Saturday, February 19, 2022

The 1981 Listening Post - Phil n' the Blanks - Multiple Choice

 Phil n' the Blanks - Multiple Choice



#224

1981 Housekeeping

Phil N’ the Blanks

Multiple Choice

Genre: New Wave

3.75 out of 5



Highlights:

(I’m Her) Sex Toy

Void Fill



Ah, the many stories that come out of listening to college radio in the 80s. I’ve spoken about WFMU, the Fairleigh-Dickinson student radio station often before. I won’t repeat that story but in this case, I just heard a track from this record ONCE and never forgot it. 

“Vi-Sectomy”. For some reason that song never ever left me.

So much so that I picked up a copy of their follow up Lands an d Peeples and never listened to it.

Phil sounds like Russell Mael and the band actually does a pretty good Sparks impression.

Here’s what’s FASCINATING about this band:

Phillip Bimstein, the “Phil” of the Blanks is actually a alternative classical composer who served two terms as Mayor of Springdale, Utah. And here I thought he was just a guy who wrote novelty tunes about vasectomies. He’s so much more. 

Think of this record as Sparks meets The Rezillos. And that’s terrific. Some of it is angular and difficult, like “Void Fill” but what would you expect from an “alternative classical” composer? His brain is going to filter things differently. But this isn’t Henry Cow or Captain Beefheart impenetrable. The opposite, actually. It’s very listenable. 

The hit single is just as I recall. Not so great. A little sophomoric. As I said, The Rezillos, but without the edge. 


https://www.youtube.com/watch?v=z5k9TcjwYO8&list=PLlvn8uktX5Lsuyf9G1HQRcCUBHVJBQMMV&index=14

The 1981 Listening Post - The Freshies - London Plays

 The Freshies - London Plays 



#223

1981 Housekeeping LISTENING POST DISCOVERY

The Freshies

London Plays

Genre: Power Pop

4.75 out of 5



Highlights:

If You Really Love Me…Buy Me a Shirt

My Tapes Gone

Wrap Up the Rocket/Gonna Get Better

I'm In Love With The Girl On The Manchester Virgin Megastore Check-out Desk



I say this all the time but I really need to learn more about Chris Sievey. I had Frank in my queue for the longest time but I just couldn’t seem to find the right moment to watch it. 

I know so precious little about Frank Sidebottom and Sievey and The Freshies but, dammit, I think I love him (them). 

This is listed on Wikipedia as a “demo” but the songs are one delicious piece of confection after another, so much so that you really don’t care about the thin production. 

Do people who love The Freshies also love They Might Be Giants? Cuz I think that’s the same wheelhouse, no? I mean, I love a LOT of TMBG and I’m feeling the similarities. Maybe that’s just me. 

Imagine being such a good songwriter that you can put a cassette only demo like this out, not give it a proper release and still make something that is better than 90% of what’s out there.

On “Wrap Up The Rocket…” You can hear how The Freshies influenced (were completely copied by Weezer (Especially on the Everything Will Be Alright in the End album) and Nerf Herder. 

Conceptually,  “I Can’t Get Bouncing Babies By The Teardrop Explodes” is a magical piece of genius. 

As is Sievey. 


https://open.spotify.com/playlist/0bLG9cNLt7E2dDpb8MCa9Z?si=ox-WoUcSSFuPEr-f1BnaPw

The 1981 Listening Post - Echo and the Bunnymen - Heaven Up Here

 Echo and the Bunnymen - Heaven Up Here



#222

By Chris Kouzes

May 1981

Echo and the Bunnymen

Heaven Up Here

Genre: Alternative

Allen’s Rating: 4.5 out of 5

Chris’ Rating: 3.5 out of 5


Highlights

A Promise

All My Colours

Show of Strength


I graduated high school in a Chicago suburb in 1986. So bands like R.E.M., The Replacements, The Smiths and Husker Du were vastly influential in forming my musical tastes. The next tier of bands included The Hoodoo Gurus, The English Beat, Joy Division/New Order…and Echo and the Bunnymen. I distinctly remember this album coming out and picking it up that summer. Lucky to have a few hip record stores in town and, at the time, a great radio station in WXRT. 


 “Show of Strength” is a solid and logical opener (from this collection of songs). “With a Hip” and  “Over the Wall” are both good, with traces of classic Echo. “It Was a Pleasure” goes nowhere. But, but…the first real classic in the Echo canon arrives with “The Promise.” Incredible vocals, guitar…and maracas. End of Side One. 


As we head into the second side, let’s take a minute to talk about the U2 comparisons that have badgered the band seemingly their entire career. Do they sound like U2 at times? Yes and no. Do they sound much like Boy/October U2, some, but not much. In hindsight, the guitars in songs like “Heaven in Here” (lead off track on Side 2) and the entirety of “All My Colours” sounds like Unforgettable Fire and Joshua Tree-era U2. History really should reflect more how much U2 sounds like and were influenced by Echo and the Bunnymen than vice versa.


Back to Side Two, just mentioned tracks one & three. The second track, “The Disease,” is a throwaway. Tracks four (“No Dark Things”) and five (“Turquoise Days”) are trying too hard to be interesting. Which brings us to the closer, “All I Want.” It’s fine enough. It succeeds more on the push/pull of the arrangement more than it being a good song. 

 

Musically, Ian McCulloch found his voice early on and Will Sergeant’s guitar is very Will Sergeant throughout. Moody, slinky guitar lines weave throughout nearly every song. But the band’s real weapon is drummer Pete de Freitas. Powerhouse when needed, but throws in all kinds of nimble drum fills to make things really interesting. Ironic considering that only about a year before this album they were using a drum machine. There’s also A LOT of production going on in these songs. Layers upon layers of guitars and overdubs galore. But what’s great is that this, as with a lot of their albums, is that the production is pretty timeless. With the exception of the odd synthesizer, all real instruments here and nothings screams “early 80’s” production.



There is more good than not on this record. In baseball terms, “Heaven Up Here” is a double, but with grit and determination, stretched into a triple. The bones of what makes Echo and the Bunnymen so great are here, they’re just waiting for consistently better songs. Home runs will come with the albums Porcupine and, their masterpiece, Ocean Rain.


https://open.spotify.com/album/29rkfL25uKOkVOhyr1CmXJ?si=x6w2cgyETC2wkslOXxtaFw

The 1981 Listening Post - The Wonderful Grand Band - Living in a Fog

 The Wonderful Grand Band - Living in a Fog



1981 Housekeeping

The Wonderful Grand Band

Living in a Fog

Genre: Canada.

2.75 out of 5



Highlights:

Babylon Mall

Ophelia



A few years ago I was filming a commercial in Newfoundland. 

There is a tradition there called being “Screeched in”. Screech is a 40% by volume rum. 

The tradition goes you eat this god awful piece of meat, repeat the following when asked Are ye a screecher?" or "Is you a Newfoundlander?,”: 

"Indeed I is, me ol' cock! And long may yer big jib draw!" (Translated, it means "Yes I am, my old friend, and may your sails always catch wind.” And then you kiss a frozen cod on the mouth.

I was Screeched In in a bar with a bunch of friends and co-workers. 

The next day, I was filmed playing with a bunch of baby Black Labs. Labrador being part of that province of Canada.

I had a day off the following day and walked by the wharf.

I saw these statues, which were much larger than life. 





That day I had a revelation. See, our Golden Retriever died suddenly a few months before and I was NOT in the mood to train another puppy. But the rescue dog we got from the pound was…not a good fit. 

My kids cried when I told them we wouldn’t be getting a puppy but I know who does the training. Me. I train the dog. I’ve trained many many dogs in my life and I’m pretty good at it. 


The epiphany was: I adore Canada. It’s a country that has been spectacularly great for and to me. I love it there and wish I could live there. 

We will get a Canadian dog. 


A few months later we got Cody as a puppy. He’s been the best thing to happen to my family in a long time. My daughter loves him. My wife cuddles with him and keeps her feeling safe when I am out of the country and my son…this dog is his best friend. 


Why all this?


The Wonderful Grand Band is from Newfoundland. It’s a Canadian band. They aren’t great. They sometimes come across like Springsteen wannabes. And other times just a generic 70s rock band. 

Their version of “The Merry Blacksmith” is terrific. 

I would happily gets sloshed on Screech in a bar where The Wonderful Grand Band was playing. 

I don’t know what’s happening on the comedy tracks and for that stuff I go to The Four Postmen or The Aquabats anyway.


YouTube: https://www.youtube.com/watch?v=zkI9QnsFUSk&list=PLSIs4voBRsYbdVLtK_6fhXPaqyF49EPAx





The 1981 Listening Post - Mitch Ryder - Live Talkies

 Mitch Ryder - Live Talkies



1981 Housekeeping

Mitch Ryder

Live Talkies

Genre: How many albums did this guy release in 81????

3.25 out of 5


Highlights:

ER Ist Nicht Mein Präsident



Requisite 80s covers:

A rollickingly unnecessary version of “Subterranean Homesick Blues” that strips it of it’s import and, therefore, it’s poetry.

“Wicked Messenger”, another Dylan tune which I am not that familiar with (Not a big Bob fan, I) that suffers from the “We’ll do it live!” approach.

A decidedly uninteresting version of “Take Me to the River”.


This is the second of three albums Ryder put out in 81. I haven’t done the research, did he have a life sentence that put him in the position of having to get out as much as possible?

This one is missing a bunch of tracks so we don’t get an opening track. Instead, we start off with Track 2, “Corporate Song (It’s Not For Me)” and that thing is a slog. And there’s a bunch of Dylan covers. So…why? Why not just save your best stuff for one epic release, Mitch?


OK, did a little research, like Big World, this album was cut live in the studio. Unlike that Joe Jackson masterpiece, there’s no audience to play for. Just themselves. So it feels like that. Players who play and play well but don’t really have anyone to impress or move. He gets some action going on “Tough Kid” but you gotta get all the way to Side Three to get there. 


This is a triple album so…if Mitch is your spirit animal this is a lot of spirit. For me, he’s just serviceable. 


https://www.youtube.com/watch?v=WCSbdh0jLV0&list=PLlvn8uktX5Lv2itYu837SQOQ2mxzK3ITF 

The 1981 Listening Post - UB40 - Present Arms

 UB40 - Present Arms


#219

By Chris Kouzes

May 1981

UB40

Present Arms

Genre: Reggae

Allen’s Rating: 3.5 out of 5

Chris’ Rating: 3 out of 5


Highlights:

One in Ten

Present Arms

Don't Walk on the Grass


Remember that bit on Sesame Street? Marley. Tosh. Cliff. UB40. Which of these things is not like the other? You really can’t lump UB40 into a genre other than reggae, but are they? 


This, their second album, is less political than their debut, but not by tons. The original album itself had eight tracks, with two more included as bonus 7” (all the CD and streaming services include all ten). Four of the ten are instrumental, so at best 60% of the songs have an agenda of some sort. But that’s herenorathere. 


Things get out of the gate pretty strong with the title track. I do generally like what the band does with the horn section and they on full display here. “Sardonicus” and “Don't Let It Pass You By” follow. They fine enough. Nothing to get excited about…the definition of album track. “Wild Cat,” the first instrumental is terrible. It’s repetitive to the point I literally had to check to make sure the music wasn’t stuck in a loop. On your deathbed and want to cling for life, put this one on. It’ll make your last 3:04 on Earth seem like an eternity. Next is the strongest track, and single, “One in Ten.” This (and the title track) really sound like a UB40 song, in a good way. Wish they were this consistent in their songwriting. Skip the next two. Song eight “Lamb’s Bread” is interesting. I don’t know what Lamb’s Bread means and don’t care enough to look it up. But I like what’s going on here. The last two tracks from the 7” are both instrumentals with “Don’t Walk on the Grass” being pretty good and definitely the better of the two. 


For an album released in mid-1981, I’m surprised just how `80’s sounding it is. Tons of synths and the odd electronic drum and synth bass. Had I not known better and you told me Thomas Dolby got his start in UB40, it totally would have made sense to me.


I actually saw the band live in 1986. They were touring their Rat in the Kitchen album (which I liked and will see you a few years to review that one). But I primarily went to see the openers, Fine Young Cannibals, who had just released their debut, an album I loved (again, see you in a few). FYC didn’t disappoint and UB40 were pretty solid. 


It’s too bad these guys are best known for dreadful (but enormously popular covers). I don’t hate UB40, but kinda hate what they came.


https://open.spotify.com/album/6yAiouQIjAhtqo5WbznIoL?si=k6T2e_-3REq-qPISvS8BUg

The 1981 Listening Post - Gary Myrick and the Figures - Living in a Movie

 Gary Myrick and the Figures - Living in a Movie



#218

1981 Housekeeping

Gary Myrick

Living in a Movie

Genre: Sophomore slump

3.5 out of 5




Highlights:

Living Disaster






There’s been more than a couple bands & musicians that I have only discovered or investigated because of this project. 

The Jags, obviously. Great Buildings. Nick Cave. A lot of the Dunedin stuff. Daniel Johnston. Even Graham Parker, because he was the power popper/rocker that I just didn’t bother getting into. There’s a host of others.

And, of course, Gary Myrick. That debut was a revelation so I was really looking forward to this follow up. And it starts off with a holler & a bang. Thing is, while the album isn’t revelatory or anything, every time I had to walk away for some reason, I found myself humming the previous song’s chorus or bassline. 

Happened at least three times. 

Occasionally there’s something going on in the background, as on “Died on Television”, but I can’t write make it out, which is disappointing. And the rest of the album is well played, well sung and energetic but, ultimately, a let down. Nothing really gets me fired up or wishing I can hear it again. 

Sorry, Gary. 


https://music.apple.com/us/album/living-in-a-movie-bonus-track-version/338588950

The 1981 Listening Post - Klaus Nomi - Klaus Nomi

 Klaus Nomi - Klaus Nomi


#217

1981 Housekeeping

Klaus Nomi

Klaus Nomi

Genre: Robopera

3.75 out oof 5


Highlights:

Wasting My Time. (Your mileage may vary with this one, guys)



Here we go, folks. Into a territory that I can’t begin to express. Nomi is an opera singer, I think, right? If he didn’t exist on his own I think David Bowie or Andy Warhol would have had to create him.

This thing starts off new wavy and then immediately takes a hard left into MGM showtimes by way of the house band for Cafe Flesh. 


I love operatic rock. I can’t get enough of Freddie. I once drove 45 minutes to a record store because they were the only one in Los Angeles that had a copy of Barcelon by Freddie and Montserrat Caballe. This isn’t that. This is almost designed to make you hate it and make all those flyover people say, “yeah, this is why art sucks, man. Go, Colts!”


Germanic Richard O’Brien versions of “You Don’t Own Me” are something I didn’t miss. 


Looking at this cover I really wanted this to move me like a New Wave version of The Elephant Man but it’s less Lynch than it really could have been. In fact, when Nomi goes full Opear, as he does on “The Cold Song” I am more compelled. And that haunting “Nomi Chant" fold nicely into the best piece, "Samson and Delilah (Aria)”, which is not rock but at this point…fuck it. It’s the 80s, man.


https://www.youtube.com/watch?v=kXHyQWUmrNo

The 1981 Listening Post - Whitesnake - Come and Get It

 Whitesnake - Come and Get It



#216

By Rob Slater

April 11 1981

Whitesnake

Come and Get It 

Genre: Bluesy Hard Rock with a touch of Deep Purple.

Allen’s Rating: 2.5 out of 5

Rob’s Rating: Solid 3.25


Highlights: 

"Wine, Women an' Song"

Neither of the singles are memorable. 


Gotta say thank god that Adam Ant kept them out of the #1 spot in the U.K. I didn’t like Adam Ant at the time and I happened to be in the U.K. in July of 1981. This is not the album to be a number One! Not that it’s not decent.It’s fine.Good in parts. How’s that for damning with faint praise?


So, I’m gonna do one of them “Stream of Conscientiousness Reviews.” Because there are hardly any songs that jump out, so I’m giving a personal response. 

Nobody says MMmmmm like David coverdale, except maybe that guy from the crash test dummies who used the name of the song and the chorus to a song. David Coverdale is like the Michael Morcock of Metal. He keeps going back and redoing songs, usually making them popular, but also stronger and more produced. 


Come and Get it, was the White Snake album before the album that I got me into Whitesnake. My first whitesnake album was Slide It In, perfect for a horny 13 year old boy out in the sticks without TV. Songs with great hooks, impressive vocals, blues tinged hard rock with a touch of naughty like Bat Out of Hell.


And then of course there is the ubiquitous at the time, “Here I Go Again” and its video also ubiquitous on MTV with glimpses of Tawny Katain’s oops, slip of a nip as she dances across the hood of David Coverdale’s car. Again everything a 13-year-old boy could fantasize about. And at 14 or so, I found a DVD that I could freeze frame, because...

 

But I'm getting ahead of myself. I often do living in the future as a science fiction author. I find that I enjoy to the listening post reviews that are more stream of consciousness emotional connections to the music, which is interesting for this review because I don't have the emotional context for the particular album. But I do have the emotional context for the band as a whole. (or is that as a hole?) Whitesnake has had as many members Spinal Tap had drummers, kind of like my second to last review of Krocus. The band has included such amazing artists as 

John Lord

Adrian Vandenberg

Steve Vai

John Sykes

Ian Paice

Bernie Marsden

Cozy Powell 

Aynsley Dunbar

Warren DeMartini 

Denny Carmassi 

Rudy Sarzo

Tommy Aldridge

Reb Beach 

Joel Hoekstra

 

But David Coverdale is the only real Whitesnake, which I imagine is part of the horny 13 year old inside of him.

 

Worthy of a listen and definitely more bluesy hard rock than the poppier hits of the later 80s. I checked out “Saints and Sinners,” because I had heart it was better .It has the original version of “Here I Go Again,” which is actually mediocre: “Like a hobo , I was born to walk alone,” instead of drifter. Yeah. I think “Slide it in is actually the best Whitesnake album!


The 1981 Listening Post - The Keys - The Keys Album

 The Keys - The Keys Album



1981 Housekeeping LISTENING POST DISCOVERY

The Keys

The Keys Album

Genre: Power Pop

4.75 out of 5




Highlights:

Hello Hello

It Ain’t So

One Good Reason

Listening In

I Don’t Wanna Cry

Spit It Out

World Ain’t Turning







Before he got bored and made Jazz, Classical and unfocused Rock albums, Joe Jackson put out two of the best 1-2 punches of Power Pop in Look Sharp and I’m the Man. Beat Crazy was more experimental and he sort of announced that he was done with that phase. 

But before he did that he produced this album. And, like The Jags No Tie. Like a Present and Great Building’s album, it’s chock full of excellent Power Pop tracks that deliver each time.
The era might be coming to an end but that’s a damned shame because there are excellent purveyors of this style. Drums. Guitar(s). Bass. Vox. Bashing out the V/C/V/C/B/C/Out in style. 

There is not a bad song on this record. “If It’s Not Too Much” is a bit toooooooo Beatles for my taste, leaning heavily into that Deface the Music territory but Imma let it pass. 

We don’t really get a chance to breath until deep into side two’s “Greasy Money”, but that brief bit of air is also a delectable slow roller-dance at the rink and it is followed up by the Beatles meets the Stones “Back to Black” rockabilly tinged PP and I’m here for it. 

And boy does it end with a bang. I’m adding “World ain’t Turning” to my “If I had a Power Pop cover band we would totally fucking cover this song” list. 




https://www.youtube.com/watch?v=W9eaPTKl1vA