Showing posts with label Camel. Show all posts
Showing posts with label Camel. Show all posts

Friday, October 23, 2020

The 1981 Listening Post - Camel - Nude

Camel - Nude 



#24

January 1981

Camel 

Nude

Genre: Prog

2.25 out of 5


Highlights:

Drafted



I took a break from listening to music from the 80s. About a solid week, actually. A palette cleanser. Well, if you call 00s emo “cleansing”. I needed it. 1981 hasn’t been a boffo year so far. It feels like a hangover from a great decade opener.

So. I took a break. 


I came back to this record.


Lemme ask a question: Outside of Green Day’s two concept opuses, is story driven novel rock solely the wheelhouse of prog? And, if so, what’s the compunction to play music that is soft and loose and complex and also based entirely on telling a story? Marillion and Floyd and a host of others do this. And, I’ve stated before, I have a great deal of trouble following stories that are made in this format. I want to enjoy the music but I also feel like I have to spend extra time reading and then absorbing through poetry. 

This one follows the true story of a Japanese soldier who is marooned on an island and doesn’t know the war has ended. 

A lot of it is instrumental so if you don’t know what’s going on, the album sure ain’t gonna help you. Onooda was the penultimate soldier to surrender. In 1974. I wish the album was a more interesting depiction of what sounds like a great story. But it’s not. The Wikipedia entry does a better job of that. 


YouTube: https://www.youtube.com/watch?v=Vm7eV8JFFvI&list=PLlvn8uktX5Ltf36AwIMB-TXGaNPCgmehs

Saturday, February 2, 2019

The 1984 Listening Post - Camel - Stationary Traveller

Camel - Stationary Traveller


#102
April 13 1984
Camel
Stationary Traveller
3.25 out of 5

Highlights:
Pressure Points
Missing

What starts out with an epic synth driven overture gives way quickly to pedestrian prog. Ostensibly a concept album about German refugees trying to cross from East Berlin to West Berlin this lacks the requisite menace for the subject matter. 
When the album does successfully emulate the frenetic energy it’s beset by pretty pedestrian lyric work (“Cloak and Dagger Man”) and then there are the songs like “Fingertips” which I struggle to see how they fit into the narrative. If they even do. 
It speaks volumes that the best tracks here are the instrumentals. 

https://www.youtube.com/watch?v=RNcAtSOIht4&list=PL8a8cutYP7fqP6zirQYeppsnSt_DCtkIe