Showing posts with label The Allman Brothers. Show all posts
Showing posts with label The Allman Brothers. Show all posts

Friday, February 25, 2022

The 1981 Listening Post - The Allman Brothers - Brothers of the Road

 The Allman Brothers - Brothers of the Road



#384

By Brian Kushnir

August 1981

The Allman Brothers Band

Brothers of the Road

Genre: Rock Gone South

Allen’s Rating: 2.5 out of 5

Brian's Rating: 2 out of 5


Highlights: 

Leavin’



10 hot takes on The Allman Brothers Band's “Brothers of the Road”



These are not the Allman Brothers you’re looking for.


Starts with promise, but give it 10 seconds and you’ll be disappointed. 


The Brothers of the Road straight to nowhere.


Is this the Allman Brothers or Doobie Brothers?  


Steve Martin may have been listening to this when he got the idea for his book, “Pure Drivel.”


Profusely dull, lachrymose, misguided, empty, and wrong.


It's obvious this was released before the advent of Viagra because it is positively flaccid. 


There is a moment where the band clicks into a groove on Leavin’, but that’s an eccentric aberration.  


The patented Dickey Betts guitar solo(™) is reduced here to a bleating, repetitive cry for help.  


Sometimes I feel like I’ve been tied to the Listening Post. 


https://open.spotify.com/album/6c7Tr0ltE8TX2x3loUeFgW?si=3O0mssITStCawuNCRcS73g

Saturday, August 29, 2020

The 1980 Listening Post - The Allman Brothers - Reach for the Sky

 The Allman Brothers - Reach for the Sky


#320

August 1980

The Allman Brothers

Hell or High Water

Reach for the Sky

Genre: Southern Rock

3.25 out of 5



Highlights:

From the Madness of the West

I Got a Right to Be Wrong





What is the difference between “Southern Rock” and “Country”? I know I’ve asked this before. Well, we are back to it, because this is the epitome of that question, for me. 

Whatever was happening in the 70s to bring “Southern Rock” to the forefront is obviously ending. That love affair that was the soundtrack to every Smokey and the Bandit montage and Clint Eastwood comedy (remember those???) was ending and maybe it wasn’t a moment too soon, as the songs were just excuses to hang lead guitar riffs. 

Some of this is fairly dynamic, case in point the instrumental “From the Madness of the West” while songs like “I Got a Right to Be Wrong” and “Angeline” are attempts at burning barns by guys who can write this stuff in their sleep. 



https://music.apple.com/us/artist/the-allman-brothers-band/127835