Showing posts with label Hazel O'Connor. Show all posts
Showing posts with label Hazel O'Connor. Show all posts

Friday, March 4, 2022

The 1981 Listening Post - Hazel O'Connor - Cover Plus

 Hazel O'Connor - Cover Plus



#442

September 1981

Hazel O’Connor

Cover Plus

Genre: New Wave Pop Kate Bush

2.5 out of 5



Hazel’s back and that means my buddy Andy’s back. Well, he’s not a buddy. I sold him a window air conditioning. His wife was someone I met on the Prodigy Queen boards about 30 years ago. 

That’s crazy. 

30 years. 

I am still friends with her on Facebook. Along with her other husband, the guy she married after the first one died. 

I don’t really know anything about them beyond these things…and that she was a Queen fan. And that she married the guy from Icehouse.

He has a Wikipedia page.

I feel like I should have a Wikipedia page. Why don’t I? 

I would think someone would have made one by now.


Oh, the record’s over. 


Okie doke. 


There’s a reason we don’t talk about Hazel much. Not even during 1981. She’s just…not great. What she comes across to me is as a cross between Kate Bush and Russell Mael. But without the grace of the former or the humor of the latter. Listen to “Ee-I-Adio” for an example of this. 


Amanda Palmer owes a bit to Hazel. 





https://music.apple.com/us/album/cover-plus/1309840279

Friday, July 17, 2020

The 1980 Listening Post - Hazel O'Connor - Sons and Lovers

Hazel O'Connor - Sons and Lovers


#211
1980 Housekeeping
Hazel O’Connor
Sons and Lovers
Genre: New Wave
3.5 out of 5


Highlights:
D-Days
Who Will Care?

Requisite 80s Cover: “Danny Boy”. Sure. Why not? In this bizarro hodgepodge, this is a perfect addition.

We didn’t review Hazel’s debate because it’s a soundtrack but, listening to this, maybe we should have. I have no frame of reference for an artist who put out two records in 1980, one of which was produced by Tony Visconti. This one isn’t that. Instead it has Andy Qunta on keyboards (I sold him an air conditioner and he married an acquaintance of mine!!) and Gary Tibbs of Adam and the Ants, played bass. And it’s produced by Nigel Gray of The Police, Siouxie and Godley and Creme among many others. And he was a medical doctor!
Come on!
This a weirdly rewarding album that I would happily play alongside Romeo Void. It’s disjointed as hell and suffers from too much devotion to theater but I think that’s what I like about it. 
Hazel has been acting and recording for 4 decades.