Thursday, September 12, 2019

The 1985 Listening Post - Robert Palmer - Riptide

Robert Palmer - Riptide


#468/1101
November 25 1985
Robert Palmer
Riptide
Genre: Rock
2.5 out of 5


Highlights:
Addicted to Love

So, here it is, right? This is the one that righted the Palmer ship, I guess. It starts off weird, like he’s aping Harry Nillson on the title track.
But it’s laconic and cute and before you can say, “this is why I hated Pride and everything you’ve done the last few years save for Clues, it brings in it’s crunch and punch. 
I just wish I liked it more. I want to. If for no other reason than Palmer uses people I like. Covering and Co-writing Gary Numan. Working with Bernard Edwards who would work with Adam Ant on the ill fated Persuasion. 
By the time we get to the hit I’m not sure if I like it or if it’s 80s radio ubiquity beat me into submission. “Addicted to Love” sounds like an 80s cable network cop show theme. Or did they all rip this song off and they sound like it?
I don’t know. It’s pretty dated. 
But the Chic influence is so evident. Especially on “I Didn’t Mean to Turn You On” & “Flesh Wound”.  



The 1985 Listening Post - Mark Stewart - As the Veneer of Democracy Starts to Fade

Mark Stewart - As the Veneer of Democracy Starts to Fade


#467/1100
November 25 1985
Mark Stewart
As the Veneer of Democracy Starts to Fade
Genre: Noise/Industrial
4 out of 5


Highlights:
Bastards

You know what? I liked this even more than Rat at Rat R, Sonic Youth or Killdozer or Feedtime. It’s dangerous but, instead of being music that I would play in a Kill Room, it’s more like listening to the inside of the head of the killer. This has 90s Se7en credit sequence all over it. With early 80s rap beats. 


The 1985 Listening Post - Dokken - Under Lock and Key

Dokken - Under Lock and Key


#466/1099
November 22 1985
Dokken
Under Lock and Key
Genre: Glam Metal
3.5 out of 5


Highlights:
Lightning Strikes Again
It’s Not Love

Maybe it’s just that I don’t like this genre. But that’s not true because, when it’s great I adore it. In fact, it might be one of my favorites. So, it’s strange to me that, after this many years hearing that this was Dokken’s breakthrough I find myself wondering what any of the fuss is. It’s not bad, it’s not unlistenable. 
They take a long time to get interesting. I didn’t key in until the end of Side One but it’s sporadicly interesting, at best. 

But is it really any good? Maybe for 1985 but I’m listening 34 years later and I’m left cold. Honestly, let’s listen to more Stryper. 


The 1985 Listening Post - Lloyd Cole and the Commotions - Easy Pieces

Lloyd Cole and the Commotions - Easy Pieces


#465/1098
November 21 1985
Lloyd Cole and the Commotions
Easy Pieces
Genre: Indie Rock
2.5 out of 5



I don’t need to review this. Lloyd Cole put it best: 
"It strikes me that there's something really fresh on the first album which has been dragged onto the second album, and the freshness is not there and something to replace the freshness is not there either”

Well, actually, the absence of what it needs magnifies the issues I have. Namely Cole himself. He brings to his music a Lou Reed quality: he can’t really sing, he more of a poet but his poems aren’t all that great and the music that accompanies the words is actually uninspired and boring.


The 1985 Listening Post - Frank Zappa - Frank Zappa Meets the Mothers of Prevention

Frank Zappa - Frank Zappa Meets the Mothers of Prevention



#464/1097
November 21 1985
Frank Zappa
Frank Zappa Meets the Mothers of Prevention
Genre: Experimental Jazz Rock
2 out of 5


Highlights:
We’re Turning Again


The title. A sublime bit of wordplay considering the history here. 
As much as I am for freedom of expression, I will admit something. I really don’t care that there were advisory stickers put on records. Why not? As a society we had already accepted the rating guidelines for movies, right? Spielberg pushed the envelope and a new one, PG-13 was invented in the 80s. 
As a parent I use Common Sense Media as a guidepost for tons of stuff. Mostly I just rely on my self, my judgment and my kids. 
When I was 9 my father told me to pick up a couple records from the record store. One of them was a Richard Pryor comedy record and when I told the guy behind the counter that my dad wanted me to buy it he said, “He’s crazy”. I thought he meant Pryor. He didn’t. He meant my father. There was no good reason that a 9 year old should be listening to some of Pryor. Or Redd Foxx. Or songs about murder and rape. I mean, sure, when you are a little older and you have developed a bit, great, whatever. But I don’t want my eight year old to be listening to that stuff. He’s in the other room right now, watching Pixar videos on YouTube kids. He isn’t ready for Pryor. Or to delve into themes that are outside his realm of comprehension.
And a sticker on a record with “intended for mature audiences” isn’t a bad thing. You know?
What makes it worse in retrospect is just how terrible Zappa’s music is that he’s fighting to keep free.

If you like Zappa’s Jazz instrumental stylings, those are present here as well. Note: I do not care one way or another about them. 

The centerpiece is supposed to be “Porn Wars”, which includes Senate testimony and other conversations surrounding the Meese report and the PMRC of the time. It’s not a well done montage, not by a long shot and it brings to mind the extraordinary work of The Kleptones in the 00s and makes me think how spectacularly they would’ve attacked this and how their use of music in audio montage would probably be a stronger indictment of what Zappa was trying to address. 


The 1985 Listening Post - Asia - Astra

Asia - Astra


#463/ 1096
November 19 1985
Asia
Astra
Genre: Stadium Rock
2.75 out of 5



Highlights:
Go



Dammit, I like this kind of stuff. I don’t know why. It’s like candy. I’m not supposed to have too much of it but it’s hard to resist. The stupidity of “Voice of America”…yeah, I like that. This isn’t good. Or is it? Isn’t that subjective? The heart wants what the heart wants, I guess.
Dammit. 
The album gets awfully treacly in the second half. Like even they are bored by this pap. In the end, as we all already know, one Asia album is more than enough. 


The 1985 Listening Post - Arcadia - So Red the Rose

Arcadia - So Red the Rose


#462/1095
November 18 1985
Arcadia
So Red the Rose
Genre: SynthRock
2.25 out of 5



Yet another Duran Duran spinoff band? Only this is one I’ve never heard of, have you?
It’s weird. It’s like if you took everything about DD and then stripped out the accessibility and likability and songwriting craft you’d be left with this. And I think that’s the point. I applaud the experimentation. But it’s not much ado about nothing. The second, moodier side is better than the first, where they can’t get out of their own way.


Sunday, September 1, 2019

The 1985 Listening Post - UFO - Misdemeanor

UFO - Misdemeanor


#459/1092
November 16 1985
UFO
Misdemeanor
Genre: Rock
2.5 out of 5

I have never heard a UFO record I liked. Like, never. And, for this project, this is the 6th I’ve listened to. 
How were they allowed to continue putting out massively mediocre pedestrirock? Whatever big hit successes they had are long in the rearview. Yet, here they are, putting out another 10 song set of who cares? 
If you took the keyboards off this and were forced to listen, blindly, to this and Y&T and I told you the wrong answer would result in the death of your pet, by your own hand, there is a very good chance you would be forced to ring Fido’s neck. 
This is one of those records that feels twice as long and is only occasionally redeemed by smattered signs of life. 


The 1985 Listening Post - Van Zant - Van Zant

Van Zant - Van Zant


#458/1091
November 15 1985
Van Zant
Van Zant
2.75 out of 5
Genre: Rock


This is Survivor. Plain and simple. Van Zant is 4 years too late to this party. They almost get me there with tracks like “Midnight Sensation” but I’ve heard others do this better and less laconic and it’s the ease of which they handle all of this that makes it seem like they are above it and they’re really just here for the checks and chicks. 
Not bad reasons but not any incentive for me to feel like I missed anything 30+ years later. 


The 1985 Listening Post - Stevie Nicks - Rock a Little

Stevie Nicks - Rock a Little


#459/1094
November 18 1985
Stevie Nicks
Rock a Little
Genre: Rock
3.25 out of 5

Highlights:
Talk To Me


What can be said here? There are songs that are perfectly fine but nothing really rocks my boat. I don’t have any animus towards it. She sounds at times like her old self and then others she’s trying to be Madonna. Pop music is passing Stevie by and, while I feel bad, I, too, am ready to move on.