Showing posts with label echo & the bunneymen. Show all posts
Showing posts with label echo & the bunneymen. Show all posts

Saturday, February 19, 2022

The 1981 Listening Post - Echo and the Bunnymen - Heaven Up Here

 Echo and the Bunnymen - Heaven Up Here



#222

By Chris Kouzes

May 1981

Echo and the Bunnymen

Heaven Up Here

Genre: Alternative

Allen’s Rating: 4.5 out of 5

Chris’ Rating: 3.5 out of 5


Highlights

A Promise

All My Colours

Show of Strength


I graduated high school in a Chicago suburb in 1986. So bands like R.E.M., The Replacements, The Smiths and Husker Du were vastly influential in forming my musical tastes. The next tier of bands included The Hoodoo Gurus, The English Beat, Joy Division/New Order…and Echo and the Bunnymen. I distinctly remember this album coming out and picking it up that summer. Lucky to have a few hip record stores in town and, at the time, a great radio station in WXRT. 


 “Show of Strength” is a solid and logical opener (from this collection of songs). “With a Hip” and  “Over the Wall” are both good, with traces of classic Echo. “It Was a Pleasure” goes nowhere. But, but…the first real classic in the Echo canon arrives with “The Promise.” Incredible vocals, guitar…and maracas. End of Side One. 


As we head into the second side, let’s take a minute to talk about the U2 comparisons that have badgered the band seemingly their entire career. Do they sound like U2 at times? Yes and no. Do they sound much like Boy/October U2, some, but not much. In hindsight, the guitars in songs like “Heaven in Here” (lead off track on Side 2) and the entirety of “All My Colours” sounds like Unforgettable Fire and Joshua Tree-era U2. History really should reflect more how much U2 sounds like and were influenced by Echo and the Bunnymen than vice versa.


Back to Side Two, just mentioned tracks one & three. The second track, “The Disease,” is a throwaway. Tracks four (“No Dark Things”) and five (“Turquoise Days”) are trying too hard to be interesting. Which brings us to the closer, “All I Want.” It’s fine enough. It succeeds more on the push/pull of the arrangement more than it being a good song. 

 

Musically, Ian McCulloch found his voice early on and Will Sergeant’s guitar is very Will Sergeant throughout. Moody, slinky guitar lines weave throughout nearly every song. But the band’s real weapon is drummer Pete de Freitas. Powerhouse when needed, but throws in all kinds of nimble drum fills to make things really interesting. Ironic considering that only about a year before this album they were using a drum machine. There’s also A LOT of production going on in these songs. Layers upon layers of guitars and overdubs galore. But what’s great is that this, as with a lot of their albums, is that the production is pretty timeless. With the exception of the odd synthesizer, all real instruments here and nothings screams “early 80’s” production.



There is more good than not on this record. In baseball terms, “Heaven Up Here” is a double, but with grit and determination, stretched into a triple. The bones of what makes Echo and the Bunnymen so great are here, they’re just waiting for consistently better songs. Home runs will come with the albums Porcupine and, their masterpiece, Ocean Rain.


https://open.spotify.com/album/29rkfL25uKOkVOhyr1CmXJ?si=x6w2cgyETC2wkslOXxtaFw

Thursday, August 27, 2020

The 1980 Listening Post - Echo & the Bunnymen - Crocodiles

 Echo & the Bunnymen - Crocodiles



#298

by Scott Von Doviak
Echo & The Bunnymen
Crocodiles
Genre: Post-Punk/New Wave/Goth 
Allen’s Rating: 4.5 out of 5
Scott’s Rating: 3.75 out of 5 

Highlights: 
Do It Clean 
Crocodiles 
Rescue 
All That Jazz 
If (like me) you’re only familiar with the later, lush Goth hits by Echo & the Bunnymen, their debut album may take you by surprise. The Goth element is still there, mostly thanks to Ian McCulloch’s vocals and generally dark lyrics, but Crocodiles is a much more lean and spare outing, closer to post-punk, with the bright, biting guitar sound associated with that genre. It’s not all gloom and doom, either – the album’s highlight is the rollicking “Do It Clean,” which is almost ‘60s garage rock. The sound is consistent, but the songwriting is not, with “Crocodiles” and “Rescue” standing out amid more pedestrian offerings. “All That Jazz” offers a sign of things to come, with Will Sergeant defining a certain style of ‘80s guitar that would be oft-imitated, particularly by British rock bands. An album I probably never would have listened to without this project, but I’m glad I did.

Saturday, February 2, 2019

The 1984 Listening Post - Echo & the Bunnymen - Ocean Rain

Echo & the Bunnymen - Ocean Rain



#105
May 4 1984
Echo & the Bunnymen
Ocean Rain
5 out of 5

Highlights:
Silver
Nocturnal Me
Crystal Days
The Killing Moon
Seven Seas

When I first heard the name, Echo & the Bunnymen, I was reading an issue of Trouser Press, driving with my mom on Main St in Chatham Boro, NJ, heading home from a trip to the Livingston Mall. I remember it this clearly because I thought, “What an incredibly dumb name for a band. How can you take a band seriously with a name like this?”
And with that I dismissed Echo & the Bunnymen.
Until about 8 years ago when i was laying on my couch, listening to something on Spotify which took me on a habit hole journey into modern psychedelic pop rock and I read about Ocean Rain. Why was this album so lauded? What was this thing. 
So, I fired it up. 
And I was hooked. 
The baroque gothic majesty of these tracks belie the categorization of “dream pop” or Psychedlia or New Wave. Its the intersecting point where The Moody Blues and U2 meet. 
It’s sadness and decay and love and pining and lush and gorgeous and ugly and demanding. 
As I listened for what must be my 10th time, I just lay back and was determined to find faults to knock down the review rating. 
And there are a few times it feels like McCullough is trying too hard (“Yo Yo Man”) but he more than makes up for that pretentia with “The Killing Moon” a most perfect example of the best of the era and deserving of a time capsule for what defines the best of the 80s. 
I love Ocean Rain. 
I think I might just go listen to it again.



Monday, January 14, 2019

The 1983 Listening Post - Echo & the Bunneymen - Porcupine

Echo & the Bunneymen - Porcupine

They had done better. They would do better. But, on Porcupine, Echo and his pals just sound like depressed guys who listened to too much Moody Blues and The Zombies.
2/4/1983
Echo & The Bunnymen
Porcupine
3.5 Stars
Best Track:
The Cutter