Saturday, December 7, 2019

The 1986 Listening Post - Chris Rea - On the Beach

Chris Rea - On the Beach



#136/1301
April 14 1986
Chris Rea
On the Beach
Genre: Smooth Rock
4 out of 5


Highlights:
On the Beach



I’m always a bit nervous when I get up early on a Saturday morning and open up Sonos, connect to my Listening Post playlist, adjust the sound level so I don’t a) blast it to the point of waking anyone sleeping in or b) play it loud enough that my son realizes I’m awake and decide to force me to look at his renderings in his Minecraft Steven Universe Resource Pack.
No reason to worry on either counts with the next album in the cue. 
On the Beach is one of the most aptly titled records I’ve come across. 
I still can’t stand Rea’s voice. That gravel doesn’t suit the gentle watch-the-waves musical stylings. But, I got past it. 
This was pleasant. 


The 1986 Listening Post - Kick Axe - Rock the World

Kick Axe - Rock the World



#135/1300
April 11 1986
Kick Axe
Rock the World
Genre: Glam Metal
3.25 out of 5




Highlights:
Rock the World
The Chain



I will never understand why Kick Axe wasn’t a household name in the 80s. Their stuff is fun, metaltastic and, while every other band seems to badly covering 60s standards like Seger’s “Fortunate Son” cover, which just proved that he always wanted to be Fogerty and failed or all the bands covering “Gimme Some Lovin’” to terrible results or Jack Starr’s “Fire and Rain” cover that makes me want to die, Kick Axe understood how to take a classic and bring it to the 30,000 seat arena in their glam metal cover of Fleetwood Mac’s “The Chain”. 
This album, like this genre, is the law of diminishing returns. The more you hear, the less engaging it is, sadly. 


The 1986 Listening Post - The Moody Blues - The Other Side of Life

The Moody Blues - The Other Side of Life



#134/1299
April 9 1986
The Moody Blues
The Other Side of Life
Genre: Rock
3.25 out of 5 


Highlights:
Your Wildest Dreams
Rock n’ Roll Over You


Lowlights:
Running Out of Love


Oh, that opener. It’s like a comfortable blanket made of sweet taffy. I want to wrap myself in it and be shot into space. 
I have a place in my heart for The Moodies. While I owned In Search of the Lost Chord and saw them in concert for Long Distance Voyager, I’ve never sought them out. They were always a bit too edgeless-prog for me. Like if your middle aged Science Teacher uncle wrote his own songs while playing bass in an ELO cover band. 


The 1986 Listening Post - Hunters & Collectors - Human Frailty

Hunters & Collectors - Human Frailty



#133/1298
April 7 1986
Hunters & Collectors
Human Frailty
Genre: Rock
4.25 out of 5


Highlights:
Say Goodbye
Relief
This Morning


The raison d’ĂȘtre of this project is to fill in the gaps of what I (now: we) may have missed having limited funds and no streaming services to provide us with the breadth of music that labels, ginormous and micro-Indie released. 
Millenials have an idea how lucky they have it. Zoomers have no idea what that was like and might actually be less fortunate for it.
One of those bands that missed me entirely was Hunters & Collectors. And, tbh, if I had just heard any of their prior records I would probably have happily relegated them to the dustbin. 
But Human Frailty is the oasis in that catalog (so far).
Yes, they have that signature Aussie sound down but on this record they are more listenable than Midnight Oil and not as determined-to-make-you-dance as INXS. 


The 1986 Listening Post - The Blow Monkeys - Animal Magic

The Blow Monkeys - Animal Magic



#132/1297
April 7 1986
The Blow Monkeys
Animal Magic
Genre: We really wanna be The Style Council
3.25 out of 5

Highlights:
Don’t Be Scared of Me
I Backed a Winner (in You)

What I love about this project are moments like this when a band I’d never heard but whose name I had completely defies my expectations of what they would sound like. “What’s in a name?” Shakes wrote. Well, I certainly wasn’t expecting mod revival smooth jazz rock. 
I would like this record but each track has me wanting to pull Cafe Bleu out and, when that’s the case, I have to drop a point or two. 
So many other bands had already played this sound out and The Blow Monkeys are adding nothing to the conversation. 
I do wish they were an aggressive Jangle pop band, tho. 


The 1986 Listening Post - Robert Tepper - No Easy Way Out

Robert Tepper - No Easy Way Out



#91/1258
March 13 1986
Robert Tepper
No Easy way Out
Genre: TV Theme Show Rock
2.25 out of 5


I want to like this kind of stuff but it’s just not in me. I mean the world has one John Parr. We don’t need any others. Hell, I’m not sure we really needed that one. This is that Bryan Adams lane. John Mellencamp’s. 
This is the stuff of 90s tv show theme songs. “Restless World” sounds at once like a rip off of “St. Elmo’s Fire (Man in Motion)” and also, like it could be the theme song to Party of Five. 



The 1986 Listening Post - Bob Seger & the Silver Bullet Band - Like a Rock

Bob Seger & the Silver Bullet Band - Like a Rock


#131/1296
April 1 1986
Bob Seger & the Silver Bullet Band
Like a Rock
Genre: Rock
3.25 out of 5


Highlights:
American Storm
Like a Rock

Remember the movie American Pop? My friends and I were so excited for that Bakshi flick. We were fans of Wizards. One of us had a poster of Peace, the red assassin turned protector that was the icon from that movie. We had also been massively disappointed in The Lord of the Rings with all the regurgitated rotoscoped images and semi-coherent story. Also, it was half the story and such a box office failure that they didn’t make the sequel. 
American Pop was something different. It was Bakshi veering away from fantasy and into something that I was hoping would speak to me. For me. I was 15. Music was the most important thing that I would never be a part of, having no patience to practice guitar, no ability to figure out the left hand on piano. It would take another 20 years before I would get that chance. 
Why am I talking about this? 
Well, American Pop wasn’t great. And it would only intermittently be seen after 1981 because of music licensing. 
But that last section of the movie…when the (anti)hero gets his chance to show his wares and prove his musical worth he does it to…Bob Seger’s “Night Moves”. It’s a great song. And I totally get why Bakshi would want to use it there. It’s iconic and majestic and altogether & wholly American. 
Because what is Bob Seger if not the sound of America at it’s most truck driving, dust bowl, beer & bbq festival best? 
The scene wasn’t great. The movie wasn’t great. And I never returned to Bob Seger. 
Seger finally came around to letting his music stream. Now I can hear what he was all about. 
He aight. He repeats himself. “The Ring” sounds like a hybrid of “Like a Rock” and “Against the Wind”. And that’s his lane. You like those tunes? You like Seger. And a couple of those tracks are all ya need. Cuz he wrote 4 songs. And then rewrote them over and over and overandoverandover….


The 1986 Listening Post - Bruce Hornsby & the Range - The Way it Is

Bruce Hornsby & the Range - The Way it Is



#130/1295
April 1 1986
Bruce Hornsby & the Range
The Way It Is
Genre: Your Dad’s Rock
3.75 out of 5



Highlights”
On the Western Skyline
The Way it Is



How is this the first album by these guys? Yo, Jason, if you and the Scorchers sounded more Ivan-Reitman-Movie-Score-Quality like this you might have had more success. This is not an admonition of J&tS, just an observation that the world WAS ready for this sound. 
I wasn’t. I still wanted my roots rock to have sharp edges and snark ala Beat Farmers so I eschewed this stuff hard. But, I can totally understand the feels for it as I am 30 years older. That doesn’t mean it does anything for me. I just get it. 


The 1986 Listening Post - Kreator - Pleasure to Kill

Kreator - Pleasure to Kill



#129/1294
April 1 1986
Kreator
Pleasure to Kill
Genre: Death/Thrash Metal
4.25 out of 5


Highlights:
Riot of Violence
Carrion
Command of the Blade


Someone with a better historical understanding of what this is should probably comment. For a while, all I heard was an auger, a machine gun and the screams of a character I expect to find in a dungeon in Gloomhaven. (Gloomhaven shout out!) But once I got those AirPods in and really let it wash over me I gave myself to it. 
From what I understand this is an important album in the genre and, if your ears can tolerate it, it’s really a huge improvement over that first one. 
Get to that second side and that will melt your face. 

The 1986 Listening Post - Seminal Rats - Omnipotent

Seminal Rats - Omnipotent



#128/1293
April 1 1986
Seminal Rats
Omnipotent
Genre: Garage Rock
3.75 out of 5


Highlights:
Truth Never Lies

This harnessed mayhem sounds like it was recorded on a four track in someone’s insulated basement and that’s hugely charming. 
It’s short. It’s fast. It’s face melting. And, while the entire band is up to the task, for me, it’s all about the thrashing lead guitar work of Michael Weber, who died from a heroin overdose in 1999. 
How can you play like this on heroin? I don’t get it. What a shame.