 today. The album gets awfully experimental on the second side and, tbh, boring as hell. Which is a shame as I was really enjoying their sound. https://itunes.apple.com/us/album/all-rise/1120330499

Naked Raygun - All Rise


#28
1985 Housekeeping
Naked Raygun
All Rise
Genre: Punk
3.75 out of 5

Highlights:
Home of the Brave
Knock Me Down

What happens when you replace the rhythm section of your rather pedestrian punk band? You add a musicality that was previously missing. The snot nosed kid/angry protestor sound that would continue with bands like The Offspring & Against Me! is in full effect on songs like “Knock Me Down” but the jazzy stuff that I loved on Dead Kennedys’ “The Prey” and thought Black Flag kept missing is evidenced on “Mr. Gridlock” a commentary on traffic that, well, I could see blasting on the 405 today. 
The album gets awfully experimental on the second side and, tbh, boring as hell. 
Which is a shame as I was really enjoying their sound. 




The 1985 Listening Post - Alan Merrill - Alan Merrill

Alan Merrill - Alan Merrill


#27
January 1985
Alan Merrill
Alan Merrill
Genre: Rock/Glam
3.5 out of 5



Highlights:
She Rocks Me
Cold Cold September
Always Another Train


This is the guy who wrote “I Love Rock and Roll”. 
Really, that should be his entire legacy right there. I mean, you put that on your tombstone, right? That’s it. Mailbox money, buy some houses, enjoy life, right?
I guess not. 
“Hard Hearted Woman”, “Keep on Coming”: Foreigner lite. The rest is white boy wanna be soul rock, a sound that seems to be pervading the middle aged rocker at this time. 


The 1985 Listening Post - Little River Band - Playing to Win

Little River Band - Playing to Win


#26
January 1985
Little River Band
Playing to Win
3.75 out of 5

Highlights:
Playing to Win
When Cathedrals Were White

I always think LRB is a country rock band because their name screams that. But, they aren’t, are they? Certainly not here, where each subsequent track sounds like they listened to Styx’s Kilgore and a LOT of latter day Yes and then, in a fever sweat, got in the studio. 
This isn’t hard to do but…this is better than The Net. 
There might be something wrong with me cuz, I actually like this album. They’ve abandoned their worst tendencies (that abysmal photo-funk of the last album) and moved heavily into Prog and, for me it works. In a way, songs like “Piece of the Dream” give a good indication of what prog would sound like in Billy Joel’s hands. 
Make of that what you will.

The 1985 Listening Post - John Hiatt - Warming Up to the Ice Age

John Hiatt - Warming Up to the Ice Age


#25
January 1985
John Hiatt
Warming Up to the Ice Age
4 out of 5
Genre: MOR Rock

Highlights:
The Crush
Warming Up to the Ice Age
I Got a Gun

Boy do I feel old listening to this. 
Maybe it’s because I’m in the waiting room of a doctor’s office and everyone walking through the door looks like they are 6 feet from the undertaker. Which is weird since this doc is the “dermatologist to the stars”. No kidding. A well known pop diva name dropped him in a People Magazine interview. 
I expected more youthful and vital people here. 
Oh yeah. John Hiatt. 
Big, clean, meticulous Soul Rock. 
Rock for the Oldies. A theme that is beginning to take shape in 1985.
Oh, and as the Elvis Costello duet cover of “Live a little, laugh a little” by The Spinners came on, the clientele of this office completely changed. 
I get it. (The office and the album)
It’s Stevie Ray, Huey Lewis, ZZ Top, John Fogerty...all fine, all aimed squarely at your father’s wallet. It’s the soundtrack to every bloated, CAA-packaged star driven, overwrought, unfunny comedy of the era...looking at you, Legal Eagles. 


The 1985 Listening Post - Mood Six - The Difference Is...

Mood Six - The Difference Is...


#24
January 1985
Mood Six
The Difference is…
Genre: Psychedelic Rock
3.25 out of 5

Highlights:
It’s Your Life


For some bands the 60s just wouldn’t end. And this is one of those bands. Psychedelic Dream Pop that didn’t know that the genre peaked with Strawberry Alarm Clock by dint of there being a band named Strawberry Alarm Clock. 
Thing is, this sound will be revisited by a Brooklyn band twenty years later and that album would be one of my favorite of the decade. Nightmare of You by Nightmare of You is this but better. Skip ahead to that album to hear what this should sound like. 




The 1985 Listening Post - Gowan - Strange Animal

Gowan - Strange Animal


#23
January 1985
Gowan
Strange Animal 
3.5 out of 5

Highlights:
Guerilla Solider
(You’re a) Strange Animal


If Russell Mael of Sparks fronted Supertramp it would sound like this record. 
I was thinking to myself how much like Styx this could sound and then I read up and learned that Lawrence Gowan replaces Dennis DeYoung as Styx’s lead singer. 
So that not a surprise. And apparently they play “A Criminal Mind” in concert to this day. It’s okay. There’s better here. 
This is listenable prog-pop but it doesn’t do much to push the envelope. 
A little of Gowan goes a long way.