Showing posts with label Robert Palmer. Show all posts
Showing posts with label Robert Palmer. Show all posts

Thursday, September 10, 2020

The 1980 Listening Post - Robert Palmer - Clues

 Robert Palmer - Clues 


#343

by Tom Mott
Robert Palmer 
Clues 
Genre: "Sexy-Rock” 
Allen’s Rating: 4 out of 5
Tom’s Rating: 4.75 out of 5

Allen’s Highlights:
(All of Tom’s +) Sulky Girl


Tom’s Highlights: 
Looking for Clues 
Johnny and Mary 
What Do You Care 
Woke Up Laughing Rating: 

I loved the title track on MTV. It was something not quite understood that begged to be figured out. Like the Meat Puppets five years later. Or Mike Kelley at MOCA s couple years after that. You like it, but you're confused. It reeks of Ze Records. Mutant Disco. No Wave. Lizzy Mercier Descloux. A 5-minute title track with a marimba solo in the middle? Who does that? Well yes, Oingo Boigo did that. And ok, the Violent Femmes did that. Oh fine, Under My Thumb. Fuck, there's a playlist in there somewhere. 

 This falls on the fashion model side of hip, not the boho (hobo) fuckup "I've got cockroaches in my fifth-floor walkup" side of hip. It's the Tom Tom Club side of Talking Heads. It reminds me of the two models I saw walking through the Louvre in 1989, and in that moment I glimpsed the future life I knew I was never going to have. The world where Grace Jones and Andy Warhol and Jim Jarmusch are all hanging out having a laugh. Ce n'est pas la vie. 

 This album unfolds upon repeated listens. Especially with alcohol! It's multi-tracked and mumbled and oozes style. Rubber Soul sounds like pot. Velvet Underground sounds like heroin. The Long Run sounds like cocaine. License to Ill sounds like a lot of beer. This sounds like a decadent amount of cognac. Not annoying Kim Kardashian table service cognac. More like Eartha Kitt on LSD levels of cognac. This album is proof of an alternate universe where Robert Palmer fronted the Talking Heads. 

Spoiler alert: They have a lot more fun. This is 1980 but fuck me if it doesn't sound like 1986. Google it and .. oh! Gary Numan. Jerry Harrison. I didn't know that. Cheating! Track by track Looking For Clues - A thing unto itself Sulky Girl - Emotional Rescue era Stones Johnny and Mary - Sparks meets Talking Heads What Do You Care - Sounds an awful lot like Looking for Clues. Slow it down, add crunchy guitar and this will simply become ... irresistible I Dream of Wires - Gary Numan Woke Up Laughing - A hypnotic little electric kalimba sort of thing Not a Second Time - Above-par filler Found You Now - Matt Johnson hears this and says "Hold My Beer." This is a good album. Please [don't] mail alcohol to me. I will drink it.

Thursday, September 12, 2019

The 1985 Listening Post - Robert Palmer - Riptide

Robert Palmer - Riptide


#468/1101
November 25 1985
Robert Palmer
Riptide
Genre: Rock
2.5 out of 5


Highlights:
Addicted to Love

So, here it is, right? This is the one that righted the Palmer ship, I guess. It starts off weird, like he’s aping Harry Nillson on the title track.
But it’s laconic and cute and before you can say, “this is why I hated Pride and everything you’ve done the last few years save for Clues, it brings in it’s crunch and punch. 
I just wish I liked it more. I want to. If for no other reason than Palmer uses people I like. Covering and Co-writing Gary Numan. Working with Bernard Edwards who would work with Adam Ant on the ill fated Persuasion. 
By the time we get to the hit I’m not sure if I like it or if it’s 80s radio ubiquity beat me into submission. “Addicted to Love” sounds like an 80s cable network cop show theme. Or did they all rip this song off and they sound like it?
I don’t know. It’s pretty dated. 
But the Chic influence is so evident. Especially on “I Didn’t Mean to Turn You On” & “Flesh Wound”.  



Sunday, May 5, 2019

The 1985 Listening Post - The Power Station - The Power Station

The Power Station - The Power Station


#83
March 25 1985
The Power station
The Power Station
Genre: Dance rock
3.75 out of 5

Highlights:
Some Like it Hot
Get it On (Bang a Gong)

Dance music with guitars. But realllllly well produced. 
Heavily front loaded to the point where I wished it would’ve just been an EP.
The hits hold up, the rest not so much but I have to give them credit. They took a 10 year old song and made it into a vibrant, dance rock gem. 
The rest? I don’t expect much from Robert Palmer so, I was not disappointed. 


Wednesday, January 16, 2019

The 1983 Listening Post - Robert Palmer - Pride

Robert Palmer - Pride

#265
March 1983
Robert Palmer
Pride
2.5 out of 5

Highlights:
Want You More
The Silver Gun

If you record an album in the Bahamas, it’s probably gonna sound like it was made in the Bahamas. The title track is all steel drums and rhythms (what the fuck is it about the early 80s and rhythm tracks. Is this where VCVBVC songs died?) Then Deadline is the whitest reggae I’ve heard in a while and a redux of “Looking for Clues” (which was on a spectacular album). The ominous “Want You More” is somewhat treacherous and “It’s Not Difficult” is a healthy New Wave Rock entry (“Say You Will” sounds like a cutting room entry from the Clues sessions) but this whole thing is hit or miss. But, Palmer is always challenging himself to try new things. He does that here. I guess that’s to be appreciated.

There’s little need for this.
That said, the electronica bit at the end, "The Silver Gun" is something out of the ordinary and very welcome.

https://itunes.apple.com/us/album/pride/5239945