Saturday, July 17, 2021

The 1981 Listening Post - Jim Steinman - Bad for Good

 Jim Steinman - Bad for Good


#165

By Rob Slater

April 1981

Jim Steinman

Bad for Good

Genre: Wishing I was Marvin O’Day...

Allen’s Rating: 4 out of 5

Rating: 4 out of 5. [Cutting the spoken word pap, would make it 4.5!]


Highlights: Too many


Allen’s Highlights:

Bad for Good

Out Of The Frying Pan (And Into The Fire)


Washouts: Love And Death And An American Guitar and the rest of the spoken word monologues that don’t in any way come close to Bat out of Hell’s. The producer should’ve deleted about 90%. Which is what happened when these were rerecorded by Meatloaf.


Warning. I am a big Meatloaf/Steinman fan. I’ve even written a song in their style and themes. A duet that is probably about 7 minutes long titled Come Back from Heaven!


If you ever wondered what Meatloaf would sound like without quite so much bombast listen to this album. Most of these were written for Meat, but for reasons that may have included the studio not willing to pay Steinman and Meat’s vocal cords… Jim released it himself. Much of the time he does sound a lot like Mr. Loaf! 


This is Jim Steinman's original plan for the order of the songs, starting with the instrumental The Storm, which is really quite good and very theatrical, soundtracky. And it ends with Rock And Roll Dreams Come Through. But when it came out on LP these were the only two songs on a 7in. 33 ⅓ rpm EP that accompanied the main LP. This order is the best way to listen to it.


  1. 1. The Storm (Prologue To The Album "Bad For Good")
  2. 2. Bad For Good - “Instead of being bad for just a little while… you know that I’ll be…”
  3. 3. Lost Boys and Golden Girls - Tracks 2 & 3 were written for Steinman’s long planned Sci-fi dystopian musical, Neverland, based on Peter Pan. It finally became Bat Out of Hell: The Musical in 2017. 
  4. 4. Love And Death And An American Guitar Skip this one. Really!
  5. 5. Stark Raving Love - The intro to "Stark Raving Love" was used for "Holding Out for a Hero", a 1984 hit for Bonnie Tyler
  6. 6. Out Of The Frying Pan (And Into The Fire) - Solid. Almost identical to the ML versions.
  7. 7. Surf's Up - “Surf’s up and so am I.”
  8. 8. Dance In My Pants - Cute and naughty. “I can show you some moves.”
  9. 9. Left In The Dark - {Listen for the Sam Kinison growl!}
  10. 10. Rock And Roll Dreams Come Through (Epilogue To The Album "Bad For Good") - When the Main vocalist sings, “Treasure your Love…” I really want the backup vocalists to echo [a la the Impressive Clergyman from Princess Bride] with this: “Tweasure your wuv…


  1. Meatloaf has rerecorded almost all of these, often with Steinman producing. The best thing about Meatloaf's version of Bad For Good has little to do with Meatloaf other than that he had the star power to get Brian May of Queen to play the guitar. And, oh my God, does that sound level things up.


  1. Check out this Who’s Who of Rock and Roll who worked on this album.
    Rory Dodd 
  2. Karla DeVito 
  3. Todd Rundgren
  4. Kasim Sulton 
  5. Roger Powell 
  6. Roy Bittan 
  7. Max Weinberg 
  8. Ellen Foley
  9. Jimmy Iovine
  10. Shelly Yakus


  1. Definitely buying this, ripping it, cutting the spoken word stuff and putting it in Steinman’s order!


https://en.wikipedia.org/wiki/Mother%27s_Finest

The 1981 Listening Post - City Boy - It's Personal

 City Boy - It's Personal



#165

1981 Housekeeping 

City Boy

It’s Personal

Genre: Rock

4 out of 5



Highlights:

No Ordinary Life

Lovers

Exit the Heavyweight




The last album for a Power Pop band stuck in the 70s. I’m kind of surprised they never appeared on my radar. I have a soft spot for Bay City Rollers ever since my mother gave me and my brother BCR records for Christmas in 1977. I do not know why she did that. Maybe she saw me watching their Saturday Morning show. 

City Boy didn’t get the message. They are still trying to compete in the New Wave arena which includes the requisite while guys doing reggae (“The Blind Leading the Blind”) which just comes across as a naked attempt to bite on The Police’s apple. Remarkable how much “Who Killed Delores” sounds like The Tubes. 


The best thing I can say about this perfectly acceptable record by a fading Power Pop band is that it’s a perfectly acceptable record by a fading Power Pop band who sometimes wishes they were Styx. 





https://music.apple.com/us/album/its-personal/415160304

The 1981 Listening Post - Mother's Finest - Iron Age

Mother's Finest - Iron Age 


1981 Housekeeping LISTENING POST DISCOVERY

Mother’s Finest

Iron Age

Genre: Rawk! 

4.75 out of 5



Highlights
Movin’ On

Luv Drug

Rock n Roll 2 Nite

Illusion (C’mon Over to My House)

Gone with the Rain

Earthling






Ok, I’ll bite. Where has this band been? How did I miss out on this stuff? 

“Baby Jean” Kennedy is a freaking force, man. This album is a party. 

Heirs to this record are bands like Raging Slab and Nashville Pussy. Maybe even Halestorm. 

I have little to say. This is a record of double guitar boogie attacks, cranked up to 11 and designed to make you tap your toes and bang your head. This actually might be the most head banging record we’ve heard in 1981.

You like a little funk in your rock? Not a whole bunch just enough to groove? This album has it in spades. 

Maybe you’ll have a different experience than I did but this is just classic rock that could be served up today and you might be little the wiser to notice that it’s 40 years old. 





https://music.apple.com/us/album/iron-age/305115586

The 1981 Listening Post - Gillan - Future Shock

 Gillan - Future Shock


#162

By Luca Barnacles

March 1981

Gillan 

Future Shock 

Genre: Deep Purple Is On Hiatus 

Allen’s Rating: 3.5 out of 5

Luca’s Rating: 2.23


If your cousin Carl recorded this album, you’d be all like “Hey! Check out this album my cousin Carl made with his band! It’s kinda like Deep Purple, only without the songwriting. And for some reason occasionally very odd keyboards. He’s a Social Studies teacher now. “

Unfortunately, this album was made not by your cousin Carl, but by a sometime (well, 3 times actually) lead vocalist for Deep Purple. And his band, which features occasionally very odd keyboards.

Being recently reminded of Billy Squier’s very good ‘81 effort “Don’t Say No” I was finally able to frame this record for what it is, and what it isn’t. And what it isn’t is very good. 

At a time when a decidedly contemporary and forward looking Squier was delivering the RAWK with more than a nod back to the Heavy Cats of the 70s, Gillan is still merely mired in what Deep Purple was doing five years earlier - but without the songwriting chops on board. The only recognition we get that it’s a new era are those occasionally very odd keyboards (not to be confused with the Very Deep Purple Keyboards that suffuse the whole record). 

Lest you think Not Cousin Carl’s LP isn’t worth checking out, there is one interesting track: Side One closes with the 1960 Gary US Bonds hit “New Orleans”, sporting an almost Gary Glitteresque treatment that works quite well. 

To sum up, carrying its well worn baggage, Future Shock is neither futuristic nor shocking. It’s no Don’t Say No. It’s Just Say Meh.


https://open.spotify.com/album/38rgxB4FW5eBvG1opzWNp3?si=KBruhHxJTnCCLZQgNjv5fw

The 1981 Listening Post - Russ Ballard & The Barnet Dogs - Into the Fire

Russ Ballard & The Barnet Dogs - Into the Fire 



#162

1981 Housekeeping

Russ Ballard & The Barnet Dogs

Into the Fire

Genre: This is Kiss…without the makeup, right? 

3.5 out of 5



Highlights:

Julie Wants a Rock and Roll Lover

Breakdown

Tonight



“Julie Wants a Rock and Roll Lover!” Is about as Kiss meets John Cougar as you can get. Russ is dripping in 80s cliches, his voice is dialed in thin and doubled just like a New Wave rocker should be, the drums are dry with emphasis on that snare, there’s a slathering of harmonies and requisite guitar solos.

That don’t make it not good. 

You get a little driving Thin Lizzy rock? Here’s “Breakdown” Miss Ace Frehley? “Guilty” comin’ right up. Like some lead licks punched in-between some cock-rock lyrics? May I offer you some “”Don’t Go to Soho”?

That’s this whole record. Everything sounds like someone else because Russ doesn’t really have a personality of his own. 

“Tonight”? That’s Kiss. “Strangers”? That’s like “Sure Know Something”, no? Maybe I’m misremembering. Doesn’t matter. This is the lost Kiss record. 







https://music.apple.com/us/album/into-the-fire/1114620209

The 1981 Listening Post - The Rats - Intermittent Signals

 The Rats - Intermittent Signals


#161

1981 Housekeeping

The Rats

Intermittent Signals

Genre: Garage

2.75 out of 5





Three chords. The Ramones did it. Hell, everyone understands that, right? 

On their second record The Rats sound like a second rate garage band, with a handful of chords and a fist full of mediocre licks, little money for recording, a sense of what they think punk lyrics should sound like and that’s about it. 

They do have a lot of energy and I’ll give them that. But it’s not good. Slightly better than they first. And that’s really just because I’m in a good mood. 

The Rats complain about a lot but it feels like they are carpetbagging. I don’t buy it. 




https://music.apple.com/us/album/intermittent-signals/651653831

The 1981 Listening Post - Alabama - Feels So Right

 Alabama - Feels So Right


#160

By Jed Francese

February 1981

Alabama

Feels So Right

Genre: Why are we covering Alabama…?

Allen’s Rating: 2 out of 5

Jed’s Rating - 3.8 out of 5



Highlights:

I’m Stoned

Love in the First Degree

Hollywood

Feels So Right

Second Review! Why a second Gulp?


Well, my love of music backstory was in the last review - which was The Blasters record from this same year. Yeah - not such similar bands. But…..maybe kinda not? Hear me out…music is in the ear of the creature. I’ve learned in my hobbyist musician journey to appreciate levels of musicianship & talent. That came first & then - I think arrangements & melody appreciation came next. Well, Alabama has that in spades & I haven’t listened to them enough probably. I would have tuned this record out when I was young faster than my 9 year old tunes out anything that isn’t on TikTok. But isn’t that what’s great about music? Shit changes man. Tastes & appreciation.


I won’t say I loved this record but I listened to it twice so I obviously didn’t dislike it. Hell, Imma listen again for harmony lessons & those cool ass bass lines for sure.


In my first review I said we’re supposed to name genre & I don’t remember exactly what I wrote but paraphrased it was something along the lines of, “fuck genre”. That’s my opinion. This would be called a country record I think first. Maybe a southern rock and then bluegrass and it may even be able to be called an early entry to the “new pop country” that I frankly hate - but mostly just because there are a lot of weak lyrics on this record. Don’t listen to this for the poet. Or poets. I don’t know them well enough to know but…yeah, no.


I did think it was cool to see that the original members are related. It’s like 1981 Hanson!


Now, the songs - The highlights? Definitley the singles & good thing because there are three #1’s on this record. Holy What? But I think my favorite of the #1’s is Love in the First Degree. The snare sounds like shit but it reminds me of a song my mom would have loved off an Air Supply record (which will be my third review). And everything else is pretty great to be honest. I mean, if it isn’t your bag you’ll hate it but - it’s beautiful & the bass player again - is master class. There’s just something about a mom jeans pop song that can groove like this will always hit me in the feels.


I have to admit - I wish I wrote, “I’m Stoned”. That’s always my favorite judge of a song I’ll love forever. If I wish I wrote it. It’s got snark, it’s got addiction, and it’s got the SAPPY. How’s that for a decent batch of ingredients? I may even play with my own goofy cover of that one.


I really didn’t like Fantasy. UGH. It’s like they were playing with a disco feel? So to be fair, I lied earlier in the review. I didn’t listen to that song twice….more like 1 & 1/4 times. That was enough. You guys may sing as well as the Bee Gees but it’s rare there’s a record that doesn’t have a song I flatly hate on it.


Back to me. I didn’t (& won’t) listen to Feels So Right nearly as often as I have (& will) the Blasters but…that’s ok. To each their own. The production on the record is really quite great, & it won’t be the last time I listen to say, half of it? 


https://open.spotify.com/album/192mPxOusrkZyXmCdKdUJS?si=eqrv8Vx4Rge-Cmv0F6GcVg


The 1981 Listening Post - Bruce Cockburn - Inner City Front

Bruce Cockburn - Inner City Front 



#159

1981 Housekeeping

Bruce Cockburn

Inner City Front

Genre: Songwriter Rock

2.5 out of 5




Why do I feel like I’ve entered into the realm of the Billy Joel? Is it the smooth jazzyness of the opening track? 

But, wait…now I’m in latter day Joel…crossed with a soundscape that Gary Numan could toss off in his sleep…


I just don’t get the accolades for Cockburn. I find him unctuous and boring. I mean, I guess if you were a Dream of the Blue Turtles Sting guy, this might be fore you. It’s not for me. I kind of enjoy the Dire Straits/Cars hybrid “Wanna Go Walking” but not enough to ever want to hear it again, let alone highlight it.


This album is a listless hodgepodge of every flabby AOR trope you can think of. 



https://music.apple.com/us/album/inner-city-front-bonus-track-version/303504943

The 1981 Listening Post - Silent Guests - In My Secret Garden

 Silent Guests - In My Secret Garden



#158

1981 Housekeeping

Silent Guests

In My Secret Garden

Genre: Alternative Power Pop

3.5 out of 5



Highlights:

Imaginary Lines




This is a weird record. It doesn’t really fit any of the genres we are used to. It’s Power Pop but it’s also New Wave and it’s alternative and Indie. There’s a Game Theory-ness to some of it as well. I know that the lead track, “Desperate Measures” kicks off the record because it’s the strongest piece of confection, but the pounding drums and fuzzy nasal Vox of “Imaginary Lines” are the real hook for me. 

There’s a lot of paisley revival sounds on this, especially on “Fictional Girl” but, those scratchy guitars elevate into something I would happily have listened to in the 90s. 

Sadly, we don’t have the full album, and that always results in a point drop. Otherwise, I would say that this is one of the more rewarding post-rock discoveries of 1981.

This album gets darker and darker (what we know of it) as it progresses and that’s what a great album should do: tell a story. 




YouTube: https://www.youtube.com/watch?v=5rc_OTqpXoU&list=PLlvn8uktX5LtNIT2oxhEesCH7YgupQIjg  (Mising 4 tracks - Drawn to the Water, Leading Me On, The Guests Have Arrived and In My Secret Garden)

The 1981 Listening Post - The Cure - Faith

The 1981 Listening Post The Cure - Faith

1981

#157

By John Bland

The Cure
Faith

Genre: Post-Punk/New Wave/Goth
Allen’s Rating: 4 out of 5

John’s Rating: 4 out of 5


Highlights:
Primary
Other Voices
Doubt
The Drowning Man
Faith 


When I was in high school, I had a massive crush on a Goth girl. Being as non-Goth as it was possibly to be at the time (my sartorial preferences wavered between neo-Preppy and paleo-Preppy), I rushed to the nearest thrift store and stocked up on black overcoats, used black Doc Maartens, black sweaters, black vests, black t-shirts and assorted random accoutrements to pin on said overcoats and vests. I put on eyeliner but only ended up looking like somebody had punched me in the face twice. I slathered my hair in Dippity Do. I moped around. I freaked the fuck out of my parents. 

I bought a couple Cure cassettes, and pretended to know what they were singing about. 

Goth Girl ended up dating somebody on the football team. (I mean, what the fuck!?) I went back to my Preppy ways and abandoned any pretenses of melancholy. Well, until I got to college and took a poetry class. 

‘Faith’ is a pretty depressing album... and much, much too short. It’s really good, but it is not Music To Play in The Middle of a Pandemic. If my high school self had really listened to this, I mean, REALLY listened to it, and not just flashed around copies of the cassette so a certain girl would THINK I’d listened to it... well, actually I’m glad I didn’t, because high school was depressing enough as it was. 


https://open.spotify.com/album/1qL9O6xT5zW2h4JtWaT2us?si=j_Apo16KT7Kco4LT63AsPw

The 1981 Listening Post - Hot Dates - Hot Dates

 Hot Dates - Hot Dates



#156

1981 Housekeeping

Hot Dates

Hot Dates

Genre: Power Pop

3.25 out of 5


Highlights:

The Heart of You

Since You’ve Gone Away


Hidden Tracks:

This link includes their 1978 single “I Can’t Stay” at the end with it’s B side “Just Let Me Love You” and therein lies the promise of Hot Dates. Had the album been more like this, it could have been a classic. 



Okay, Bostonians, who knows this band? 

This is very Shoes, Romantics, 2020 style Power Pop. 

But, except for a couple good tracks (“The Heart of You”, “Since You’ve Gone Away”, it feels like a bunch of guys said, “Hey! We gotsta get in on this Power Pop thing! Barbara! Pick me up a skinny tie from the 5 and dime! See you in the studio, Jeff!”

I dig the Power Pop meets Kiss of “Shut Up. But, then again, Kiss was always Power Pop and these guys can’t hold Gene’s codpiece. 

And “Til She Goes” is the most Knackiest of Knack tracks. 





https://www.discogs.com/Hot-Dates-Hot-Dates/release/3459660

The 1981 Listening Post - Crysys - Hard as Rock

 Crysys - Hard as Rock




#155

1981 Housekeeping LISTENING POST DISCOVERY

Crysys

Hard as Rock

Genre: Metal

4.25 out of 5



Highlights:

Blue Steel

Hard as Rock

Super Starz


This sounds like a band that your student government would hire to play a concert as a non school event. Crystal Ship played one at our school. This is the one for metal heads but can’t even afford a metal cover band.

Now, that said, they have some actual chops. “Blue Steel” is a galloping barnburner. And the title track just needs a better engineer. More oomph. It’s metal, sure, but it’s also glam rock and I dig it. 

I don’t know who these guys were or what happened to them but this album, for the genre, is excellent. 


https://www.youtube.com/watch?v=UWtokSMyrak

The 1981 Listening Post - Krokus - Hardware

 Krokus - Hardware



#154

by Rob Slater

March 1981

Krokus

Hardware

Genre: Wanna Be AC/DC, Judas Priest, and the Scorpions. 

Allen’s rating: 2 out of 5

Grade/Rating: B-. 3.25 out of 5. (Initial score was a 2.75 C-) 


Highlights: (Best of the B-sides)

Celebration

Burning Bones

Rock City

Winning Man


So, AC/DC was stupid not to grab the Krocus lead singer when Bon Scott died. If you have not heard, "Tonight, Long Stick Goes Boom," go to the corner and listen to it right now. Better than Brian Johnson, eh? Though I suppose it's hard to argue with Back in Black. But it was like AC/DC shot their.... uh... stuff with that one. After that it was one decent song per album, maybe…. 


Celebration is a good opener. Rockin’ but not too rockin’. Followed by Easy Rocker, alo decent, basically about that guy who wishes he was in the band or at least a Roadie.


The next two, Mr. 69? Smelly Nelly? It's kind of obvious that English is not the first language of these guys. but one has to appreciate the balls to the wall sort of choices they make. And from another album, the aforementioned "Tonight, Long Stick Goes Boom." They've got the idea, even if they tend to be offensive and are not subtle and did not have the innuendo and word play of Bon Scott era AC/DC. 


She’s Got Everything is utterly acceptable 80s metal and as utterly forgettable. 


Burning Bones of War. Lyrics are actually pretty cool on this one. Not like many of the others, though reading the lyrics enhanced my appreciation, though it also included some revulsion.


Rock City is pretty decent, at least as good as KISS’s Rock City, though I know I'm speaking sacrilege for some people. This is a good example of the voice that should have replaced Bon Scott. And I'm pretty sure they used an English rhyming dictionary to come up with as many words that rhyme with rockin’ as possible. 


The next song, Winning Man, foreshadows their later big pop hits, like Screaming in The Night, my favorite Krokus song. I actually like it quite a bit. 


Interestingly enough the band Krokus also had a guitarist named Tom Kiefer, the same name as the lead singer guitarist and primary songwriter of the band Cinderella. Thankfully, he only wrote one song, Smelly Nelly.


Interesting factoid: Chris von Rohr, bassist/keyboardist (original drummer, then lead vocalist) and Tommy Kiefer, both former members of Kaktus. Also, since I need to figure out a way to mention Spinal Tap… These guys had Eleven (11) drummers! And 10 guitarists, 9 bass players, 8 lead singers, 7 keyboardists, 6 albums that charted in the U.S., 5 members of the “Classic” Krokus, 4 hits that were covers, 3 major guest singers, 2 live albums and 1 partridge in a pear tree. 


Give them points for writing all the songs on this album themselves, whereas, later they relied on covers for the hits. They did have some pretty impressive guest singers later, Bruce Dickinson, Jimi Jameson, and Rob Halford. 


So, definitely one of those, “Buy the Greatest Hits collection,” bands. I listened to it a lot while I was doing construction and fighting the rain and wind to keep said construction dry and together!


https://open.spotify.com/album/5CK8mbL1Yr6iWRfrsMTHeW?si=b_aOolJaRUCWNFYba3l8YQ

The 1981 Listening Post - Mitch Ryder - Got Change for a Million

 

Mitch Ryder - Got Change for a Million


#153

1981 Housekeeping

Mitch Ryder

Got Change for a Million

Genre: Rock

2.75 out of 5



Highlights:

Red Scar Eyes



I get the sense that Mitch Ryder would have opened for Warren Zevon if Zevon was big enough to have opening acts. Maybe they would have just been on the same bill. 

Mitch doesn’t right songs as witty as Warren, (He tries on “Bang Bang”) he isn’t as moodily sexy as Chris Isaak (who he channels on “Red Scar Eyes”) and he doesn’t have Stevie Ray Vaughn’s chops. 

And that’s this whole shebang. 

A bunch of perfectly acceptable songs by a mid-liner that keeps you entertained while you wait for the main act. Or you showed up very early to the beer & bbq fest and they had a band scheduled for 1PM. That’s Mitch. 

“Ich Bin Aus America” is one of the most lyrically stupid presidential protest song I’ve ever heard. The intention is there. The execution, with it’s white boy reggae and unctuous wordplay is really something to have heard. 



https://music.apple.com/us/album/got-change-for-a-million/315458963