Showing posts with label Daryl Hall & John Oates. Show all posts
Showing posts with label Daryl Hall & John Oates. Show all posts

Friday, March 4, 2022

The 1981 Listening Post - Daryl Hall & John Oates - Private Eyes

 Daryl Hall & John Oates - Private Eyes



#427

By Aaron Conte

Daryl Hall & John Oates

Private Eyes

Genre: Blue Eyed Soul; Pop Music

Allen’s Rating: 4.5 out of 5

Aaron’s Rating: 4 out of 5 eyes




Highlights:

Private Eyes

I can’t Go For That (No Can Do)

Did It In a Minute


In 2005 my friend had planned to get married and he invited me and some of our friends to a last minute get together/bachelor party. We all were not (are not) a typical gang of guys who whoop it up and wolf howl at strip bars or throw up in the streets after not being able to gauge our limits, so we decided we would walk the streets and let our instincts guide us. We all were living in Manhattan/Queens/Brooklyn at the time and so the night was ours. We picked up our friend who was closing down his veterinarian business, the last of the crew, and headed down upper west side Broadway. Along came the Beacon Theater, and as the marquee came into focus (we had already started the party with a flask while passing around a joint on our walk) we saw that the names glowing in large red letters were "Hall and Oates Tonight".


Well our decision was made as to how we would spend the first half of this celebration. It was a multiple night run, and we were able to sidle up to the box office and find six seats up in the balcony next to each other. They killed it and this was not even close to their hay-day. I think the best part was watching the groom, who was the first to say he wasn't 100% sold on the venture when we all geeked out at our luck of stumbling upon a H&O show in NYC, begin to sing along to "Maneater" after a few drinks inside.


Private Eyes is their 10th album??? They already had "She's Gone", "Sara Smile", "Rich Girl", "You Make My Dreams", "Kiss On My List", and a year earlier Hall had written "Everytime You Go Away" (made famous by Paul Young in 85). It kicks right off with the title track. 


Also one fun fact I learned is that Daryl Hall's long time girlfriend Sara Allen co-wrote many of their biggest hits including the ones here, "Private Eyes", "Did it in a Minute" and "I Can't Go For That". She also co-wrote four of the six songs on side two of this record. 


Private Eyes: perfection; real drums (Mickey Curry of Bryan Adams). Classic sing-along.


Looking For A Good SIgn: bongos, motown stuff; harmonies; horns; touch of "Just My Imagination" (which really is The Temptations)


I Can't Go For That (No Can Do): another perfect song; Roland CR-78 drum machine; Christmas 81 smash.


Mano a Mano: heavy guitar intro; sole "Oats" song. Shows. Chant-y chorus that also needs to translate "mano a mano" ("hand to hand") feels cheap.


Did It In a Minute: I mean c'mon...three classic H&O tunes on one side. Possible paramount. 


Head Above Water: side two opener. Good ol Mickey. Driving and dynamic. Guessing this was in the set in 81.


Tell Me What You Want: drum machine opening; lo-fi demo sound; breaks into hi-fi Rush-y riff; very cool. Sara & Hall; relationship therapy


Friday Let Me Down: up beat; Oats lead; I would never have identified with this song - Friday night had "Friday's" on TV for me - never a let down.


Unguarded Minute: Great chord opening; has a very characteristic piano rhythm, just not enough melody (unguarded minute/did it in a minute)


Your Imagination: hard to label any H&O song mediocre, but this could have been any band playing The Bottom Line during the week at 7pm.


Some Men: great closer - drive.


I saw Hall and Oates again at the Hollywood Bowl a few years ago and man, what a voice Hall has. It's just as good as it was when I saw them fifteen years ago, and not just that, it's just as good as it was in the 80's. An incredible achievement for a "rock" singer. He's also way better than most strippers.



https://open.spotify.com/album/7rfpaXxmQG7dnFycZjLae0?si=9UxPbYueRt67jTUwUmdEFA








Thursday, October 1, 2020

The 1980 Listening Post - Daryl Hall & John Oates - Voices

Daryl Hall & John Oates - Voices


#472

by Scott Von Doviak

July 29 1980

Day Hall & John Oates

Voices

Genre: Pop/Blue-Eyed Soul with a dash of New Wave

Allen’s Rating: 4.5 out of 5

Scott’s Rating: 3.5 out of 5


Allen’s Highlights:

How Does It Feel to Be Back?

United State

Kiss Is On My List

You’ve Lost that Lovin’ Feelin’ 

You Make My Dreams


Scott’s Highlights:

You Make My Dreams (Come True)

Kiss on My List

United State

Diddy Doo Wop (I Hear the Voices)


Here we have one of the first “rock” albums I bought with my own money, circa eighth grade. (I think the first was Kiss Destroyer, but I was more into comedy albums back then.) Relistening to it for this review was one of those weird déjà vu experiences you only get with music you listened to over and over until you stopped for…decades. I haven’t heard some of these songs for more than 35 years, but they came back to me quickly. This is clean, crisp, well-constructed pop music, state of the art for the era, and a lot of it holds up even if it’s not much to my taste these days. Of course there are the hits that still haunt supermarkets to this day, “Kiss on My List” and “You Make My Dreams (Come True),” which remains a perfect, irresistible pop tune. There’s the requisite cover, “You’ve Lost That Lovin’ Feeling,” which is well-sung but pretty rote, as well as being a song I never loved in the first place. There’s also a “covered,” a song made more popular by someone else, “Everytime You Go Away,” which became an obnoxiously unavoidable MTV hit for Paul Young a few years later. 

Weirdly, Voices isn’t front-loaded with the hits as was the style at the time. Granted, the opener “How Does It Feel to Be Back” was the first single and they probably had high hopes for it, but it barely cracked the charts. It’s pleasant enough, with Beatlesque harmonies and a Warren Zevon-ish guitar part. “Big Kids” is a stab at New Wave with a fun chorus, “United State” is as punky as they get, which isn’t very, but I could hear it on a Blondie album and I can’t think of another song that includes the word expatriate. “Hard to Be in Love with You” is catchy enough, “Gotta Lotta Nerve (Perfect Perfect)” is doo-wop/New Wave fusion, “Africa” is not the Toto song, and if I listened closer to the lyrics it’s probably quite problematic, but it’s got a nice dose of sleazy sax. Album closer “Diddy Doo Wop (I Hear the Voices)” is about as weird as H&O get – the inner monologue of a Son of Sam type on the loose in bad old New York. I’m glad I got an excuse to revisit this one, because I doubt I ever would have done it on my own.


https://open.spotify.com/album/4LniALl9S6YedTFdiZWOMS?si=JA-eUAdxTx-94VXJOXUE-Q