Showing posts with label Nico. Show all posts
Showing posts with label Nico. Show all posts

Saturday, February 19, 2022

The 1981 Listening Post - Nico - Drama of Exile

 Nico - Drama of Exile



#249

June 1981

Nico

Drama of Exile

Genre: Germanic Post-Rock Expressionism Rock

2.25 out of 5



Requisite 80s Covers:

“Waiting for the Man” which is not made better by Nico’s vocals. And, since I was never a fan of this album to begin with….

David Bowie’s “Heroes”. Only one person should ever do this song. The guy who wrote it. I don’t care how much you love it, it’s a signature tune. An d since she doesn’t bring anything new to it, ala Frankie Goes to Hollywood’s version of “Born to Run”, it’s best left alone.


Are we still, in 1981, considering Nico a valid talent that we think she will move units or has anything of interest to put out to the public? I mean, when Yoko Ono has bested you perhaps it’s time to call it a day.

Thing is, this album is really good…when Nico isn’t doing anything. It’s very Scary Monsters David Bowie, musically, but Nico ruins everything with her Germanic non-singing and insipidly high school poetry lyrics. 

What I never thought of before this record is how much Amanda Palmer seems to have patterned her singing after Nico’s. But I like Amanda’s music (well, some of it) and I find her lyrics clever. Nico is just…not. 



https://music.apple.com/us/album/drama-of-exile/721685663 


Wednesday, June 12, 2019

The 1985 Listening Post - Nico - Camera Obscura

Nico - Camera Obscura


#226/877
June
Nico
Camera Obscura
Genre: Experimental
1.75 out of 5


The worst thing that ever happened to The Velvet Underground was that they were heralded as more than a really excellent late 60s changing of the tides band. 
It gave us a decade + of crappy music by Lou Reed and this horrid offering from Nico and John Cale. 
Oh, man. That “My Funny Valentine” cover…was it a joke? Was she trying to sound like a parody of Marlene Dietrich? Because Madeline Kahn got there way first.
We already have a Tom Waits, a Laurie Anderson, a Yoko Ono and a Nina Hagen. We don’t need a shitty version of all four.  
This is unattractive music, poorly sung and gratingly dull.