Listening Post: Sonic Youth - Dirty

I've got to be missing something.......




Sonic Youth - Dirty - 1992 (Amazon - iTunes)

I do admit, from the opening strains of 100 Percent, it really feels like Sonic Youth has traveled well afar from their noise-only early days. Then the most amazing thing happened.

I woke up.

And the record was over.

Sonic Youth puts me to sleep. It's just white noise after a while.

Honestly, I had to go back and remind myself of what I was listening to.

And if I never have to listen to "Why are you so meano" on Swimsuit Issue I will be just fine thank you.

Grade D
A Side: 100 Percent, Purr
BlindSide: Nothing. It's everything one would expect from the masters of atonal noise rock.
DownSide: Swimsuit Issue...well, anything that Kim Gordon is singing on on this piece of atonal crap.

Listening Post: Cheap Trick - Cheap Trick

I saw them in concert in 1979. My mom took us. Radio City Music Hall. To this day I have no idea why. I know the hits, of course, and that includes The Flame. I really don't know much else except that for a while they were known as the American Beatles. Or something....




Cheap Trick - Cheap Trick - 1977 (iTunes - Amazon)

I don't get it. I really don't. Why is this considered a 5 star classic debut? Allmusic cites a lot of the songs' content: pedophilia, mass murder, etc but it's a snoozer. To me. (Shit, I'm gonna catch hell for this) but I found myself easily distracted, bored and unable to follow along. The melodies exist but they meander, there is nothing for me to grasp on to, and considering that this is a classic example of "power pop" this is a travesty.
I never really got the whole Cheap Trick thing. But maybe they will grow on me.
There's potential here but, all in all, it's a forgettable trifle.

Grade C
A Side: ELO Kiddies, Speak Now of Forever Hold Your Piece
BlindSide: He's a Whore, Oh Candy
DownSide: Taxman, Mr. Thief, Cry Cry.

Listening Post: Sonic Youth - Goo

After Daydream Nation, Sonic Youth finds itself with a big time record deal. What do they do with it?



Sonic Youth - Goo - 1990 Buy it(iTunes Amazon)

After almost a decade of headscratchingly embraced ear scraping followed by brilliance, SY was courted to DGC and came up with their most accessible album to date.
Moody, graceful, lyrical, sad. These are just some of the words that come to mind when listening to Goo.
For the first time Kim Gordon's contributions are tolerable. In fact, the Karen Carpenter tribute, Tunic, might be one of the most haunting songs I've ever heard, from the perspective of the deceased, wherein she is, dare we say it, almost happy? Truth is, this is a Gordon heavy record.And, good thing.
There are actual songs here. Like Mary-Christ and Kool Thing. Who knew they had it in them, really?
Disappearer seems to take the hand off from Teen Age Riot and run with it. And then there's Mildred Pierce, which, I guess is about Mildred Pierce, even though the only words in the song is the eerie, b-movie narrator saying, "Mildred Pierce". And the distorted car crash of horror at the end, of course.
In the end, Goo is a great place to start listening to SY. Or maybe you don't need to hear anything else. I don't know. I'm about to find out.

Grade A
A Side: Tunic, Mary-Christ, Kool Thing
BlindSide: My Friend Goo, Mildred Pierce.
Downside: Scooter & Jinx, Titanium Expose

Listening Post: Sonic Youth - Daydream Nation

Daydream Nation is considered an underground 80s classic. A true masterpiece. Is it?



Sonic Youth - Daydream Nation - 1988 (iTunes - Amazon)


About three minutes into Teen Age Riot I had a thought: Did Thurston Moore, et al, take a good hard look at the vomitorium of dischord they had put out, toss it to the side and just start listening to R.E.M. records? because it's painfully obvious that they were affected by that sound (as well as The Replacements, perhaps echo & the bunnymen, a little dash of The Records and a bunch of other mid-80s bands I am too addled to remember right now).
The edgy punk of Silver Rocket coming on the heels of Teen Age Riot is actually the second song IN A ROW that I could hear myself or audience members singing along to. Weird.
And The Sprawl is the first time that I feel Kim Gordon's wailing talk singing actually works. The "noise-scapes" exist here only in service of the song. Before Daydream nation I would be hard pressed to believe that anyone in that band can play any of the previous four albums' songs without having to get the record out first, as similar and indistinct (two words that mean the same thing) as they are. Now I might just have to buy the reissue with the live versions of every track just to enjoy them all over again.
The first true punk epic from Sonic Youth, the most accessibly neurotic, panic stricken piece of music is right here in the dustbowl/punk/horrorshow "'Cross the Breeze". A bloodletting of the first order.
"Total Trash" is almost poppy for god's sake. I'm impressed, I really didn't think they had this in them.
"Providence", a phone message from Mike Watt set to a background taht can only be described as "David Lynchian" is a real treat, believe it or not. It's almost a palette cleanser for the album's 2nd act. (although the halfway point would be somewhat sooner...) leading into the familiar but fresh "Candle".
There's a redundancy that sets in toward the end and into the "trilogy" but, ending with the Sonic Youth meets ZZ Top, Eliminator Z is inspired.
Absolutely the band's best work.
Brilliant.


But Sonic Youth definitely owe R.E.M. a residual check.

Grade A
A Side: Teen Age Riot, Cross the Breeze
BlindSide: Silver Rocket, Providence
DownSide: nothing. Solid outing here.

Listening Post: Sonic Youth - Sister

The critics say that this is the first masterpiece by SY. Are they right?




Okay. I didn't get the memo. Because Sister made my ears hurt. I don't think it really helped that I was listening to it in the car. I don't think Sonic Youth is meant to be listened to while your driving. Because I drove over the median and smashed head first into an oncoming Prius and walked away, bloody from the scene and crawled home to write this review.
Well, that's what I WANTED to do.
This is the first time that I might dump out of a Listening Post before the halfway mark. Except for the Aerosmith reviews (I didn't get to the last two) I have slogged through some horrible shit to get to the end. (Bon Jovi, anyone?)
But, this could be the nadir of all for me. Because with Sister being listed as the 14th best album of the 80s by Pitchfork (I fucking hate Pitchfork.....) and NME rating it 80th of all time, I really think I'm missing something.

Okay. Screed out of the way. Truth is, Sister started out promising. I really thought the one-two of Schizophrenia and (I Got a) Catholic Block was pretty tight. And then it fell to shit for a while. In fact, the template of nausea/headache inducing odd guitar tuning, wall of noise is getting stronger and more concrete as a "sound" and I'm not getting it.

Certainly no one sounds like SY. I think that's good. Rating this highly mediocre melding of the move toward songs on Evol and dystopic dischordance of Confusion is Sex as a masterpiece is off. It's got moments. It's not brilliant.

I'm giving them one more. (It helps that the next one is Daydream Nation, their most heralded)

Grade C-
A Side: Schizophrenia, (I Got A) catholic Block.
BlindSide: Stereo Sanctity
DownSide:Beauty Lies in the Eye, Pipeline/KillTime, Cotton Crown

Listening Post: Sonic Youth - EVOL

Sonic Youth delivers an album with, let's call them songs. Why not?



Sonic Youth - EVOL - 1986 (iTunes - Amazon)

I'm not sure if someone had a little sit-down with Thurston and the gang but the first thing you notice from the opening strains of "Tom Violence" is that Evol might not be a travelogue of distortionary soundscapes but actually might have some promise.
The quiet desperation of "Shadow of Doubt" which builds to a nightmare is where I can tell that the band is secure enough in their storytelling and lyrics to allow the music to inform the song rather than the lyrics serving as a perfunctory necessity.
While Star Power goes on about a week too long, you don't really notice it. There is something, as I have said before, about the hypnotic nature of SY's music. It doesn't put you to sleep but it allows you to appreciate it and do other things at the same time.
The proto-punk beat poem In The Kingdom #19 by Lee Ranaldo is one of the best spoken word I've heard in a while.
I think special attention should be paid to the instrumental Death to Our Friends. A powerful and haunting, primitive and aggressive piece, I would like to see somebody choreograph something to it.
Lydia Lunch shows up again to co-write Marilyn Moore, easily the nadir of the album. But not even she can kill the glow on this offering.
The real gold is saved for the end. "Expressway to Yr. Skull" (aka The Crucifixion of Sean Penn/Madonna, Sean and Me)" is a post-punk, No-Wave rock epic. At 7 minutes it's a climb up Kilimanjaro and dive off into the great coral reef. Brilliant. Reeling. Slippery. Edgy.
Make no mistake. This is not a "rock album". It's barely a collection of songs. It's an evolution of the soundscape work the band has been mining for about a half decade at this point.
But, if you find yourself missing the old Late night radio show, "headsets." this is a great substitution. And a great place to start if you want to get into the Sonic Youth canon.

Grade A
A Side: Star Power, Expressway to Yr. Skull" (aka The Crucifixion of Sean Penn/Madonna, Sean and Me)
BlindSide: Shadow of Doubt, In The Kingdom #19, Death to Our Friends,
DownSide: Marilyn Moore

listening Post: Sonic Youth - Bad Moon Rising

When I was in college I had a short lived, Spinal Tap inspired punk band: Yeast Infection. We consisted of an ambient noise inducing guitarist (who is now an esteemed newspaper editor), a pair of dating male and female vocalists; the woman (an investigator of hate organizations now) would wail dischordantly) while the male (now a respected television and film director) warbled almost on tune, despite attempting not to. And me. I was the drummer who pounded on cardboard while shouting, "I'm Phil Collins!".
Why am I telling you this?
Because with just a little more talent, drive and direction, we could have been Sonic Youth.
Unless they are as great as their legacy.
They've been together since 1981 (holy smokes) and I only know their big album for DGC (Goo) and the song, "Teenage Riot" from the Rock Band video game.
Let's learn more, shall we?



Sonic Youth - Bad Moon Rising - 1985 (iTunes - Amazon)

This is NOT Creedence Clearwater Revival.
This is not even Yeast Infection.
This is what you get when you are left to your own devices and ego and told that you're brilliant and listen to way too many goddamn Residents records.
I haven't heard a worse sophomore record since U2's Gloria.
There is nothing to review here. It's more ambient than the former record. But, it's sooooo obsessed with being "haunting" that it has no soul. It almost feels like a record by The Velvet Underground, if they were all dropped acid, forgot how to play, dropped the tuning on their instruments, ate a lot of turkey, fell asleep, took a crap and then woke up to see what they recorded and though, "Oooh, no one's done anything like this since.....since...Duck Stab!

There is a song called "Satan is Boring". And that sort of sums up the whole record for me.
I hate this. I never want to hear it again. I can't wait to delete it from my computer.
Hold on a sec.
There. Done.
Not even backed up.

Grade D
A Side: Death Valley '69
BlindSide: I'm Insane, Intro, Brave men Run (in my family)
DownSide: Society is a Hole, Ghost Bitch, Satan in Boring,

Listening Post: Sonic Youth - Confusion is Sex

When I was in college I had a short lived, Spinal Tap inspired punk band: Yeast Infection. We consisted of an ambient noise inducing guitarist (who is now an esteemed newspaper editor), a pair of dating male and female vocalists; the woman (an investigator of hate organizations now) would wail dischordantly) while the male (now a respected television and film director) warbled almost on tune, despite attempting not to. And me. I was the drummer who pounded on cardboard while shouting, "I'm Phil Collins!".
Why am I telling you this?
Because with just a little more talent, drive and direction, we could have been Sonic Youth.
Unless they are as great as their legacy.
They've been together since 1981 (holy smokes) and I only know their big album for DGC (Goo) and the song, "Teenage Riot" from the Rock Band video game.
Let's learn more, shall we?



Sonic Youth - Confusion is Sex - 1983 (iTunes - Amazon)

In the past Listening Posts I have always tried my damnedest to give the benefit of the doubt to any band's debut offering.
Nothing's changing here.
Confusion is Sex is listed in various places as "No Wave". I understand that moniker but it made me start to think about New Wave and it's quitessential poster children, The Cars. I've been playing some songs by The Cars on Rock Band, and I enjoy switching over to Bass to really hear what Orr was playing. The more I think about it, there was nothing truly New Wave about The Cars. Orr's basslines are simple and, heck, rooted in 50s rock n roll. Ocasek's quivery voice and Hawkes' keyboards are the only thing futuristic in the slightest. The Cars weren't New Wave. They were Old School dressed up in neon.
Sonic Youth is the New Wave of waves. Lo-Fi to the point of being obnoxious, every track is strangely hypnotic. SY is the only music I have ever found myself getting lost in AND being able to read a novel while listening at the same time. Classical demands that I pay attention, Rock, jazz, etc, all call on the listener to distract themselves. You can listen to Sonic Youth and love it, or you can put it on as background music. Either way, it works. I've never heard anything like that.
Ambient to it's core, Confusion is Sex is a groundwork, a culmination of the beginnings of ideas.
Tracks like Protect Me You could be the soundtrack to a Killer Orphan Slasher Movie. In a good way. Whereas Shaking Hell ALMOST sounds like a song. But it's not, really. It's an audition to score some NYU Experimental film.
Some songs, like Confusion is Next, are actually worse than Yeast Infection's and that's saying something.
There is a lot of value here, though. Along with Laurie Anderson and Glenn Branca and others, this is what the post-New Wave art sound was sounding like in the early 80s. A great time for music, when you think about it.

Grade C
A Side: She's in a Bad Mood, Making the Nature Scene
BlindSide: The World Looks Red
DownSide: Confusion is Next, Freezer Burn/I Wanna Be Your Dog (Live)

Michael Jackson - Our long national nightmare is over.

My friend John has written a fantastic piece about Michael Jackson's death and it's relation to art here.
I urge you to read it.
And here are my thoughts on the whole thing.


When was the last time you listened to a Michael Jackson record? When was the last time you put his songs on your iPod and gave it a spin? Besides evoking memories of "the gloved one" dancing, just what does Jackson's music evoke? Memories of Michael Jackson. That's it. That's the point. His music served as a soundtrack to his show. When he tried for poignancy he either came up shallow and pathetic (Leave me Alone, man in the Mirror) or cloying (We Are the World, a vastly inferior entry designed to usurp the power of Do They Know It's Christmas).
Jackson's biggest success existed in a time of callous branding: Jordache Jeans, E.T., Star Wars. After Bad was released to less than stellar sales (ridiculous expections, by the by) the gleam was off the rose. The buckle-bedecked Jackson, the video by Scorcese, all of this was designed to sell sell sell!
Jackson WAS the King of Pop. Because he labeled himself that. His people declared him the King of Pop. It stuck. Because in an era filled with noise how do you cut through?



Look at who talks of being inspired by MJ? Britney Spears. NSync. Justin Timberlake. A world of glitzy, showbiz, lip-synced dancerinas who see music as product to be pushed.
Hard to blame Michael. After all, his people put a single on a box of Alpha-Bits cereal back in '71. He was a cartoon shortly thereafter. Life, to him, was about how to sell the brand.
But no one really gives a crap about the music.
And they give Jackson all this credit which I have trouble understanding.
SOMEONE choreographed his movements.
SOMEONE produced his songs.
SOMEONE wrote them (his skills were largely suspect).
He was a product of talent surrounding talent.
This is not someone to be deified.
Especially weird, to me, is the african american community. They hold him up as savior, when he did everything he could to strip himself of identifying with them.
Vitiligo? Sure. I don't buy it, but okay. But, why not use dark makeup to cover it? Why bleach your skin?
Why go out of your way to alter your looks to remove all semblance of African heritage?
His "children", which are not biologically his and the details of which are also suspect, are white. The women he married are white.
Where, besides making black music, is his relationship to black culture?



He is being heralded as the first black artists on MTV. Yes. Because Walter Yetnikoff of CBS forced MTV into that position. Michael had nothing to do with it.
Want more proof of his callous, callow, branding? Read Howard Stern's Miss America book. Wherein he talks about being asked by Jackson's people to interview Jackson in a predetermined, pre-choreographed set piece that would have Stern complicit in staging a "We Love Michael" love fest. Howard refused but the interview with Jackson is described as hideously monstrous.
I think we should all be sad that such a tormented soul existed in the world that he did. We should be glad that his soul is finally at rest.
But, more than raising him up in adulation, we should look on his life as a cautionary tale. A warning to abusive parents. A warning to Stage Parents. A warning to slaves of Plastic Surgery.
Learn something from Michael Jackson. This way his death won't be in vain.
But, as far as an "artist" who contributed to the tapestry of art?

He's almost useless.

Listening Post: Meco - Star Wars Party

A guest Listening Post by SamuraiFrog, revolving around Meco Monardo, the guy who disco-ized movie scores.



Meco - Star Wars Party - 2005 (Buy It)

I guess Meco's just going to limp to a conclusion here. The proceedings are just so dulled down, so barely alive. Meco was 66 when he made this album, and he seems... tired.

Let's go in order here: "I Am Your Father" is dull club trance which sounds completely outdated; if this were 1995, maybe. "Star Wars Party" just sucks awfully, to be honest; it's inspired by the characters and has no real Star Wars theme except for a dumb chorus that name checks the characters.

"Star Wars Love Themes" isn't as alive as it could have been, but it's nice that it gets in some of the Anakin/Padme love theme from Attack of the Clones. I wish Meco had done something in his old medley style, but this is just so slow and uses this repetitive beat that sounds a hell of a lot like his snare drums from the old filler. It's obviously inspired by Bolero. It just limps off. I notice some of the voice clips he's using now are actually from the movie, but not all of them.

"New Star Wars" is just pointless masturbation to an endless repetition of the main title music.

"The Empire Strikes Back" is the same medley as twice before now; and it's another remix. "You Are Reckless" is actually the second half of one track, which starts off kind of pretty, but it's just a lot of repeat and that Yoda voiceover, only much, much more of it, and it still sounds terrible (although there is a little Frank Oz here and there). Then Meco brings back the end of the medley and we've got a new track that just kind of sucks.

"Jedi Knight" makes another appearance, though it's been remixed and edited (it's 90 seconds shorter) and I think the vocals are new. They sound clearer; they're not so buried in the mix, but it reveals that Yamira is not much of a singer. It almost sounds like the kind of music Bowie was doing ten years earlier, but that's a lot of praise it doesn't really deserve. Either way, though, the music does sound better, but the addition of a male chorus is pretty stupid.

And then we have to sit through "Lapti Nek" again! Just let me die!

"Live Your Life" sounds like an unfinished demo, and is just inspired by Star Wars, I guess. Can just anyone get access to music software these days? Meco, did you just give up on ever doing anything good again?

The last track, "Boogie Wookie," does not boogie. It sounds like another unfinished demo, though it does pick up occasionally.

This is just the most pointless album to own. There's no purpose to it whatsoever, except for Meco to cash in on a hit he made 30 years ago. And I can respect that, but I can also wish he just hadn't bothered.

Grade F
A Side: None
BlindSide: the new version of "Jedi Knight," maybe, if fake club techno is your groove
DownSides: "I Am Your Father," "Star Wars Party," "New Star Wars," "You Are Reckless," "Lapti Nek," "Live Your Life"