Showing posts with label Rough Trade. Show all posts
Showing posts with label Rough Trade. Show all posts

Wednesday, August 3, 2022

The 1981 Listening Post - Rough Trade - For Those That Think Young

Rough Trade - For Those That Think Young 


#632

By Chris Roberts

December 30 1981

Rough Trade

For Those That Think Young

Genre: Synth Pop

Allen’s Rating: 2 out of 5

Chris’ Rating: 3 out of 5


Rough Trade, the musical act, is known for explicit, bondage-themed rock that verges on theatrical camp. Divine of Pink Flamingos fame appeared on stage with them! Rough Trade’s biggest hit, “High School Confidential,” reminds me of The Rocky Horror Picture Show—I’ve danced the Time Warp after midnight, although I don’t consider myself a big fan. I see musicals reluctantly (La La Land and Umbrellas of Cherbourg are two I love). Even with all the hype, I’ve never seen Book of Mormon, Mamma Mia or Hamilton—I’m saving my money for the Planet of the Apes musical (I love you, Dr. Zaius!). Back to Rough Trade. “High School Confidential” is the only Rough Trade song I was even vaguely aware of, and while it was a hit in 1981, it’s not on this album—it’s on 1980’s Avoid Freud (previously reviewed by Paul Zickler). This album, which RT planned to call For Those That Think Jung, is their follow up, and kicks off with their second biggest hit,  “All Touch.” You might not remember “All Touch” from 1981, because it didn’t arrive in the US until 1983, and peaked at number 58—I know I didn’t.


Compared to “High School Confidential,” everything on FTTTY, including “All Touch,” sounds 80’s generic. The exception is Carole Pope’s over-the-top vocals. I don’t get everything she’s singing about, but Pope sounds entertaining, and I bet the live shows were crazy. The more I read about Rough Trade, the more I felt like FTTTY doesn’t seem like a good document of their legacy. The album feels more like a bid for mainstream airplay, where all the fun edges have been taken off—but I suspect that many Rough Trade fans were eager to see themselves represented in mainstream entertainment.


https://open.spotify.com/album/422Q3aZiasLfXGBq4nsASb?si=gQjpmpn2TQSV7dTnxgw_UA

Friday, September 11, 2020

The 1980 Listening Post - Rough Trade - Avoid Freud

 Rough Trade - Avoid Freud


#413

by Paul Zickler

October 13 1980

Rough Trade

Avoid Freud

Genre: Sexy/Schlocky Canadian New Wave

Allen’s Rating: 2.5 out of 5

Paul’s Rating: 3.75


Highlighted Songs: 

High School Confidential

Emotional Blackmail

B Grade Movie





“High School Confidential” was a 1958 film starring Russ Tamblyn and Mamie Van Doren, featuring Jerry Lee Lewis as himself, best known for the beat poet slang and evil reefer madness of its teenage characters. I’ve never seen the film, but based on Rough Trade’s signature song of the same title, I assume there’s also a lot of sexual tension. “She’s a cool, blonde, scheming bitch. She makes my body twitch… You can hear her stilettos click. I want her so much I feel sick.” Of course, the ‘80’s twist comes from hearing these words sung by a (gasp!) lesbian lead singer, the rather breathless Ms. Carole Pope. If you close your eyes, though, it’s pretty easy to imagine Tim Curry as Dr. Frank-N-Furter singing, “What’s the principal doin’ with her? Is he screwin’ with her? What’s her perfume? Tigress by FabregĂ©. It makes me cream my jeans when she comes my way.” Musically, it’s actually a pretty solid tune, reminiscent of those late ‘70’s Tubes records. I’m pretty sure it’s the one Rough Trade song most likely to be on a Best of the ‘80’s collection, and rightfully so.


Your tolerance for the rest of the album depends on how you feel about Pope’s campy, over the top delivery of virtually every line of every song. Imagine a very drunk Chrissie Hynde performing in a Berlin nightclub without a mic, except instead of clever wordplay she’s singing stuff like, “You can’t manipulate me! Is it merely physical violence? I’ll be your dominatrix!” while the rest of the band yells “Physical!” over and over again. I mean, that could actually be entertaining in a kooky sort of way. 


Not every song fits the new wave template. There’s a sort of bluesy rocker called “I Can’t Take It,” complete with rolled piano chords and finger snaps. Of course, the lyrics go, “Been lyin’ in my own vomit on the bathroom floor. I had a revelation! You know I can’t (shrieking) baby baby baby! Take it no more.” And “B Grade Movie,” the final track, explores even weirder territory with a soundtrack-ish vibe, spoken narration, inexplicable forays into bad British accents, and clearly tongue in cheek (I hope!) lyrics: “That white shirt unbuttoned at the collar, revealing the tanned expanse of your chest… Your swelling manhood rising in your bleached out jeans.” Um, yeah. Again, there’s entertainment value here. I can see why this band ended up in an SCTV sketch, although sadly I can’t find it online. 


Lest you think she’s merely a sex maniac, there’s the album’s attempted first single, “What’s the Furor About the Fuhrer?” I say “attempted” because, according to Wikipedia, when it was released, “radio stations flipped the single over and played the B-side.” I guess Canadian Top 40 wasn’t ready for lines like “White Baptists, screaming fascists” or “Hitler’s legacy is ours, we’re under corporate control.” I gotta say their punk cred increased substantially for me when I heard this one. I mean, it’s not a very good song, but major points for trying. And “Fashion Victim” feels pretty tame and silly in comparison (“You hate my avant garde friends / They understand and appreciate me / We’re all victims of fashion.”). 


There are some fairly delicious musical moments, such as the Power Pop guitar intro to “Emotional Blackmail,” which sadly fades into the background when Carole begins screaming, “What the hell do you want? I’m-uh p-paralyzed when you-uh call my name-uh.” We get it, she listened to a lot of Ziggy Stardust era Bowie. And did I mention she’s a lesbian?! 


Overall, Rough Trade remains novel and entertaining in a kitschy way for approximately 19 of the album’s 35 minutes. The band’s new wave chops sometimes keep things afloat, but ultimately this is definitely a “your mileage may vary” situation. I found myself feeling some serious Carole Pope fatigue by the end. And no, I have no idea what the title means, other than it rhymes, eh? 


https://open.spotify.com/album/7quqMG6qpJpYnMYK8XU12F?si=AU_eiaiqRk6Ne9S5rRCQ_Q