Showing posts with label Kid Creole & the Coconuts. Show all posts
Showing posts with label Kid Creole & the Coconuts. Show all posts

Monday, February 21, 2022

The 1981 Listening Post - Kid Creole and the Cocoanuts - Fresh Fruit in Foreign Places

 Kid Creole and the Cocoanuts - Fresh Fruit in Foreign Places


#276

By Brian Kushnir

Kid Creole and The Coconuts

Fresh Fruit in Foreign Places

Genre: Latin Nuyorican Funk Dance Party Cabaret 

Allen’s Rating: 3.5 out of 5

Brian’s Rating: 4 out of 5



Highlights:

Going Places

Animal Crackers

I Stand Accused

Musica Americana

I Am 

Table Manners



This Kid Creole is a bolt from the blue and totally my jam for these fuck-it-all-let’s-drink-rum-and-have-a-dance-party times. 



It’s a sex-packet of extreme good-times grooves made by the supremely talented amped-up offspring of Ricky and Lucy after they discovered Calloway, Zoot Suits, Charo, Nuyorica and Fab Five Freddy. 



Drop the needle on Fresh Fruit at your next swanky cocktail party and catch even your most sophisticated friends nodding, toe tapping, rump shaking, teasing up their hair and stroking their goatees approvingly to the lush musical rhythms of this fully orchestrated latin big band, as they take you for a full circle trip around their musical world.



And awaaaaay we go with “Going Places” setting the tone behind a slinky tiki bar groove where someone is mixing umbrella drinks in the corner,  you may be hoping to get out of NY, but really you're just going deep into the mad mad mind of August Darnell, the toast master who embodies the Kid Creole persona, along with his cohorts Coati Mundi (Andy Hernandez) and Adriana Kaegi. 



“In The Jungle” brings a barrel of cuica monkey drums and has you swingin’ on a vine. “Animal Crackers” is ska with weema-woppas and a list of food you can’t bring through customs.



In the middle there’s a solid Lennonesque slow jam “I Stand Accused,” with sweeping strings and lost-love emotions, but besides that it’s funky funny through and through with tongue planted firmly in cheek (and other NSFW places).  Case in point this opening verse from “Latin Music:”



“I'm so confused


This latin music's got me


So, so bemused


The accents worse than Cockney


I'm not amused, it's killing me”



Going down from there we have “Table Manners:”



“If the pretty girl has it figured right


And the handsome guy has an appetite


She provide the plate, she provide the tail


When she give the wine, she will take the cake”



Kid Creole and the Coconuts were ahead of their time and as a multi-ethnic, multi-gender band shifting from Spanglish, to Italian and even a sprech of German they foreshadowed today’s polycultural mainstream. Prince hung out at their shows and later recorded and collaborated with them. They influenced Fishbone. Morris Day and The Time, Tom Tom Club, Digital Underground, No Doubt, Pink Martini, and many many more. 



It would have been the bomb to see them live in 1981 - a huge amount of grooving musicians and singers on stage, packed with all kinds of percussion including a full on marimba y’all front and center, choreographed moves, costumes and such sui generis style. Lucky for us who missed it, there's a video of the fantastic live ‘musical’ version of this album that Kid Creole and The Coconuts staged in 1981 NYC so make yourself a dirty mojito, put on your dancing shoes and get down with your grande persona.  



Fresh Fruit in Foreign Places Live at the Ritz NYC https://www.youtube.com/playlist?list=PLetxnQcJAJg9yF85n9aEqwB5QUUD 

 

Thursday, September 10, 2020

The 1980 Listening Post - Kid Creole and the Coconuts - Off the Coast of Me

Kid Creole and the Coconuts - Off the Coast of Me 


#361

by Sheffield Chastain
August 1980
Kid Creole and the Coconuts 
Off the Coast of Me 
Genre: Dance Floor Eclectic Latin Rock an’ Disco Feel Good Music 
Allen’s Rating: 2.5 out of 5
Sheffield’s Rating: 4 out of 5

Highlights: 
Mister Softee 
Darrio 

August Darnell’s music just makes me happy. It evokes parties and dancing and eyeing the girls (or guys, as the case may be!), and Zoot Suits and funky times and swingy big bands. Mostly it’s just super catchy tunes, like the silky, breezy Mister Softee or, the lazy, hazy Off the Coast of Me, or the simple joy of Darrio. Darnell is all entertainment, self effacement (I mean, Mister Softee!?! HA!) and musically eclectic surprises. This leans pretty heavily into the disco (the overuse of the “hand clap” gets tiresome), so that might turn some off. But at least give Mister Softee a spin. Super catchy. A pretty solid debut album from the Kid.

YouTube: https://www.youtube.com/watch?v=2w0zM67BSb8&list=PLlvn8uktX5LvosShP4dnSbLjRje4MRyQP

Friday, July 12, 2019

The 1985 Listening Post - Kid Creole & the Coconuts - In Praise of Older Women...and Other Crimes

Kid Creole & the Coconuts - In Praise of Older Women...and Other Crimes


#302/937
August 25 1985
Kid Creole & the Coconuts
In Praise of Older Women…and Other Crimes
Genre: Dance Rock/New Wave
4 out of 5


Highlights:
Endicott
Particul’y Int’rested
(Darlin’ You Can) Take Me

My exposure to Kid Creole was when Jean Doumanian took over Saturday Night Live after Lorne Michaels left and she programmed interesting musical guests. Actors? Nope (looking at you, Denny Dillon and Charles Rocket). Writers? Hells no. “I’m in the Army and I’m gay, but that don’t mean I swish and sway!” from an actual sketch when the show returned. 
At the time I was an SNL apologist. My friend Jeff and I were tasked with reviewing it for the High School newspaper. We praised it. We should have been removed from the newspaper upon handing that review in. 
But, because I was said apologist, anything they did was ok by me at the time. When Kid Creole was a musical guest I figured he must be excellent and cool.
Maybe he was. I didn’t really follow up on him. 
Until this project. 
And this might sound really stupid but…is he like a more accessible R&B Frank Zappa? I mean, he’s got obvious chops, so much so that he probably could perform or write in any style and not break a sweat. It’s almost like he knows he’s better than the style, cuz he’s better than any style, really. 
I liked this a bit better than I have some of their stuff in the past. (Yes, even “Animal Cop”)