Friday, January 17, 2020

The 1986 Listening Post - Savage Grace - After the Fall from Grace

Savage Grace - After the Fall from Grace



#312/1992
July 1986
Savage Grace
After the Fall From Grace
Genre: Power Metal
3.5 out of 5


Highlights:
After the Fall From Grace
Destination Unknown


Apparently this band’s name was suggested by none other than Randy Rhodes, whose older brother was the guitar player until he wasn’t. And he didn’t record with them. But they kept the name. 
This is only slightly better than their first. It’s devil horn metal, baby! And we have way too many of them anyway. 
And this is recorded in a bathroom. Or sounds like it. 
Why are there so many power metal albums, which feature such massive instrumentation, but are crushed under the weight of shitty production? How did that happen?




The 1986 Listening Post - Cryptic Slaughter - Convicted

Cryptic Slaughter - Convicted



#311/1991
July 1986
Cryptic Slaughter
Convicted
Genre: SpeedMetal/Punk
4.25 out of 5



Highlights:
Lowlife
Rage to Kill
Nation of Hate



Is it Metal? The songs have actual groovy structure that pokes out every once in a while but, then…is it punk? Because it’s all screaming and thrash for the sake of thrashing? 
I think they are trying to be something new and I’m all for that. But…listen to “Lowlife” and tell me that it’s not two genres fighting each other for dominance. 
But, I also sort of like it. 
I can’t recall anything moving this fast. I don’t know if they invented this sound but they are surely the godfathers of it if anything. 
Okay, I just read up on these guys and…holy hell, they formed the band 2 years before when the oldest was 17. The drummer was 14. The guitarist was 15??! So, when they recorded this record only one of them was over 17 years old or something like that.
That’s fucking amazing. 
This is a pretty relentless assault, better suited to an EP but, for what it is, it’s terrific. 


The 1986 Listening Post - Van Morrison - No Guru, No Method, No Teacher

Van Morrison - No Guru, No Method, No Teacher



#310/1990
July 1986
Van Morrison
No Guru, No Method, No Teacher
Genre: Soft…rock?
2.5 out of 5



Highlights:
In the Garden

When do we get to take Van off this list? 


If you are new here you will come to learn that I talk about my youth a bit. Mostly about summers I spent in Bar Harbor, Maine. Truly the most indelible and excellent part of my young existence. It’s there that I learned about love, requited and unrequited (on my and her part, truly). I made life long friends, although I haven’t been there for over 30 years. I might never go back, since I don’t want to spoil the memories. 
It’s there my father died suddenly, away from all of us. It’s a memoir in the wings. 
I spent spare time sweeping up the local movie theater, for which I was compensated in movie passes. 
The rest of my time was spent working in the store my parents managed. 
I used to say they “had a store there” because I was embarrassed that my father was just the manager of a tchotchke store and a T-Shirt place. But that job put me through college (sorry for wasting your money, dad). And it taught me about retail and people. Tools I have used my entire life. 

In any store I would try as hard as I could to get music played that interested me. Queen II was on the turntable when I worked there, putting decals on plain T’s. The Clash. X. But that usually chased customers away and we were forced to play local radio which, in the early 80s was all soft rock and gentle, inoffensive pap. 

That’s this record. You could easily make purchase decisions with this thing on in the background and not get too distracted.


The 1986 Listening Post -R.E.M. - Lifes Rich Pageant

R.E.M. - Lifes Rich Pageant



#298/1423
July 28 1986
R.E.M.
Life’s Rich Pageant
Genre: Retro Paisley Revival
5 out of 5


Highlights:
Begin the Begin
These Days
Hyena
I Believe
Swan Swan H

Requisite 80s Cover:
Superman by The Clique. Who? Yeah. This is how you do a cover. Bring something to the world that we either know and need to hear with different ears or unearth a hidden gem.



4th year of college my roommate and I had separate rooms in the new dorms on 3rd ave. He painted the walls with images and drawings and I think he had a friend come and do some murals. The entrance to my room was stenciled with the lyrics to “I Believe” from this record. Our answering machine message were lyrics we wrote to accompany the first 30 seconds of “Underneath the Bunker”. (“we’re not home right now…you can leave a message….talk to the box…for Richard and Allen.”)
It might have been the most important record (to me) in that year. 
You can actually hear and understand Stipe and he sounds great. After listening to so much new Paisley music I hear the Byrds influences as I never did before. “Fall On Me” fell out of 1968, no? The album is grown from the moss of late 60s rock and yet, it’s something else. It’s aggressive and staunch and political in a way that we desperately need today. It’s weird how this album, along with others, ushered in the “alternative” sound when it’s really so steeped in classic 60s Americana.
One only needs to listen to “Hyena” to realize just how important Bill Berry was to this band’s success. Without him…well…maybe we’ll get there.

After this it was all afterthought for REM in my life. And we will get to those. This was their penultimate record for IRS. But it feels like the climax to me. Everything from their EP to their groundbreaking debut to the second chapter follow up to the often misunderstood third brings us to this, an album about which I once wrote “Seemingly to atone for the shite that was their previous record, REM brought in rock producer, Don Gehman, got their Cause celebre on and gave their fans the album we had been waiting for. The anthem for our generation. We almost didn't get it. U2 decided to be the GREATEST ROCK BAND IN THE WORLD. REM decided to be artists. And a great rock band. And, oh, yeah, the voice of an entire generation. Pissed at the way the native Americans were treated. Pissed at pollution. Pissed at Reagan. Just pissed. And LRP expressed that. In bloodlettings like "These Days" and "Hyena" and "Just a Touch" they proved they had the chops and they could chop hard. In conscience tracks like "Fall on Me" and "Cuyahoga" they proved they had something to say and mumbling wouldn't cut it anymore. They had the balls to record a cover, "I Am Superman". They even had a sense of humor, "Underneath the Bunker" and "I Believe”.
On Life’s Rich pageant, REM proved that they could do it on a stadium level. That's what's most important about LRP. It jettisoned REM from Leaders of the Alternative Pack to actual stadium rockers. With light shows and courage and anthems. They were OUR heroes. Our Springsteens. Our Zeppelins. Generation X finally had their own idols and could consign those others to "classic rock" radio.”

I (still) believe.



The 1986 Listening Post - Bananarama - True Confessions

Bananarama - True Confessions



#309/1989
July 1986
Bananarama
True Confessions
Genre: Pop
3.75 out of 5


Highlights:
In a Perfect World
Venus


Requisite 80s Cover:
Venus. Their biggest hit. 




I was really looking forward to this one because of the massive success of “Venus” but it takes a long slog through some smooth jazz to get there. 
The entire first side is pleasing enough, but amounts to not much more than pristine harmonies in near Muzak form. However, it does end on a dark and dour track, “In a Perfect World” and I get the sense that the buoyant bubblegum of the past is just that. The Bananas have experienced more of the world and this is their reaction to it. 
But then there’s Side Two, the one with the massive hit and I am really curious as to why they didn’t choose to open the album with it. I was so bored by the end of the first half that I wished I could just dump out. Save the serious, dark stuff till you have them hooked. 
Oh, well. The Second side is nice, bouncy pop fun. 



The 1986 Listening Post - Spacemen 3 - Sound of Confusion

Spacemen 3 - Sound of Confusion



#308/1988
July 1986
Spacemen 3
Sound of Confusion
Genre: Psychedelic Shoegaze
3.75 out of 5


Is it just me or does this remind anyone else of Galxie 500? With more edge, you know? No? Just me? Ok. My brain is fried. Not just because I’ve listened to close to 2000 records in, like, a year and half, but also cuz….
No…wait. That’s exactly why.

The covers of “Mary Anne” by Juicy Lucy and “Little Doll” by the Stooges are really the best stuff here. 
It’s almost really good but it feels like they haven’t figured it out yet.


The 1986 Listening Post - Elixir - Son of Odin

Elixir - Son of Odin




#307/1987
July 1986
Elixir
Son of Odin
Genre: Metal
3.5 out of 5




Guy, we don’t need another Maiden. There’s a Maiden. And a Mercyful Fate. And a bunch of other bands like that and pssst…..that’s not what’s happening in Metal, really, anyway. Chukka-chukka has given over to thrash and you’re not bringing anything new to the party. 
Zzzzz…..



Tuesday, January 14, 2020

The 1986 Listening Post - Peter Murphy - Should the World Fail to Fall Apart

Peter Murphy - Should the World Fail to Fall Apart



#306/1986
July 1986
Peter Murphy
Should the World Fail to Fall Apart
Genre: Post-Rock
3.5 out of 5


Requisite 80s covers:
Magazine’s “The Light Pours Out of Me” and Pere Ubu’s “Final Solution. 
Real Life is a great album but nothing really struck me as fantastic. Murphy puts a nice spin on it. 
The latter track is a PU song that I’ve never heard but I’ve heard OF. It’s probably the most engaging track on this record. 

I really really really really didn’t care for Dali’s Car so I have to wonder what this will be like. 

First thing that jumped out at me:
That bassline on the opening track is right out of Gary Numan’s Dance album. “Slower to China”, if I’m not mistaken. 
Murphy’s voice sounds less like what I recall and more like someone trying to ape…well…Bowie. But weren’t they all? Only he sounds more like Russell Sparks channeling Bowie.


In the early 00s I recall listening to Sea Change by Beck and being really pissed off because the songs were lovely but Beck insisted on putting computer gleeps and the like on it so it would have requisite weirdness and Murphy is doing that here. I think he’s fine without the synthesizers that sound like kazoos, if we’re being honest. 

Somewhere between lesser Peter Gabriel and Barely tolerable Gary Numan lies this record.




The 1986 Listening Post - R.E.M. - Lifes Rich Pageant


R.E.M. - Lifes Rich Pageant


#298/1423
July 28 1986
R.E.M.
Life’s Rich Pageant
Genre: Retro Paisley Revival
5 out of 5


Highlights:
Begin the Begin
These Days
Hyena
I Believe
Swan Swan H

Requisite 80s Cover:
Superman by The Clique. Who? Yeah. This is how you do a cover. Bring something to the world that we either know and need to hear with different ears or unearth a hidden gem.



4th year of college my roommate and I had separate rooms in the new dorms on 3rd ave. He painted the walls with images and drawings and I think he had a friend come and do some murals. The entrance to my room was stenciled with the lyrics to “I Believe” from this record. Our answering machine message were lyrics we wrote to accompany the first 30 seconds of “Underneath the Bunker”. (“we’re not home right now…you can leave a message….talk to the box…for Richard and Allen.”)
It might have been the most important record (to me) in that year. 
You can actually hear and understand Stipe and he sounds great. After listening to so much new Paisley music I hear the Byrds influences as I never did before. “Fall On Me” fell out of 1968, no? The album is grown from the moss of late 60s rock and yet, it’s something else. It’s aggressive and staunch and political in a way that we desperately need today. It’s weird how this album, along with others, ushered in the “alternative” sound when it’s really so steeped in classic 60s Americana.
One only needs to listen to “Hyena” to realize just how important Bill Berry was to this band’s success. Without him…well…maybe we’ll get there.

After this it was all afterthought for REM in my life. And we will get to those. This was their penultimate record for IRS. But it feels like the climax to me. Everything from their EP to their groundbreaking debut to the second chapter follow up to the often misunderstood third brings us to this, an album about which I once wrote “Seemingly to atone for the shite that was their previous record, REM brought in rock producer, Don Gehman, got their Cause celebre on and gave their fans the album we had been waiting for. The anthem for our generation. We almost didn't get it. U2 decided to be the GREATEST ROCK BAND IN THE WORLD. REM decided to be artists. And a great rock band. And, oh, yeah, the voice of an entire generation. Pissed at the way the native Americans were treated. Pissed at pollution. Pissed at Reagan. Just pissed. And LRP expressed that. In bloodlettings like "These Days" and "Hyena" and "Just a Touch" they proved they had the chops and they could chop hard. In conscience tracks like "Fall on Me" and "Cuyahoga" they proved they had something to say and mumbling wouldn't cut it anymore. They had the balls to record a cover, "I Am Superman". They even had a sense of humor, "Underneath the Bunker" and "I Believe”.
On Life’s Rich pageant, REM proved that they could do it on a stadium level. That's what's most important about LRP. It jettisoned REM from Leaders of the Alternative Pack to actual stadium rockers. With light shows and courage and anthems. They were OUR heroes. Our Springsteens. Our Zeppelins. Generation X finally had their own idols and could consign those others to "classic rock" radio.”

I (still) believe.



The 1986 Listening Post - Fate - A Matter of Attitude

Fate - A Matter of Attitude




#305/1430
July 1986
Fate
A Matter of Attitude
Genre: Power Metal
3.25 out of 5


Highlights:
Get Up and Go

I missed the debut album from this Danish metal band. 

Look, there are really only so many ways I can say the same thing. 

This is Big 80s Glam Metal and it brings nothing to the table save for terrible production that smacks of someone overcompensating for what they think they might hearing through their cocaine fueled dial switching and, for some reason, everyone said, “Yes. This should sound like it’s being played through a cardboard tube. That is exactly the sound we were going for. Thanks!”

I guess I can find another way. 

The lead singer’s name is Jeff "Lox" Limbo. If your nickname is a smoked fish that goes on a bagel with a schemer, you’re already starting off on the wrong Fin, Dane. 

I can do this all day. 

It’s not awful. The production really trashes it otherwise it could be a fine example of the genre. Until you hit the end and they decide they wanna be Diamond Dave ala “Ice Cream Man” and it’s bad.