Showing posts with label Golden Earring. Show all posts
Showing posts with label Golden Earring. Show all posts

Friday, September 11, 2020

The 1980 Listening Post - Golden earring - Prisoner of the Night

 Golden Earring - Prisoner of the Night


#408

by Chris Roberts
October 6 1980
Golden Earring
Prisoner of the Night
Genre: ….rock.
Allen’s Rating: 4 out of 5
Chris’s Rating: 2.888887 out of 5


Highlights:
My Town
Going Crazy

Again I think this might be the most generic rock album I have ever heard. Like all good Americans, I know The Golden Earrings from two songs. “Twilight Zone,” which I taped off KIIS-FM in the early 80’s, and “Radar Love,” which I remember hearring on KMET and KLOS around the same time. “Radar Love” a pretty good road trip song. “Twilight Zone” has a fun groove. I didn’t not put it together that these songs were from the same band, recorded 10 years apart, until much later, when it didn’t matter. I can tell you, it will never matter. These songs exist. Both are OK as far as mainstream rock hits. Not embarrassing, but pretty much just radio filler for most folks.

All this is to tell you that Prisoner of the Night, came out in 1980, between these two US hits. So you understand my expectations. I can find almost no reason to listen to this in 2020, and yet, it’s not bad music. If you still love classic rock radio, this might be your jam. They’re crisp and competent, the production isn’t overly dated. It sounds like they would have been fun live.

(Digression: During my review, I found out at that KISS opened for GE in the 70s. Some people say that their 1973 album Moontan is really good, and I just sat through their epic, sprawling early 70s cover of “Eight Miles High”... So maybe there’s something here, it’s just not this album.)

On the first side, the songs rock OK, like lesser Cheap Trick or Bon Jovi. The first two songs, “Long Blonde Animal” and “No For An Answer,” make me feel gross just typing the titles. Since neither of these GE songs passed into public consciousness, a cancel-call would only get GE more plays, but GE feels specifically creepy...Then I noticed their 2012 album was called T**ts N Ass, so I guess this is all baked into GE’s identity. So it’s fine... the main thing is that there’s just no need to listen to these two songs. Or, if this review has made you curious (seriously?) try the title track. It sounds a little like Spinal Tap but not as funny, but not terrible either.

The highlight of the first side is “My Town.” It had that ”Are you ready to rock, Springfield? How about that local sports team!” Generic kinda vibe. But then there was this lyric about big girls in the red light, and I discovered GE is Dutch, and this song is actually about The Hague, and has some The Hague-specific lines. I liked the song even more after that, because it still feels like they’re singing about Springfield.

On the second side, you might mistake GE for The Alarm, both on “Will & Mercy” or the closer, “Going Crazy Again.” That could be a trigger (my wife has barred Electric Folklore Live from our shared spaces since the 90s.) but “Going Crazy Again” is a crazy-perfect arena rock concert closer, and it made me miss all those mega-shows down at the local sports team arena. Or at least Electric Folklore Live.


Saturday, December 7, 2019

The 1986 Listening Post - Golden Earring - The Hole

Golden Earring - The Hole



#190/1355
May 1986
Golden Earring
The Hole
Genre: Rock
4.25 out of 5 (bite me)


Highlights:
Save the Best for Later



Does anyone wanna guess how long Golden Earring’s been around?
By the time of this record the band had been around for 25 years. Yes. You read that right. And their first album was put out in 1965. The Hole is their 18th record. I don’t know how you keep sounding fresh after 2 records, tbh. I haven’t been much of a fan during the past 5 or so but they’re pretty big in Holland, I guess. 


There’s something about “Save the Best for Later” that seems to anticipate 90s rock, representing a sport of weigh Station between glam and 90s Smashing Pumpkins style rock. 

Like them or not, Golden earring knows what’s working in the genre and have a sense on how to mine it. They have picked up bon Jovi‘s style on “Have a Heart” and the Tubes’ goofiness on “Jump and Run” and ELO’s methodical mid tempo rock on “Why Do I”. 
For a bunch of antediluvian rockers, I found this record weirdly charming. 






Tuesday, January 29, 2019

The 1984 Listening Post - Golden Earring - N.E.W.S.

Golden Earring - N.E.W.S.


#65
March 1984
Golden Earring
N.E.W.S.
2.25 out of 5


Opening with a song that sounds so much like “The Twilight Zone” I am nervous that this album is an attempt to recreate the success of that middling record from 82. 
I’m sure there are Golden Earring fans out there. Like, die hards. Mostly from Holland, I imagine. And this must be a fine entry for them. If “Radar Love” and “Zone” didn’t turn you into adoring consumers of what they are selling, this isn’t going to be the album that suddenly changes that.
I bet they thought they were being super-edgy on “Fist in Glove” and “Orwell’s Year” and the title track but those are  just annoying aural assaults by a band that seems to have lost whatever script they were following. 
 While there is another song titled after a popular golden age television show “Mission Impossible”, it’s so bereft of anything interesting that it render the band callous and craven. 
Weirdly, the last song, “It’s Over Now” (which I applaud as I would any band that tells it’s audience that they made through a piece of garbage and they are done) sounds almost NOTHING like anything I’ve heard GE lay down, unless I’ve forgotten. It almost sort of kinda works.