Showing posts with label Split Enz. Show all posts
Showing posts with label Split Enz. Show all posts

Thursday, July 15, 2021

The 1981 Listening Post - Split Enz - Waiata

 Split Enz - Waiaita

#145

By Stephen Romone Lewis

April 1981

Split Enz

Waitia 

Allen’s Rating: 3 out of 5

Stephen’s Rating: 3.5 out of 5

Genre: Pop dressed up in Kmart brand new wave clothing. You know what I mean: no eyebrow piercings but a popsicle colored t-shirt (orange, lemon, lime, blue raspberry) with an angular design on it.   


Highlights: 

One Step Ahead

History Never Repeats

Hard Act to Follow

Clumsy

Iris


First, let me say that I hate Don Henley. 


Split Enz was labeled new wave when boomers clogged the airwaves, and any band too young to play Woodstock was pigeonholed as metal, punk or dance. Acts outside those easily definable parameters infuriated marketing departments until someone in a leisure suit came up with the catchy term for miscellaneous: new wave. 


Except for their hair, Split Enz had more in common with Paul Simon than Flock of Seagulls. Songs over wardrobe. They shared their generation’s love of quirky keyboard sounds, but the quirky sounds weren’t selling the songs, the songs were selling the quirky sounds. 


Split Enz were not virtuosos. Stoners never lost an evening arguing whose bass chops were more righteous, Nigel Griggs’ or Geddy Lee’s. Split Enz didn’t do drum solos. They didn’t even do drum fills. Waiata has a single keyboard solo. It’s impressive for its simplicity and whistle-ability. The only thing these guys show off is their songwriting skills.


I think of Split Enz as Dollar Store brand XTC, just as I think of John Mellencamp as Dollar Store brand Springsteen. There’s nothing wrong with Dollar Store products. They get the job done, but they’re not fancy and the quality is irregular. Interludes might be missing. Verses might be catchier than choruses. Waiata’s tunes are great for a jog or for background music while deleting email, but if you want songs with the emotional impact to make you pull over while driving, you need to buy name brands.


Waiata is the follow up to Split Enz breakout fifth album, True Colours, and like True Colours (and their previous four albums), Waiata is not a new wave album. It’s a pop album. Verse. Chorus. Repeat. Occasionally a composed interlude. Listen twice, and you’ll have more earworms than a Tin Pan Alley bait shop. 



If “I Got You'' is the only Split Enz song you know, Waiata may disappoint. It lacks moody paranoia. I thought that success had mellowed Niel and Tim Finn, the primary songwriters, but listening to their back catalog showed that the get-that-boy-a-Xanax chorus of “I Got You” is an anomaly.


Although Waiata’s three singles (“One Step Ahead,” “History Never Repeats” and “I Don’t Wanna Dance”) never found the international success of “I Got You,” it’s a more consistent album than True Colours: catchy all the way to the final fade-out rather than sputtering at the end. 


Cool concept behind the album’s title: they planned to release the album with a different name in every country. They would take a word from a native language in each country as the title. Their label, Mushroom, happily complied, calling the album Corroboree (Aboriginal for dance) in Australia and Waiata (Māori for “singing”) in New Zealand. A&M, who distributed Split Enz to the rest of the world, couldn’t be bothered and stuck with the New Zealand cover.


I marked Waiata Down two points because Split Enz isn’t XTC and another point because producer David Tickle set the knobs and went out for sandwiches. I added a point because there was an abundance of interesting chord changes and another half of a point because they had the courage to include two instrumentals.


In the eighties, I used to play a game like Russian roulette with the radio, I’d spin the dial to a station that MIGHT play something cool, and I either had to listen to what was playing or eat a live bug. Lucky days brought me Bowie or The Talking Heads, but, too often, I found Don Henley. No matter how many times Don insisted that Desperado let somebody love him, Desperado never did. HE NEVER DID! When will that poor, emotionally damaged Desperado come to his senses? After I gained thirty pounds, I stopped playing radio roulette, but I wouldn’t have had to quit if the radio would have played more tunes by Split Enz. Everything on Waiata is better than Witchy Woman. 


https://open.spotify.com/album/2dybMZ0J4cvVdKbSsau3y1?si=U1IcM-TCRtOSKH1lfQBvSw

 

Thursday, September 10, 2020

The 1980 Listening Post - Split Enz - True Colors

Split Enz - True Colors 



#394

by Rob Slater
June 24 1980
Split Enz
True Colors
Genre: Ican’tdecide and Neithercanthey
Allen’s Rating: 3.5 out of 5
Rob’s Rating: 3.75 out of 5

Highlights: 
I Got You 
What's the Matter with You 

Beware. Harsh review. (Or it was initially.) 

I loved Crowded House, but this leaves me thinking, “Wow, that was eclectic.” But it’s not pop or guitar enough for me. 

Side 1 
1. I Got You. Genre: OcasekPowerPop 
2. Shark Attack. Genre: SpeedMetaLite SurfNewWavePunk
3. What's the Matter with You. Genre: TheKnack FiftiesKitsch. Great Hammond B3 sound & lyrics. Never mind. What I thought I heard was way more interesting than the actual lyrics. “Gonna keep an eye on you, I'll be your dictator So you better buck up or I'll manip-you-later So beat the drum; not be the trumpet playa You gotta let go In the heat of the moment you reap what you sow” Instead of... “Gonna keep an eye on you, I'll be your dictator So you better buck up or I'll deal with you later So beat the drum and let the trumpet blow You gotta let go. In the heat of the moment you reap what you sow”
4. Double Happy. Genre: SpacePop. Could I get a Single Happy?
5. I Wouldn't Dream of It. Genre: CubanCars. Which means a hint of 50s.
6. I Hope I Never. Genre: Show Tune. Best track since “I Got You.” Rob’s listening mechanism checks out every time he gets to this point.

If somebody loaned me this LP in the early 80s I wouldn’t have made it through Side 1. Which is a shame as I like Side 2 better.

Side 2

7. Nobody Takes Me Seriously. Genre: NewWave. Decent song.
8. Missing Person. Genre: RUSHlite. Another decent song penned by Brother Neil.
9. Poor Boy. Genre: WannabeWhiteBoy 50sPopNewWave.
10. How Can I Resist Her. Genre: PowerPopJangle
11. The Choral Sea" ([Instrumental] Genre: ElectronicaDancePop Either too many repetition lyrics or no lyrics at all. 

Every song is half again too long for my taste. Which is pretty amazing considering they are all about 3 minutes! I had to sit down and skip breakfast in order to appreciate the second half.

Monday, April 1, 2019

The 1984 Listening Post - Split Enz - See Ya 'Round

Split Enz - See Ya 'Round

#321
November 1984 (Housekeeping)
Split Enz
See Ya 'Round
3.75 out of

Highlights:
Breakin' My Back
I Walk Away
Years Go By
The Lost Cat
Ninee Knees Up


Tim Finn sucks.

Sorry. Every Split Enz review needs to start with that. So we can all be on the same page.
Tim Finn is bad. He's everything that has ever been bad in "New Wave" music.
Ok.
Whew.

This is the last Split Enz album, since they "split" after this. You know why it's actually not bad?

No Tim Finn songs.

This is pre-Crowded House Crowded House.
I like this as much or more than any previous Split Enz album.

You know why?

No.
Tim.
Finn.

That can be the only explanation.

On the second side we get songs written by the other members of the band. Starting with Eddie Rayner's "The Lost Cat", a haunting meditation instrumental (Excellent), Nigel Griggs' "Adz", better synth-pop than anything Tim has ever done (and it's still mediocre), Paul Hester's goofy, "This is Massive" and Noel Crombie's silly "Ninnie Knees Up", with a Neil Finn trinket " Kia Kaha" in between and even those pieces aren't bad enough to call to mind the worst of Split Enz's past. In fact, their inclusion elevates the album simply for existing and being fun.

https://www.youtube.com/playlist?list=PLm9smEh4bd5hRmHSMYUXZET5PFk1j56Kjv=WoBE4kBuGRg&list=PLm9smEh4bd5hRmHSMYUXZET5PFk1j56Kj&index=11

Monday, January 14, 2019

The 1983 Listening Post - Tim Finn - Escapade

Tim Finn - Escapade

Tim Finn
Escapade
1.6 out of 5
There’s a theory I and my friend, Kristen, have about Tim Finn. That whenever his brother, Neil, starts to have success (Split Enz, Crowded House), his mother calls him and tells him to let his older brother play with him.
Then Tim comes in and frankenstein makes everything sucky.
Now I know this is untrue since Tim started Split Enz but he did join Crowded House and the former was only good when they performed Neil’s songs and the latter started to suck because, well, Tim.
Maybe none of that is true but Tim is the weaker Finn. And this album doesn’t prove that otherwise.
Made My Day comes closest to anything I’d ever want to listen to again, like 4th rate Rupert Holmes.

The 1983 Listening Post - Split Enz - Conflicting Emotions

Split Enz - Conflicting Emotions

November 1983
Split Enz
Conflicting Emotions
2.5 out of 5
Highlights:
Our Day
Conflicting Emotions
There are two words to describe why this is such a weak ass record:
Tim
&
Finn.
Are they a jazz combo now? Oh, that’s just for one song.
I hate 1983
If, like me, you don’t care for Split Enz work and thought Time and Tide and Waiata and True Colors were all fairly mediocre, this one isn’t gonna change your mind.
I will say that at least “Conflicting Emotions” is interesting from a soundscaping perspective.