Showing posts with label The Specials. Show all posts
Showing posts with label The Specials. Show all posts

Friday, September 11, 2020

The 1980 Listening Post - The Specials - More Specials

 The Specials - More Specials


#406

by Tom Mott
October 4 1980
The Specials
More Specials
Genre: Punk Muzak
Allen’s Rating: 3.5 out of 5
Tom’s Rating: 4.5 out of 5


Highlights:
Do Nothing 
Sock It to 'Em J.B. 
Stereotypes 
International Jet Set 

The Specials debut album from a year earlier is justly famous as one of the quintessential ska albums of the era. Jerry Dammers and Terry Hall aren't the Lennon and McCartney of The Specials. They're more like the Lennon and Lennon, shoving each other around. 

For this second album, Jerry Dammers was determined to forge ahead into new territory: canned cha-cha beats from the organ shop at the local mall, 60s film scores, northern soul, easy listening, and yes, ska. The easy listening isn't even the Tijuana Brass. More like the Baja Marimba Band, or those all those Montovani albums gathering dust in Grandma's condo. The Specials were on the road to super-stardom, but Jerry Dammers grabbed the wheel and forced them over the edge of the cliff. It could've been a wreck. Instead, he created a new bumpy road and delivered a gloriously defiant album that predates the 90s exotica and lounge music revival by a good 15 years. (And DEVO's E-Z Listening Muzak Cassette by a year.) An album that can play in the background, and when you focus on it from time to time, you realize how weird it is. And how weird all that old easy listening muzac is too. Parts of it point towards their 1981 single "Ghost Town" but then those cha-cha beats and cheesy organ riffs creep back in. 

People like to be in on the joke, but More Specials never lets you know if there's a punch line or not. It's smart, playful, ironic, fun, sensuous, stupid, silly, and bleak. The album is book-ended by two versions of Enjoy Yourself. The first version is an upbeat ska raver that manages to have a sense of foreboding that time is running out. The reprise is morose: time has run out. We're either nursing our morning hangovers, or hunkered down in our bunkers waiting for the bombs to drop. A great and somewhat overlooked album

Sunday, February 17, 2019

The 1984 Listening Post - The Specials - In the Studio

The Specials - In the Studio



#177
July 1984
The Specials
In The Studio
2.75 out of 5

Highlights:
Nelson Mandela

Released after the band broke up, In the Studio bears such little resemblance to that classic first Specials album that I hardly recognize the band. “The Lonely Crowd” & “What I Like Most About You is Your Girlfriend” are darker than I recall the band being. Dank, not bright, almost…sad…Dammers has a lot on his mind and it’s not MTV to be sure. The songs don’t go anywhere, though and everything is overproduced to the point where I want to just turn it off. You think, after the drone of stuff like “Girlfriend” and “Housebound” that the uptempo “Night on the Tiles’ would cure those ills but it doesn’t. There is nothing here to recommend except the international protest song, “Nelson Mandela”, which is, by all accounts, excellent. 
The record has a LOT to say. “War Crimes”, “Racist Friend”, but they say it such a pedantic and uninspired way. 
https://open.spotify.com/album/03yc9LjJUWQ9rekVLlBHBw?si=Xb7VWEgkTouBFMdWjw0RaQ