Monday, January 14, 2019

The 1983 Listening Post - X - More Fun in the New World

X - More Fun in the New World


169
September 1983
X
More Fun in the New World
4.75 out of 5
Highlights:
We’re Having Much More Fun
True Love
Poor Girl
Make the Music Go Bang
Breathless
I Must Not Think Bad Thoughts
Devil Doll
True Love Pt. 2
It’s no secret that I love X. I bought Wild Gift in 1980 because it was listed as one of the best of the year and that name and cover just called out to me. I name checked that album in Throttle Back Sparky’s song “Joey Enough”. I have documented elsewhere seeing them at the House of Blues in 99 after volunteering to be in a stranger’s minion and coming home to discover that they were playing. My father loved Wild Gift, too and made me buy Under the Big Black Sun when it came out (he didn’t like it as much as WG). X is all over my life. I did a commercial with John Cervenka and was awestruck(he is Exene’s brother). I can pinpoint markers and memories with just about every X album of the era. Too much for this space.
The girl who lived in the dorm across the hall from me was also an X fan and she bought this the week it came out. I don’t recall her reaction. Mine was ecstasy.
This is the capper to the quadrilogy that was X’s Manzarek era, raw, stripped and vital.
It’s their most cohesive piece. While it’s not as immediate as Gift or even Los Angeles, it carries the assured maturity that can be found on Black Sun, an album shrouded in death as it was made in the shadow of Exene’s sister’s death. It’s almost unfair for me to try to analyze this album through unbiased eyes, I think it’s terrific.
Billy Zoom’s magic guitar work on “True Love” puts most of the glam metal rockers to shame.
For many it’s the one with “Breathless” on it. Sure. That’s here. But so is “Poor Girl”, perhaps the best example of the band at its most poetic and raw.
And, “I Must Not Think Bad Thoughts”, with its band name-checking, is what inspired my song in the first place. In their case it’s a lamentation on the division in our country, Reaganism, war, and how the best music, the music of the people, the roots, the punk rock, the political voices and statements, will never get played on the radio in the shadow of bouncy synth-dance crap. It might be their best track.

The 1983 Listening Post - Huey Lewis and the News - Sports


Huey Lewis and the News - Sports

#157
September 15, 1983
Huey Lewis and the News
Sports
4.75 out of 5 (I might be wrong. It might be a 5. I can't tell if the singles are great or if I was just beaten down over the years)
Highlights:
The Heart of Rock and Roll
Heart and Soul
Bad is Bad
I Want a New Drug
If This is It
You Crack Me Up
Here we go. Like Billy Joel’s An Innocent Man & David Bowie’s Let’s Dance earlier this year (and Springsteen’s Born in the USA and Michael Jackson’s Thriller earlier in the decade) Sports was a hit machine. Was it because the songs were that good or was America just starved for excellent pub rock?
When the “Heart of Rock and Roll” kicks in it’s Springsteen, the Asbury Jukes, John Cafferty, J. Geils and Bob Seger all wrapped up in an immensely catchy, toe tapping beer soaked pool-cue-as-microphone swirl that it’s impossible not to feel good.
“Heart and Soul” proved that Sweet/Knack/Blondie producers Chinn & Chapman were still cranking out classic sounds of the 70s and there should probably be some retrospective or at least plaque at the R&RHOF for them.
This is just a solid rock and roll record
Hey. Who knew that the News was Elvis Costello’s backing band on My Aim is True? No one? True story.
Plays from Apple Music
Sports (Remastered)
Huey Lewis & The News
1.The Heart of Rock and Roll
2.Heart and Soul
3.Bad Is Bad
4.I Want a New Drug
5.Walking On a Thin Line
6.Finally Found a Home
7.If This Is It
8.You Crack Me Up
9.Honky Tonk Blues
-0:30

The 1983 Listening Post - Suicidal Tendencies - Suicidal Tendencies

Suicidal Tendencies - Suicidal Tendencies


#108
Everything that would come, all the grunge, the disaffection, the frustration, the screaming pain of youth culture of the 90s...it’s all there, fully formed, ironic and hilarious in “Institutionalized”.
June 1983
Suicidal Tendencies
Suicidal Tendencies
4.75 out of 5
Highlights:
I Shot the Devil
Institutionalized

The 1983 Listening Post - Talking Heads - Speaking in Tongues

Talking Heads - Speaking in Tongues

#103
June 1983
Talking Heads
Speaking in Tongues
4.75 out of 5
Highlights:
Burning Down the House
Making Flippy Floppy
Girlfriend is Better
Slippery People
Swamp
This Must Be the Place (Naive Melody)
While Talking Heads are better live, more immediate, more funky, they really come into their own here. I don’t know if anyone thought they had this in them, the way Bowie appealing to the masses was a surprise earlier in the year. Also, I’m quite taken with the notion that percussive rhythms are really prevalent in 83. Manfred Mann. Malcolm McLaren. Heads. Others. World Music seems to have overtaken just about everything in this year.
There’s more Tom Tom Club on this album than was apparent before and we are all the better for it.
“Put away that gun, this participle.” Well, that’s what I thought Byrne was saying. 
As immediately danceable and listenable in 18 as it was 35 years ago.
Plays from Apple Music
Speaking In Tongues
Talking Heads
1.

The 1983 Listening Post - The Creatures - Feast

The Creatures - Feast

May 15 1983
The Creatures
Feast
4.75 out of 5
Highlights:
Morning Dawning
Sky Train
A Struttering Rooster
Flesh
I didn’t care much for A Kiss in the Dreamhouse. This is a vast improvement.
Terrifying. Beautiful. Ugly. Soothing. This is a dense and rewarding piece of wonder.
Feast was included in the compilation “A Bestiary Of”, so if you want to hear it in it’s entirety, it’s best to get the track list and make a playlist from that

The 1983 Listening Post - Rick Springfield - Living in Oz

Rick Springfield - Living in Oz



April 1, 1983
Rick Springfield
Living in Oz
4.75 out of 5
Highlights:
Human Touch
Alyson
Affair of the Heart
Living in Oz
Me & Johnny
I Can’t Stop Hurting You
Like Father, Like Son
It’s no secret that I am an inveterate Rick Springfield fan. We saw him in concert at the House of Blues a couple weeks after our wedding. How did this happen? How did I become so infatuated with him?
Simple.
We had a turntable in our first apartment. I went on a tear at Amoeba and bought a BUNCH of albums. Knowing that Beth loved Rock I bought Working Class Dog for her as a gift. I figured it would be a laugh. Ha ha.�And then, one afternoon, while she was at work, I put it on.
And that was it. Brilliant. I have been a Rick fan ever since. I even have Sahara Sands on CD. Rick was asked to be on an episode of Oprah featuring 1 hit wonders. He demurred. Cuz he’s had a dozen top 40 hits.
Two of them are here.
But how is this album?
Pretty damned good. But you have to like this brand of Power Pop, emphasis on the Power but still very poppy.
Side One is a relentless onslaught of Springfield at they height of his power rock powers. True story: I’ve never heard Side Two.
Some of the record is a wee electronic for it’s own good. Tim Pierce is still the axe man but the synthesizers take up too much. The album is so replete with electronic keys and drums. They isolate the album in a specific time, the way the tropical sounds on Success Hasn’t Spoiled Me Yet almost does, and that’s to it’s detriment since a lot of the songs here are quite excellent. Rick wouldn’t put out an album this solid again until 2016’s Rocket Science (although I have a very soft spot for 2004’s Shock/Denial/Anger/Acceptance and 2008’s Venus in Oblivion.
Told you I was a fan.

The 1983 Listening Post - The Plimsouls - Everywhere at Once



The 1983 Listening Post - The Plimsouls - Everywhere at Once

#222
1983 Housekeeping
The Plimsouls
Everywhere at Once
5 out of 5
Highlights:
Shaky City
Lie, Beg, Borrow, and Steal
A Million Miles Away
My Life Ain’t Easy
I’ll Get Lucky
I’ve actually never heard this record…
You know the name of one the least heralded but (I think) most influential bands of the 70s? The Nerves. Look em up. Then look up The Beat. Then come visit Peter Case’s The Plimsouls and wonder, why didn’t HE get the kind of props that, I dunno, Marshal Crenshaw did?
This is College Radio Rock at it’s finest. Whatever Greg Kihn has been trying to do for the past decade or so, he should have dropped his guitar and kissed the feet of Case and Jack “Hanging on the Telephone” Lee and Paul Collins. This is the music that the likes of Tommy Tutone was trying and, for some reason, hit records eluded them. They should have been bigger. As should Dwight Twilley…Shoes….20/20….The Records…the list goes on. I miss this kind of music.
I’ve put some highlights up there but, to be honest, there isn’t a clunker on this album.
The production is a bit muddy, but that’s the 80s. Had this been recorded at Sound City it might’ve been a classic. I know the rating is high. Because there isn’t a bad track on this and I find myself thrilled to hear each new track and I will revisit this sooner than any other album on this list.

The 1983 Listening Post - Tom Waits - Swordfishtombones





The 1983 Listening Post - Tom Waits - Swordfishtombones


#171
September 1983
Tom Waits
Swordfishtrombones
5 out of 5
Highlights:
Undergound
Shore Leave
Johnsburg, Illinois
16 Shells from a Thirty-Ought Six
In the Neighborhood
Frank’s Wild Years
Swordfishtrombones
Down Down Down
Trouble's Braids
Tom Waits used to rent videos from the store I worked in in the west village. He would come in and growl at his kid in a playful way. His voice, man. That voice.
I’d heard his stuff many times, but it all was booze soaked bar piano stuff, like the guy who takes over for Billy Joel in the club at 3 in the morning cuz that’s the only time he’s awake.
Swordfish is something so very different than that. It’s radio. It’s theater. It’s cinema. It’s a fulfillment of promise. It’s dank and dark. He’s the troubadour of the freaks and that is why the video for “In The Neighborhood” is presented that way. I don’t think the imagery is evoked because I saw that video in the wee hours on MTV. I think that I would’ve conjured that image regardless.
Many people think Rain Dogs is better. Or even his later stuff. This is Tom Waits for me. I want to put it on at 2 in the morning while I’m sucking the life out of a bottle of Laphroaig and staring off into the flat, lifeless, light-dotted, nearly neon Los Angeles night…never could stand that dog.

The 1983 Listening Post - Elvis Costello - Punch the Clock


The 1983 Listening Post - Elvis Costello - Punch the Clock


#135
August 5 1983
Elvis Costello
Punch the Clock
5 out of 5
Highlights:
Let Them All Talk
Everyday I Write the Book
The Greatest Thing
Love Went Mad
Shipbuilding
The Invisible Man
I know this veers from conventional wisdom but I think, from an accessibility standpoint, musicality and for downright fun, Punch the Clock is as good as or better than Imperial Bedroom, an album I think is one of the best of the decade if not in all of rock. Yes, I like Punch the Clock that much.
I loved it in college. I loved it on the original review in 2010. I love it now. Original review will be in the comments.
Bruce Thomas’ bass on “The Greatest Thing” is a thing of 80s rock genius. In fact, Thomas is terrific all over this thing. I don’t mind that the album is slathered in horns. What Elvis is doing here is almost issuing a dare to Paul Weller. The Style Council would be great. They would never come close to this.
This is Elvis at the height of his powers. He would only come close to this once or twice more (Blood & Chocolate and Secret, Profane and Sugarcane) but never would he be this crisp and fun.

The 1983 Listening Post - Billy Bragg - Life's a Riot with Spy vs. Spy

Billy Bragg - Life's a Riot with Spy vs. Spy



May 1983
Billy Bragg
Life’s a Riot with Spy vs. Spy
5 out of 5
Highlights:
The Milkman of Human Kindness
A New England
The Busy Girl Buys Beauty
An electric guitar, a songwriter and a recording machine. Is this John Darnielle and Mountain Goats?
I long to hear every song with an actual band and at the same time I’m glad that it sounds like it was recorded in a subway.
This is an EP, I know, but it’s so good and, I think, an important a listen for this project. And, come on, “A New England”?? I adore Kirsty Macoll’s version. This is just as good. And it sounds so of it’s time. J’adore this song.