Monday, April 18, 2022

The 1982 Listening Post - Sammy Hagar - Standing Hampton

 Sammy Hagar - Standing Hampton



#530

1982 Housekeeping

Sammy Hagar

Standing Hampton

Genre: 80s Rock

4.5 out of 5



Highlights:

There’s Only One Way to Rock

Baby’s On Fire

Can’t Get Loose

Heavy Metal

Sweet Hitchhiker




Requisite 80s cover: “Piece of My Heart”. Is it unnecessary? Yes. Does it do ANYthing to update the Joplin version? Nope. But it’s where it belongs. At. The. End of the record. It’s the singalong at the end of the concert. Smart move. 



I will forever have a razor in my heart for Sammy. 

My band played his Cabo Wabo contest at Molly Malone’s in, I think, 2004 or so. 

We crushed it. 

We filled the room. 

We played one of the best concerts of our lives. 

Some older rocker played after us. He had fewer people there and his set was mediocre. 

He won.

He was a friend of Sammy’s. 

So, fuck Sammy Hagar. 


That said. He also wrote “I’ve Done Everything For You” and it’s one of my favorite songs ever, even if I can’t stand the Montrose version. 


But he replaced Dave in VH and, despite what anyone wants to believe, Dave was as important to that band’s success as EVH. They were a decidedly different band after that. 

BUT, they also crushed more than a couple records with Sammy.


Did you know Sammy made a ton of money investing in fire sprinklers? 


This guy. 


One of the greatest success stories in the history of America. 


“Baby’s On Fire” could easily be a VH song and Dave would sing the shit out of that. 


“Heavy Metal” is the title song for the animated movie by the same name because of course it is. It was co-written by Jim Peterik because of COURSE it is. 


Was this recorded at Sound City? It has that crisp, perfect separation that came from that board. There’s not a poorly produced cut on this album. And Keith Olsen who co-produced Working Class Dog, produced this. And it sounds like it. Olsen is another hero of the era that no one talks about. 


Ok, Sammy, all is forgiven. (But we shoulda played Cabo. You’d’ve loved us)





https://music.apple.com/us/album/standing-hampton/1440905937


The 1981 Listening Post - Kit Hain - Spirits Walking Out

Kit Hain - Spirits Walking Out 


#529

1981 Housekeeping

Kit Hain

Spirits Walking Out

Genre: Kate Bushian Pop

2.75 out of 5




Highlights:

Spirits Walking Out



These are the least memorable songs since…damn…what was her name….I can’t even remember. 

I have no idea why this album got such high marks from Allmusic. It’s really not good. 


The title track is where she wants to live: in that Kate Bush/Annie Lennox village but her penchant for MOR schmaltz gets in the way of the album ever really committing to that. 


https://music.apple.com/us/album/looking-for-you-spirits-walking-out/416091995

The 1981 Listening Post - Donovan - Love is Only a feeling

 Donovan - Love is Only a Feeling


#528

By John Tommasino

October 1981

Donovan

Love is Only Feeling

Genre: Sensitive Man Music....okay, it's not a crime to have sensitivity....Folk, acoustic....

Allen’s Rating: 2 out of 5

John's Rating 2 out of 5


I really didn't enjoy this record and it's not because I don't like Folk and acoustic music. It's just because at this point, Donovan wasn't making good music. There are no highlights here. This albums only saving grace is that it clocks in at under 33 minutes. I think the only reason anyone would listen to this music would be to soften a perp up before interrogation. Note: The chorus of the song, "The Actor" would be enough to break the resistance of even hardened subjects. The only reason I can think of anyone wanting to listen to this is that they are followers of Donovan and are required to as completists.....otherwise don't bother. 


This is a bad record.



https://open.spotify.com/album/5uikSgPMo7YRgcJRIuguWb?si=_VdgXjPXS8qCfm___8MwvQ

The 1981 Listening Post - Daniel Johnston - Songs of Pain

 Daniel Johnston - Songs of Pain



#527

Daniel Johnston

Songs of Pain

Genre: The original DIY confessionalist

3.5 out of 5




Highlights:

Grievances

I Save Cigarette Butts

An Idiot’s End




Is it possible to separate Dan from his music? I mean, can we look at the songs as stand alone tracks or is that impossible, given who he was and his mental state?

I mean, “Grievances”….that’s a good song, right? 


I never watched the documentary about Daniel. It was off Amazon by the time I found the time to watch it and then I decided that I wanted to know less about him and just experience his music and try to decipher who he was through his songs. 


It seems to me, from this collection, that Dan grew up in a pretty conservative environment. He is singing about the evils of pre-marital sex and “marching to Hell” and, well a host of guilt ridden stuff that is also filled with shame and confession. 


I appreciate Dan and what he did and the sheer guts of this but I absolutely don’t want to hang out with him. I’m also sitting here, listening, fully aware that Daniel was inventing pure confessional alternative music just 14 years after Sgt. Pepper and, in many ways for me, he dwarfs that endeavor which was the epitome of nascent studio trickery and magic. Daniel is more of the traveling bluesman except that he seems to be a shut in stuck with an upright garbage piano and can’t go anywhere for his agoraphobia. 



You could highlight just about any song as a representation of who Dan was. They are pretty much the same. Honkytonk piano in need of tuning, singer also in need of tuning (and some Neo-synephrine) and a tortured soul. As David Raposa wrote in Pitchfork: “it's nearly impossible to admire Daniel Johnston the Songwriter without thinking about Daniel Johnston the Person, and I'm not sure that it's the best thing to do.”


I really vacillated between 2.75 and 4. Hence the rating. 



https://music.apple.com/us/album/songs-of-pain/1558590861


The 1981 Listening Post - Robbie Patton - Distant Shores

 Robbie Patton - Distant Shores


#526

July 13 1981

Robbie Patton

Distant Shores

Genre: Unctuous Rock

1.5 out of 5




Lowlights:

She



It’s a big year for Fleetwood Mac here at The Listening Post 1981.

No, they don’t have anything of value to offer but Mick put out a record. 

Stevie put out a monster album.

Lindsey had his first solo joint. 

Bob Welch used to play with them.

And…Robby Patton opened for them

Talk about the height of powers. If you even breathed the same air as the Fleetwood it was assumed you knew the magic sauce and you got a shot.


I feel kind of bad for Christine McVie. She should have had her shot in 81, too. And John. And Peter Greene. 



The cover of this record looks like he’s trying to bite on Hotel California. And this is sort of in that lazy California wheelhouse. The pot wasn’t all that great in the 80s so we ended up with uninspired junk like this. If you know someone who purchased this record in 1981, give them a hug for me. From all of us, actually.



https://www.youtube.com/watch?v=emY-JC_PZ8Q


The 1981 Listening Post - The Knack - Round Trip

 The Knack - Round Trip


#525

By Robbie Rist

October 1981

The Knack

Round Trip

Allen’s Rating: 4 out of 5

Robbie’s Rating 4.5 out of 5

Genre: Horny teenage music for grownups.Star Trek movies.


The even numbered ones are awesome.


Knack records.


The odd ones are awesome.


Lamentably, The Knack’s third album turned out to be their last major label release.


Which I find something of a crime.


Yeah yeah yeah. Album one. Sharona. Made in 7 days. Eleventy billion copies sold. Whatever.


Round Trip is it’s own brilliant bird.


The band knew after the tepid response to their second record (the really good but not amazing .....But the Little Girls Understand) that the party was pretty much over.


Knacklash had begun.


The public was ready to tar and feather any skinny tie wearing Anglophile in Cuban heel boots.


There were better things to go back to now.


Like disco. (Fuck you Duran Duran with your cocaine grooves and pastel colors)


So, their options waning, The Knack did what any self respecting pop band on the way out would do.


They made an expensive, melodically mature, musically experimental pop record.


And far and away their best sounding.


Sure, there are ‘knack style’ power pop songs to be found here like Boys Go Crazy.


But there is also a moody country number (the confounding ‘single’, Pay The Devil)


And a psych song with a bridge sung in Hebrew (We are Waiting).


Soul Kissing is in the Bo Diddley-sequel style of She’s so selfish but its more confident a groove. And its a deep one. Bruce Gary is a sadly missed energy in the musical landscape. A ‘song player’ who understands the value of occasionally ‘tastefully over playing’. We still have Clem. We still have Pete Thomas. Not many others.


The words are a bit more introspective this time out.


Radiating Love asks to join the tribe of positivity and light (saccharine and idealistic? Maybe. But I will take that a billion times over the over earnest, navel gazing nihilism of the 90s).


The most ‘Knack’ song on it has go to be Just Wait and See. It’s the Byrds, The Beatles and The Who all in the proper amounts with a sheen of teen innocence.


Then there’s Africa.


Which I am sure confounded many a fan.


It’s mid 70s jazz rock featuring bassist  Prescott Niles on keys, Doug Feiger on 6 string bass and an appearance by the Chicago horn section with a guitar solo that surpasses Sharona and rockets the song in to the stratosphere.


It’s not a perfect record. Art war is just kind...there. And  I myself could have done without Pay The Devil (which proves how much Capitol wanted them gone. They released this as single. Almost as if to say, ‘Thanks for the fat stacks of cash. Now be on your way’. Even the title sounds cryptic.)


To my ears, Round Trip is the best SOUNDING Knack record. Sonically, Jack Douglas makes the most of Niles and Gary, probably the best rhythm section of that era next to The Attractions (go ahead and fight me).


And not enough gets written about Berton Averre both as a guitarist AND songwriter. You can sing every one of his solos (even if actually playing them can be tricky). And, if you ever heard Doug’s solo stuff, which is anything but bad, Averre becomes illuminated as the one truly indispensable member of The Knack.


So yeah.


If you liked the first record but that is all you heard, I suggest going next to album 5, Zoom. It’s the closest to the first one.


Then, slip out of your shoes and dive into Round Trip.


The water is nice here.


https://open.spotify.com/album/1tWYjtPL5lgX0FUHIBWpDd?si=e1-GxVpOSnybOLzoOWRl2Q

Sunday, April 17, 2022

From Facebook: Nightmare of You

Nightmare of You 

Settle in.

This is gonna be long.
I find myself writing often about circumstances that surrounded my daughter, Liz’s death. It’s no secret that the most devastating event in a parent’s life is when their child predeceases them. Even though her early demise wasn’t unexpected, it’s still a shattering blow to your entire world. It’s traumatic. And when it happens in front of you, well, nothing in your life can prepare you for that.
Watching Liz die was a catalytic experience. Often I think of my life as “Before Liz” & “After Liz” because, assuredly, I became a different person after she succumbed. I won’t define those changes here because I am sure that, in telling you about who I was “after” I will try to make myself seem more heroic, either through hubris or humility but, rest assured I become the hero in that saga and I think it’s best if you come to that conclusion on your own.
I was able to set up a scholarship in her name. That was good. (Heroic, right?) Every year since she died we give two college bound kids with Cystic Fibrosis each $1000 to put toward their education. And every year when we make that determination I get to call the recipient and talk to them, briefly, about why they were chose, who Liz was and why we think they represent her and her values and the way she saw the world. And it gets weirder every year as I get further and further away from her death and it’s less impactful. There are days, hell, weeks that go by where I don’t think of Elizabeth at all. Unless I happen to look above the bookcase in the living room and see her picture or if Zoe makes a face that reminds me of her half-sister, who she resembles quite a bit. And during the time of the year when the applications for the scholarship come in.
I guess it’s not very heroic to admit: No, I don’t think of my late daughter every day. I think we want to hear the opposite but the truth is life marches on.
When the memories come back, though, they are fierce. The very first time I put on a CPAP machine to help with my apnea (I had an apnea/hypopnea index of 52, which means that I was, basically, waking up 52 times an hour for most of my adult life. If you know me and you didn’t know this you are right now probably saying, “Oh! That’s why he was such an asshole so much of the time! He never slept.”) I experienced a montage of flashbacks to the time Liz was required to wear one during her last days in the hospital. The images came like they do in horror films when that character touches the rune or relic for the first time and sees everything the relic or rune has experienced all in rapid succession, blinding fast cuts and sounds of rips and tears.
And I don’t know if it’s because they are the most vivid but the first memories of Liz that flood back (outside of the CPAP events) are always of her in the hospital.
On that gurney.
Coughing and crying, “I hate this life! I hate this life!”.
Wailing in the infant bed as nurses administer a series of treatments.
Teaching her to walk by having her hold on to the oxygen tank to steady herself.
The moment she crashed, her heart exploded to 200 bpm and we lost her as I shouted her name, “Lizzie!!!” and had to be removed from the room.
The go-to memories are never the better times we spent together, that is the impact of a long term illness like CF. Being there at the end has only seemed to congeal the hospital as the fulcrum of my life with my daughter.
As you can imagine, I never want to experience Cystic Fibrosis again.
To a music lover such as I, Liz’s death was also a prison. I passed my passion on to her as best I could, exposing her to songs and albums, old and new. She liked Queen, loved Green Day (As I mentioned) and wondered if the lead singer for The Decemberists was mentally challenged. (She used a different word but I thought that a bit impolitic for here). And what that meant, for me, is that just about all the music I owned to that point carried with it some connection to her. Most of all Green Day (whom I would not be able to listen to for 4 years). And, not that I was searching his music anyway but, Daughtry. I could not allow myself to even give him a chance because Liz loved American Idol and we would talk about it together and we were both so excited that a real rocker was on the show. She called me from the hospital when he was booted and the message I heard on my voicemail was “AmericanIdolAmericanIdolAmericanIdol!!!!”.
The list would go on. My musical past was embargoed.
Fortunately, I knew a lot of people who would still talk about music and, through them, I discovered some great stuff. 2006 seems to have been a watershed year for rock, although no one really mentions it. Arctic Monkeys’ “Whatever People Say I Am, That’s What I am Not”. The Hold Steady’s “Boys & Girls in America”. The Thermals’s “The Body, The Blood, The Machine”. The Fratellis’s “Costello Music”. It was a damned good time to be forced to find something new to hear.
One album that caught my ear that year was actually released the year before and was a recommendation from my trainer at the gym. He was also the manager of a local LA band called Dalton Grant that sometimes played on the same bill with my group, Throttle Back Sparky and he was in love with a record by a Brooklyn based rock band steeped in a sound that reminded me of the late 80s group Love and Rockets or the more accessible records by The Cure. The band and the album were Nightmare of You. They would never release anything remotely as good as their first record but that first record…wow.
Why is it so good?
First off, there are tremendous hooks. "The Days Go By So Slow", "Dear Scene, I Wish I Were Deaf", these are two epic, hook-laden, retro-80s, lush emo rock songs, deceptively steeped in 50s songcraft. The way singer Brandon Reilly wraps his throat around wordplay and rhyme schemes of, say, Thumbelina, only add to the catchiness of the songs.
The album is relentless in it's pop-hook assault. The electro-nightclubbing Simple Minds-esque "My Name is Trouble" and quasi-college Indie "Why Am I Always Right?', the brilliant "I Want to Be Buried in Your Backyard", paint vivid pictures of desperation, loss, death, love and all of them make you want to lower the top and sing along on a coast drive.
Does it stop?
Nope.
The skiffle pop of "Ode to Seratonin".
The faux-country of "Marry Me".
The urgent "In the Bathroom is Where I Want You".
The driving "The Studded Cinctures".
It's amazing that every single song on this album is great. It's like a best of record by a band you've never heard of but wish you did so you could collect all the rest of their colection. Except that this is the debut.
Closing on the french cabaret inspired, "Heaven Runs on Oil", well, if you can't tell, I think this album is an unknown classic.
I am so glad that I am writing about NoY because it’s just another excuse to fire it up on the Sonos and fill my house with an album whose songs never tire for me.
And I was listening to Brandon Reilly’s breathy, neo-british voice at that same gym when the most important call of my post-Liz life came in and would subsequently cement this album as a positive reinforcer of all the things good that life can be:
Some backstory.
Shortly after Liz died Beth and I decided to start a family of our own. When I say shortly I mean SHORTLY. Zoe was born 11 months after Liz died. And early into the pregnancy we decided to have some genetic testing done.
Beth scored near perfect. Balloons should’ve dropped from the ceiling as the Commission of Perfect Procreation celebrated the genetic excellence of her family line. No congenital or latent diseases. No alcoholism or cancer or mental illness, nothing. Just good Scottish & Australian lines.
Now. Mine?
If they could’ve the lab would’ve put a stamp on it with an illustration of a baby with a circle and a slash through it.
Cancer? Yep. Psoriasis? Sure. Diabetes? We got some of that. Heart disease? What else does a 49 year old man die of in his sleep? Mental illness? I will not name names but, yes, there has been some shock therapy in my family in the past.
Quite a mess.
And, of course, Cystic Fibrosis.
To our benefit, though, one of the legacies of Liz was that we had her codes. We knew the EXACT gene mutation to test for to be sure that we wouldn’t repeat her disease with a new kid.
“So, these are the 97% of the mutations that we test for. The other 3% are so rare that we don’t regularly run the panel for them.” Is what the genetics counselor said to us.
“Great.” I said, turning to my left, I looked at Beth, smiled and said, “We’re good.”
Cue the music swell, cut to the family with the new, happy, cooing baby….
“Well.” Beth interrupted this narrative, “My husband is the most neurotic person I know.”
This is true.
“Run the full panel.” She said.
So, they did.
And a few days later we got the news:
“Beth is actually a carrier of the rarest Cystic Fibrosis gene.”
Wait. What? How? What???
CF is a recessive disease. BOTH parents need to pass on the gene mutation to the offspring for the child to be sick. One parent or the other could pass the gene while the other didn’t and the child would be a carrier or they could both not pass on the mutation and the child would be completely fine, no disease, not a carrier.
Believing that Beth was free of the CF gene (and why would we not? There has never been a sick person in her family’s history) we were under the impression that we had a ZERO percent chance of having a sick kid. Now that percentage exploded to ONE in FOUR chance of having a child with Cystic Fibrosis.
And that child was growing inside Beth. And time was running out. For me, at least. I was NOT going to go through this disease again. Was I?????
They tested the baby and sent it off to a lab to await the results. It would take three weeks.
That’s three weeks robbed of excited name-the-baby talk. Three weeks avoiding thinking of what our “family” would be like. Three weeks avoiding conversations with friends who wanted to know what we needed for the new kid. Remember this baby was coming into our lives, all of our lives, family and friends, 11 months after Liz died. But the KNOWLEDGE that it was coming was barely 4 months after her passing. I don’t think it would be hubris to say that people were rooting for the Lulus. Rooting for this baby. In the shadow of death there’s new life, right? Or something like that.
Those three weeks were hell. Conversations between us were stifled as they were sure to bring us to tears, tears shed for an event that we were unsure of.
We played a lot of video games. Rock Band, especially. Go figure, right?
And I had to get out of the house for those three weeks. I would ride my beat up Kawasaki Vulcan to Easton Gym, meet with my trainer and get on the elliptical and just go. I poured my fears into my body (and those who know me know that the results were decidedly NOT visible).
At the end of the second week I was on the center elliptical machine, watching the news, huffing and puffing to the music on my iPod: Nightmare of You’s “I Want To Be Buried in Your Backyard” was playing when my phone rang. It was the genetics lab.
I hit stop on both the machine and the player and answered the phone.
“I had them rush the results because…” The lab counselor said. “…I know what you went through…Your baby is a carrier. She isn’t sick.”
Back to that movie. Shots of the hero leaping off the exercise machine. Tossing all his stuff into a backpack. A motorcycle’s engine revving. Our hero, wearing gym shorts and motorcycle boots, racing through LA traffic, laughing and crying, he flips up his helmet visor because it’s steaming from his tears. He gets home. He’s in the house. He talks to his pregnant wife. They both cry. Hands on her pregnant belly. The camera pulls back. We dissolve to Zoe’s birth.
Actually, I just called her from the gym and told her. Then I took a shower. Breathed a sigh of relief. Got on the motorcycle and listened to “The Studded Cinctures” as I rode home.
There’s a post-script to all of this.
Years later we were doing In Vitro to have another child. There were four viable embryos that we would’ve implanted that cycle. The cycle where Zack was conceived.
Because Beth said “Run the full panel”, we sent cells of each embryo to a lab to be tested.
Remember, if we had just listened to me, Zoe would’ve been born and we would never have known that Beth was a carrier.
Two of the four embryos we submitted were robust, having divided the way you hope embryos do.
And they were full blown CF sick.
The other two were weak. We were lucky to pull a cell out of them to submit for testing. There is every chance we would’ve implanted all four. Hell, we might’ve only implanted the “healthy” looking ones.
And Zack would have been born with Cystic Fibrosis.
A Nightmare of something, indeed.

Tuesday, March 22, 2022

The 1981 Listening Post - Midnight Flyer - Midnight Flyer

 Midnight Flyer - Midnight Flyer


#524

October 11 1981

Midnight Flyer

Midnight Flyer

Genre: Straight up Rock and roll 

3.25 out of 5





Highlights:

Whatever I Want



….but with some of the technology of the era. It’s a keyboard tinged deal where the ivory tickler trades fours with the lead guitarist. 

This is what a pretty good pub band sounds like in the 70s/80s. “French Kisses” is the kind of song that makes a crawler say, “You guys should have a record deal!”

To which the response is, “We do! We just put out an album! You can buy it at the record shoppe!”

And you don’t cuz they don’t really amount to much. “Do You Want My Love”, “Sweet Loving Woman”…these are perfectly fine songs for a band that plays at 2pm at the rock festival. 


(Listening to “Midnight Love” this lead singer from Greta Van Fleet sounds an awful lot like singer Maggie Bell. And now I wanna fire up a GVF rekkid.)


Good on them to keep the power ballad at the end of the album so you know when to turn it off and move on to the next one. 




https://music.apple.com/us/album/midnight-flyer/1528026348