Thursday, September 10, 2020

The 1980 Listening Post - The Michael Stanley Band - Heartland

 The Michael Stanley Band - Heartland 


#345

September 8 1980 LISTENING POST DISCOVERY

The Michael Stanley Band

Heartland

Genre: Heartland

4.25 out of 5



Highlights:

Don’t Stop the Music

He Can’t Love You

Working Again

All I Ever Wanted


New Jersey had Bruce.

Pittsburgh had Iron City Houserockers

Cleveland had The Michael Stanley Band. 

Hear that sax? Sounds like the Big Man, no? You know why? It is the Big Man. I don’t know how that happened, maybe they hired him to come in and E Street them up. Maybe he actually liked the band and wanted to give them some red. I don’t know how these things happen. I do know that he powers the big single “He Can’t Love You”. You know that song. You’ve heard it on FM radio or the Heartland station on Sirius. But I bet if I asked you who it was you wouldn’t name MSB. 


A lot of this falls into the sweet spot in my heart that I have for, say, Bob Seger. A spot that was created by listening to Darkness on the Edge of Town a few too many times. But, it’s there. It’s the spot that wishes I had a pick up truck instead of a minivan. Is it close to Loverboy? Yes. But, it’s better. Just a smidge. And we could all do worse than good Loverboy. 


https://music.apple.com/us/album/heartland-remastered/1100352537

The 1980 Listening Post - Atomic Rooster - Atomic Rooster

 Atomic Rooster - Atomic Rooster


#344

September 8 1980 LISTENING POST ADMIN DISCOVERY

Atomic Rooster

Atomic Rooster

Genre: Thin & Purple Metal

4.25 out of 5



Highlights:

They Took Control of You

Do You Know Who’s Looking for You

Watch Out!





If you told me this was the debut by a New Wave of Heavy Metal band I’d have no reason to disbelieve you. Apparently, Atomic Rooster has been putting out records since 1970 at this point. Don’t let the genre fool you, this is a rollercoaster of metal with Hammond B3. 

I kind of enjoy the Rezillos-as-metal band on “Where’s the Show”. And they pick up the Sweet baton for the rambunctious “Do You Know Who’s Looking for You”? Even the instrumental “Watch Out!” is madcap fun. 


https://music.apple.com/us/album/atomic-rooster/1442597581

The 1980 Listening Post - Robert Palmer - Clues

 Robert Palmer - Clues 


#343

by Tom Mott
Robert Palmer 
Clues 
Genre: "Sexy-Rock” 
Allen’s Rating: 4 out of 5
Tom’s Rating: 4.75 out of 5

Allen’s Highlights:
(All of Tom’s +) Sulky Girl


Tom’s Highlights: 
Looking for Clues 
Johnny and Mary 
What Do You Care 
Woke Up Laughing Rating: 

I loved the title track on MTV. It was something not quite understood that begged to be figured out. Like the Meat Puppets five years later. Or Mike Kelley at MOCA s couple years after that. You like it, but you're confused. It reeks of Ze Records. Mutant Disco. No Wave. Lizzy Mercier Descloux. A 5-minute title track with a marimba solo in the middle? Who does that? Well yes, Oingo Boigo did that. And ok, the Violent Femmes did that. Oh fine, Under My Thumb. Fuck, there's a playlist in there somewhere. 

 This falls on the fashion model side of hip, not the boho (hobo) fuckup "I've got cockroaches in my fifth-floor walkup" side of hip. It's the Tom Tom Club side of Talking Heads. It reminds me of the two models I saw walking through the Louvre in 1989, and in that moment I glimpsed the future life I knew I was never going to have. The world where Grace Jones and Andy Warhol and Jim Jarmusch are all hanging out having a laugh. Ce n'est pas la vie. 

 This album unfolds upon repeated listens. Especially with alcohol! It's multi-tracked and mumbled and oozes style. Rubber Soul sounds like pot. Velvet Underground sounds like heroin. The Long Run sounds like cocaine. License to Ill sounds like a lot of beer. This sounds like a decadent amount of cognac. Not annoying Kim Kardashian table service cognac. More like Eartha Kitt on LSD levels of cognac. This album is proof of an alternate universe where Robert Palmer fronted the Talking Heads. 

Spoiler alert: They have a lot more fun. This is 1980 but fuck me if it doesn't sound like 1986. Google it and .. oh! Gary Numan. Jerry Harrison. I didn't know that. Cheating! Track by track Looking For Clues - A thing unto itself Sulky Girl - Emotional Rescue era Stones Johnny and Mary - Sparks meets Talking Heads What Do You Care - Sounds an awful lot like Looking for Clues. Slow it down, add crunchy guitar and this will simply become ... irresistible I Dream of Wires - Gary Numan Woke Up Laughing - A hypnotic little electric kalimba sort of thing Not a Second Time - Above-par filler Found You Now - Matt Johnson hears this and says "Hold My Beer." This is a good album. Please [don't] mail alcohol to me. I will drink it.

The 1980 Listening Post - Silicon Teens - Music for Parties

 Silicon Teens - Music for Parties


#342

September 1 1980

Silicon Teens

Music for Parties

2.5 out of 5






How fucking weird is this?

The live version of this band was fronted by Frank (Fad Gadget) Tovey. But he didn’t sing on the album. That album was all a project by Daniel Miller and the “band” was made up of actors for the purpose of in person performances on tv shows. 

These are mostly covers, with just three tracks written by Miller. So, as you know, I am reluctant to make those highlights unless they bend the original in ways that can’t be avoided. I got close with “Let’s Dance” but, despite it’s cutesy, almost B-52ishness, I passed.  Same with “Red River Rock”, but it sounded too much like that popcorn song that accompanied every afternoon movie on WPIX when I was a kid. You might like ‘em. As we say, your mileage may vary. 

Having heard this immediately after that abysmal Fad Gadded record I am struck by how starkly different they are. This is upbeat, weird, kind of a companion to Barnes and Barnes Voobaha. What Tovey is doing anywhere near this record is beyond me save for the fact that both projects traffic in synthetic music. What I wish, though, is that the originals were as interesting as the covers. 

They aren’t. While the time you would save by not listening to this album is. 


https://music.apple.com/us/album/music-for-parties/1158367089

The 1980 Listening Post - Fad Gadget - Fireside Favourites

 Fad Gadget - Fireside Favourites



#341

September 1 1980

Fad Gadget

Fireside Favourites

Genre: Electronically Bored

2.5 out of 5




This sounds exactly like a record where all the instruments are played by one person and no one explained to him how to write a song. 

Frank is credited as playing the “electric shaver” and that sort of says everything. 

This is all electronic ideas and meanderings with not much to hold on to. This is xex without the humor or snark. In fact, Fad can’t hold a candle to Wow and Thumbelina. 

Gadget wants to be the Casio Numan and too that I say, feh, Fad. 


https://music.apple.com/us/album/fireside-favourites/826518872

The 1980 Listening Post - Mink DeVille - Le Chat Bleu

 Mink DeVille - Le Chat Bleu


#340

By Eli Sitt

Mink DeVille

Le Chat Bleu

Genre: Southside Johnny and the Asbury Jukes

Rating 3.5

Highlights

This Must Be The Night

Savoir Faire

Slow Drain

Turn You Every Way But Loose

Lowlights

Just To Walk That Little Girl Home

 

I never listened to this album before, I might have heard of the band name, but it doesn’t register anything. 

When Allen assigned this to me early in the Covid lockdown, I listened to it a couple of times and really disliked it. My first rating would have been a 2, max.  I have lived or “summered” at the Jersey Shore most of my life, so the obvious similarity to Springsteen and even more so Southside Johnny is very familiar and overdone. It’s not my favorite genre, so at first it was a turn off. 

Allen asked me last week if I was still going to submit the review, so I revisited the record. I didn't want to drop my assignment and get kicked out of the group.

It grew on me. I took my kids camping earlier in the week and gave it a listen, I grew more comfortable with it. It really hit me yesterday. I listened to it on a bike ride with my wife to Brooklyn Bridge Park. That’s why I listen to music, as a soundtrack to my life, it’s also why I continually listen to new music, I want my memories to be associated with one song or record, not the same songs tacked on to different experiences. They have to be unique. It was a glorious sun-splashed hot Saturday. We started in Midwood, and wound our way through Ditmas Park, Prospect Park and Park Slope. I really enjoyed the ride through Brooklyn, especially where the streets were closed to vehicles allowing the restaurants to spill into the roadway. There are no tourists in NYC, many many people have decamped to summer getaways and to escape the early spike of Covid. There is plenty of room to breathe and enjoy the spots that are usually overrun and crowded. And with all the shitty news happening, it reinforced my belief that New York is a great city, its residents cover every walk of life, and are extremely capable to pursue happiness during this dark time period. I will always associate the afternoon with a pleasant memory and a wonderful soundtrack courtesy of Mink DeVille.  

The band, which I know nothing about, pulls off very acceptable multi genre rock and roll. It really reeks of Southside Johnny and Springsteen. I think of Little Steve Van Zandt also, I’m sure this is Van Zandt’s sweet spot. Lots of Doo Wop, saxophones, white soul, zydeco, and yearnings for a “little girl.” Sounds a lot like Schoolhouse Rock. There's another artist who pops into mind, I just can't remember his name. Fedora, mustache, gravely voice from the late 70's, early 80's, some pop hits. Someone help out here...thank you Google machine; Leon Redbone.

I'm not sure about the French titles, I assume it has to do with Zydeco and New Orleans. I'm not researching anything about the band, I prefer to leave it in an aura of je ne sais pas

I would not have bought this album in 1980. I was just coming out of my early teen years of disco and AM radio pop music. I was growing into my own and discovering New Wave and Punk, the Pretenders, the Cars, New Order, the Jam, Ska and some classic rock, like the Doors and the Stones. I would not have spent any time listening to Mink DeVille. 

If I were stranded on an Island and had this record, I would enjoy listening to it. 

I will never listen to it again, but some of the highlights will linger in my ears for a while. 



The 1980 Listening Post - Sammy Hagar - Danger Zone

 Sammy Hagar - Danger Zone                



#339

by Rob Slater

Sammy Hagar

Danger Zone

Genre: I wish I was a Rock n Roll Star: Angsty pop rock and fun.

Allen’s Rating: 3 out of 5

Rob’s Rating: C+ (2.75)


Highlights:

Love or Money

20th Century Man

Run for Your Life

Miles from Boredom


John Kalodner loved "Love Or Money" which got Hagar signed to the new Geffen Records. 



Pretty much everything you would expect from Sammy Hagar; you can hear all the pieces of his future hits. but it's a bit of a Journey to get to the goodness. And this CD is on a 35 minutes long. Interesting that the best work was songs written by other people.


1.        "Love Or Money"  B-

2.        "20th Century Man"  B 

3.        "Miles From Boredom"  B+ Though it took a while to grow on me. The first couple times I thought it was stupid.


8. "Heartbeat" (Betsy Hagar, Sammy Hagar) One of a few songs co-written by his wife.

9. "Run For Your Life"  A  (Steve Gould, John Pidgeon) Requisite cover with Journey’s Steve Perry and Neil Schon. Co-produced by Boston's Tom Scholz. Buying this one.

 10. ”Danger Zone"   – 0:40. Wish this one was longer.




https://open.spotify.com/album/1e9QF2ssgQ57bKB20Pmbcp?si=rw0gTUjrTNegQLhKnRDEWg



The 1980 Listening Post - Greg Kihn Band - Glass House Rock

Greg Kihn Band -  Glass House Rock



#338

by Rob Slater

Greg Kihn Band

Glass House Rock

Genre: Pop Rock

Allen’s Rating: 3 out of 5

Rob's Rating: 3 out of 5

Highlights:

Castaway

If you're like me, you don't know or remember a lot about Greg Kihn. "The Breakup Song (They Don’t Write ‘em Like that Anymore” and “Jeopardy.” Love the first one; despise the second (Thanks, Weird Al!).

Wasn’t expecting much. The first track, Castaway, blew me away from the opening guitar! At 2:47 it is a perfect hard rock song. I bought it to download because it isn’t on any of his compilation albums.

Requisite 80s cover: The Yardbirds’s “For Your Love”

OMG. My new hero. Greg Kihn is literally, and literally rock’s Renaissance Man. Songwriter, guitarist, author, editor!

1. Castaway. 2:47 Awesome opening track. Lovely guitar.

2. Desire Me. Bluesy

3. Anna Belle Lee. Wow. Lovely.

4. Things to Come

5. Small Change. Yeah.

6. The Only Dance There Is

7. The Man Who Shot Liberty Valance – Love the fact that he covered this Burt Bacharach/Hal David movie classic. FUN.

8. Serenade Her

9. Night After Night

10. For Your Love Nice. Polite.

Snag the highlight.



https://open.spotify.com/album/2nEagfk8EWDl5xbrcz72yw?si=1meerpBES2K2nYCxIvaLZw

The 1980 Listening Post - Captain Beefheart & the Magic Band - Doc at the Radar Station

Captain Beefheart & the Magic Band - Doc at the Radar Station 



#337

by Jon Rosenberg

Captain Beefheart & the Magic Band

Doc at the Radar Station

Genre: Captain Beefheart

Allen’s Rating: 4 out of 5

Jon’s Rating: 3.5 out of 5




Highlights:  Hot Head

A Carrot Is as Close as a Rabbit Gets to a Diamond

Dirty Blue Gene

Making Love to a Vampire With a Monkey on My Knee




Captain Beefheart is an acquired taste.  His music is… weird.  Idiosyncratic may be a better word for it.  Is he playing rock, jazz, blues, avant-garde experimental whatnot?  Yes, all of the above.  Often at the same time.   He sounds like a Martian doing a Howlin’ Wolf impression at the bottom of the sea.  In other words, not for everyone.


Many people consider the Captain’s third album, 1969’s Frank Zappa-produced “Trout Mask Replica” to be his magnum opus.  For me, it’s barely listenable.  I mean, I get what he’s trying to do, and I can appreciate it on an intellectual level, and maybe it is a work of genius.  But I much prefer to listen to Beefheart’s mid-70’s attempts at commercial success with the far more accessible albums “The Spotlight Kid” and “Clear Spot.”  I may also be one of the only people out there who really digs Beefheart’s stab at pop music on “Unconditionally Guaranteed” and “Bluejeans & Moonbeams.”


“Doc at the Radar Station” (don’t ask me what that title means) is a late-career return to form.  That is, it slides comfortably between the extremes.  I’m assuming at this point the Captain had zero fucks left to give about selling records and just wanted to make art.  In fact, after this, he recorded one more equally unique album, 1982’s “Ice Cream for Crow,” then retired from music and became a painter full time.


Whether or not you’ll like this album depends on your tolerance for cacophony.  If you dig free jazz by guys like Albert Ayler or John Coltrane’s later work, if you can get into surreal, Beat-influenced lyrics, give it a shot.  But don’t say you weren’t warned!



https://open.spotify.com/album/6JyNWU5OrHs00ayVrY896l?si=Sh1HDBCiR1OrUjOdqLEOLw

The 1980 Listening Post - Prism - Young and Restless

 Prism - Young & Restless



#336

by Tom Mott

Prism

Young and Restless

Genre: Synth Heartland AOR Rock Tripe (aka "Shart")

Allen’s Rating: 2.5 out of 5

Tom’s Rating: 2.4 out of 5




Highlights

The Visitor



A friend said divorce is like all the bad parts of marriage, but worse. This is that. Bits of (David Foster produced) Tubes, pieces of Toni Basil, Go-Gos deep-cuts, a dash of Quarterflash, a dollop of The Babys, the decline and fall of Dennis DeYoung, and Bryan Adams's backup band soldiering on without him all add up to something young and listless. Chicago XIV is probably this bad with the nostalgia filter turned off. It turns out they're Canadian. Oh, Canada. Allen will rate this higher than me.


https://open.spotify.com/album/19Np5HJKIViPJIYNTd5tSM?si=ZpkumruBQ8uZswiVMYAIiQ