Friday, August 30, 2019

the 1985 Listening Post - Jennifer Rush - Movin'

Jennifer Rush - Movin'



#437/1072
October 1985
Jennifer Rush
Movin’
2.5 out of 5


Highlights:
Live Wire

Is it Disco? Is it Pop? This was an album that was lobbied for. It doesn’t belong in this category. To me it sounds more like Taylor Dayne than Bonnie Tyler. So, I ask you: Does this belong in the “Rock” category? 
We’ll make it a poll. 
There were no singles that hit the charts in the UK. The only one was “Destiny” which sounds like a cut-rate Madonna song. And the only reason I include Madonna in this category is that she has had an enormous impact on the music cultural landscape. Bonnie Tyler because Jim Steinman wrote her songs and they are easily rock epics. But, Rush isn’t either of those. In fact, she’s barely a Kylie Minogue. 
But I’m nothing if not accommodating. 
The Madonnfluence is strong. Especially on “Ave Maria (Survivors of a Different Kind). 

The 1985 Listening Post - NRBQ & Captain Lou Albano - Lou and the Q

NRBQ & Captain Lou Albano - Lou and the Q



#436/1071
1985 Housekeeping
NRBQ & Captain Lou Albano
Lou and the Q
Genre: Rock
1.75 out of 5


The 80s brought us a lot of stupid stuff. Pet Rocks. Saturday Morning cartoons that were more about selling products to kids than entertaining them. Really shitty movies that do NOT stand the test of time (Believe me, I have young kids and we’ve been showing them some 80s flicks. The sexism. The behaviors. The jokes…all of it should be put in a time capsule and shot into the sun.)
But, none of it annoyed me as much as the ascent of “professional wrestling”. I don’t even wanna waste words here on how much Hulk Hogan and the rest of them took what was an idiotic sideshow/freakshow and mainstreamed it. It’s part of the reason we are where we are.
And here’s a mainstream-ish band hooking up with one of the characters who had already begun his climb to household name by hooking up with Cyndi Lauper and putting out a record of relatively benign rock and roll songs interspersed with songs about Lou, songs with Lou, ranting interview of Lou. 
I used to have the Uncle Floyd album, the Odd Couple album, the Wonderama album with Bob McAllister (“Does anyone here have an aardvark?”)…this is one of those. Except on this one Captain Lou plays “La Vie En Rose” on piano and…he’s not terrible. 
I must say, however, extra point for “Michael Row the Boat Ashore”, only because the best song my first band, The Yeast Infection”, ever performed was a psychopath version of “B-I-N-G-O (There was a Farmer had a Dog)” so there’s a kinship here. 
It’s also mostly live so we never should have included it. 

This is a bargain bin trifle. 


The 1985 Listening Post - The Steve Morse Band - Stand Up

The Steve Morse Band - Stand Up


#435/1070
1985 Housekeeping
The Steve Morse Band
Stand Up
Genre: Rock
3.75 out of 5

Highlights:
English Rancher


Frampton guests on one track but you know who really should be here? Brian May. This is the exact kind of stuff he couldn’t do with Queen but would’ve excelled at. 
The cornucopia melange that dotted the last album is back. You can’t contain Morse. There is no style that he won’t tackle and make look easy. It’s a little heavy on the RennFair instrumentals for my liking. 
The guy just knows how to play. 
Here’s how I see Steve. He’s a guy who everyone knows can do anything so he can be called upon to fill-in or replace any axe man in a heartbeat. And, if he’s not doing that, he’ll just put together a bunch of guys and go play a beer fest or a cruise line. He don’t care. Pay him. He’s good and he can deliver the goods. 


The 1985 Listening Post - Gary Myrick - Stand for Love

Gary Myrick - Stand for Love


#434/1069
1985 Housekeeping
Gary Myrick
Stand For Love
Genre: Rock
4 out of 5 (Don’t @ me)

Highlights:
Don’t Let the Good Die Young
She Talks in Stereo
When Angels Kiss


Who bought Gary Myrick records? I wanna meet those fans. 
Every track on this thing starts off with promise and then Myrick’s lyrics and, well, just he himself, show up and mediocre it all up. A good example of this is “Don’t Let the Good Die Young”, a song whose arrangements and production I like a lot more than the sum of the parts. But, heck, it’s worth a spin. Same for his hit single, “She Talks in Stereo”, what a better song this would have been for, say, Pat Benatar, who would’ve killed it. 
Also, “When Angels Kiss”, which is the 80s all summarized in 4 minutes. 
I wanted to hate this record. I came in to it all sullen and angry and resentful that I had to listen to yet aNOTHER 80s guitar rock soloist and I walked away kind of…not loving it…liking the shit out of it. 



The 1985 Listening Post - The Dentists - Some People Are On the Pitch They Think It's All Over It Is Now

The Dentists - Some People Are On the Pitch They Think It's All Over It Is Now



#433/1068
1985 Housekeeping 
The Dentists
Some People Are on the Pitch They Think It's All Over It Is Now
4.25 out of 5

Highlights:
You Make Me Say It Somehow 
The Little Engineers Set
Tangerine

This sounds like it came straight out of 1967. 
It’s like an album lost at sea washed up on the shores and found its way into a college radio station and pretended to be relevant during the Paisley explosion. 
If you like this sound you will love this. I enjoy it, not to the point of pursuit but its very good at what it is. 
How’s that for wishy washy?

The 1985 Listening Post - Wall of Voodoo - Seven Days in Sammytown

Wall of Voodoo - Seven Days in Sammytown


#432/1067
1985 Housekeeping
Wall of Voodoo
Seven Days in Sammytown
Genre: Alternative/New Wave
3.75 out of 5


Highlights:
Far Side of Crazy

I don’t recall Wall of Voodoo sounding this…accessible. 
But that’s because this isn’t really a WoV album, is it? 
Ridgeway is gone. Nanini is gone. 
If you like the old Wall of Voodoo sound (which I do not) it’s captured in a sense on a couple tracks, “The Business of Love” and “Big City” & “Tragic Vaudeville” (which I really liked) . However the other tracks, like “Far Side of Crazy” &”Room with a View” & “Dark as the Dungeon” which are more, as I said, mainstream or conventional New Wave, are also more to my liking. I will now refund your subscription to this page, if you prefer. 


The 1985 Listening Post - David Cassidy - Romance

David Cassidy - Romance


#431/1066
1985 Housekeeping
David Cassidy
Romance
Genre: Pop
2 out of 5



I’ve told this story a million times but, when I was 6 my dad took me to my first concert. David Cassidy at the Garden State Arts Center. It was outdoors. I stood on the seat. I loved it. I dressed up as David for Halloween. Keith Partridge was my hero. “I Think I Love You”. “I Woke Up in Love This Morning”. I was IN on David Cassidy.
It could be argued that David would’ve been better off following Bobby Sherman off the Teen Idol train and into something like being a paramedic or some other vocation. But he didn’t. And I still tuned in to David Cassidy: Man Undercover. It only lasted one season and that might have been the last I heard of David until he had that one hit on MTV a few years later, which was “Lyin’ To Myself” and you couldn’t get away from it for a week. 
This is harmless pop. Toothless. And achingly dull. But, I give him points for trying and co-writing the songs, although, really, who knows?


The 1985 Listening Post - Jane Siberry - The Speckless Sky

Jane Siberry - The Speckless Sky


#430/1065
1985 Housekeeping
Jane Siberry
The Speckless Sky
Genre: Alternative
4.5 out of 5

Highlights:
Vladimir Vladimir
Map of the World Pt. II


Ok, HERE’s where the 90s—

Just kidding. 

I get Joan Osbourne, Jill Sobule and Jane Siberry mixed up. I always think Jane was the one who recorded “One of Us” or “I Kissed a Girl”. And she sang neither so I have no idea why I know her. (And before you call me sexist, it’s not cuz they are all interchangeable women singer songwriters. It’s cuz their names all start with the same letter and I’m really not that smart).
I would’ve thought I might have come across her work during my review days cuz I might’ve enjoyed this. There’s a Kate Bush meets Lisa Germano element that I can get behind. 
Unlike some of the mid-80s rockers trying to keep the New Wave banner waving and missing, Siberry is bathing in it. And scoring (“Mein Bitte”).

This album is rewarding and lovely.

 https://www.youtube.com/watch?v=rAToWdWVRj0&list=PL3z5lQ-uO252mNMhOMAEnymqBzUD0YmQ_  

The 1985 Listening Post - The Chesterfield Kings - Stop!

The Chesterfield Kings - Stop!



#429/1064
1985 Housekeeping
The Chesterfield Kings
Stop!
Genre: Garage Rock Revival
4 out of 5


Highlights:
It’s Alright
I Cannot Find her

They had a movie??? 
Has anyone seen Where is the Chesterfield King?????? It’s described as “"A comedy/drama in the vein of The Bowery Boys, Batman, The Monkees Show, A Hard Day's Night, Hawaiian Eye, and The Munsters, with a little Three Stooges slapstick to boot…"
Now, their website is defunct…:(
These are tight, short, in and out perfect recreations of the mid 60’s Rolling Stones Aftermath sound. 
None really disappoint. They are all pretty spot on and, if they were 30 seconds longer the album would rank lower. 


https://www.youtube.com/playlist?list=PLBJ7ztNazTVCFqT65zWLpuieCgOtpz04n

The 1985 Listening Post - One the Juggler - Some Strange Fashion

One the Juggler - Some Strange Fashion


#428/1063
1985 Housekeeping
One the Juggler
Some Strange Fashion
Genre: Rock
4 out of 5


Highlights:
Everyday
Total Control
Sleeper


I had no idea that there was a second OtJ album so kudos to Sheffield for finding this link to a download on someone’s blog.
It’s impossible to not listen to this and not think of what’s coming on the horizon in terms of Power Pop and Indie. Specifically, bands like Jellyfish and artists like Jon Brion (of jellyfish) and Super Furry Animals and so many others. I’m not sure how the addition of Mick Ronson as producer turned it into a LESS guitar driven curio but they did. Cellos and keyboards abound here. I don’t know that I love it the way I did Nearly a Sin but, for a record that NO ONE has heard and was the last gasp of a fantastically named band…pretty damned good. 


https://mrworthyandwhammo.blogspot.com/2012/11/one-juggler-some-strange-fashion.html?fbclid=IwAR24yur48VrAusckqkfLiujPmxMzNVGXhVw8sTNOct93Hy71Wt3nKdnWsHo

The 1985 Listening Post - The Legendary Pink Dots - Prayer for Aradia

The Legendary Pink Dots - Prayer for Aradia


#427/1062
1985 Housekeeping
The Legendary Pink Dots
Prayer for Aradia
Genre: Experimental
2 out of 5


Oh, Dots…


Here: Take Jean Michel Jarre, force him to watch everything David Lynch has ever done (sans Straight Story) and composed music immediately after you might get close. 
It’s been no secret that I don’t care for these guys. This one didn’t help. 


If you choose to listen to this as I did, the way it was originally released, as a cassette offering that moved about 1000 units, it’s just the first two 12+ minute tracks, which are comprised of a a series of ideas and notions strung together in a Pink Dot fever dream. 

https://open.spotify.com/album/3GFU7au6YQZZQkSs1Sj7XL?si=5G64-ILvTvKxelfAPZWVJA

The 1985 Listening Post - Buster Brown - Sign of Victory

Buster Brown - Sign of Victory


#426/1061
1985 Housekeeping
Buster Brown
Sign of Victory
Genre: Glam Metal
3.25 out of 5

Highlights:
Sign of Victory

You can not convince me that Buster Brown wasn’t a RATT cover band. 
That two of the guys went from this to Montrose makes sense. It also makes sense that we pretty never really heard from Montrose again.
Don’t believe for a second that I think this is “bad”. It’s not. it’s not a revelation but it’s okay for the style it is. 

 https://www.youtube.com/watch?v=j9L10icLXD4

The 1985 Listening Post - Sacred Rite - The Ritual

Sacred Rite - The Ritual



#425/1060
1985 Housekeeping
Sacred Rite
The Ritual
Genre: Metal
2.5 out of 5



Ok. Here’s another one. Flying fingers, soaring vocals, thumpety-bass and songs ado about nothing. Or the Devil. Or sex. Or something. I don’t loathe and detest it but why do I need this when I have……100 other albums just like it?
It’s weird, the second side of this record is all live cuts of some new tracks and some from the previous record. I get it. They were trying. It’s hard out there for an 80s metal band. 
A lot of what this band is trying to do was covered by Queen on their first album 12 years before and many other bands before them. 
Next. 


 https://www.youtube.com/watch?v=nrnbOuSiNho

The 1985 Listening Post - Big Audio Dynamite - This is...Big Audio Dynamite

Big Audio Dynamite - This is...Big Audio Dynamite



#421/1056
October 1985
Big Audio Dynamite
This is...Big Audio Dynamite
Genre: Post Punk
5 out of 5


Highlights:
Medicine Show
E=MC2
The Bottom Line
Sudden Impact


Annnnnnd…..

Punk is dead. 

When I was a kid I loved the early Clash albums. The first self titled was a roar. The follow up, Give ‘em Enough Rope was a worthy successor and London Calling was, well, maybe one of the best of the decade. It was no secret that London punks were hanging around clubs, listening to DJ Don Letts spin reggae records and incorporating that sound into their music. Sandinista had a ton of it as did the predecessor EP, Black Market Clash. “Armagideon Time” was spun non-stop in my room for an entire summer. “Bankrobber/Robber Dub”, “Pressure Drop”…and then their breakthrough smash hit, “Should I Stay or Should I Go?”. It really should have been no surprise that Mick Jones would hook up with Letts and form a musical project. 
This is that project. 
It is The Clash, Phase 2. Strummer was out of step with the times at this point. 
I write this like I knew it at the time and am just a reporter but that’s not the case.
Quite the opposite, really. I felt abandoned by The Clash with Combat Rock. I missed “Career Opportunities”, “Clash City Rockers”, “White Riot” but I also loved “Wrong ‘em Boyo” and the aforementioned Black Market. For some reason the MTV hits were a bridge too far. 
Looking back on it, though, this is as revelatory, revolutionary as Duck Rock or Stop Making Sense. it’s the logical next step in the evolution of punk. 
A pissed off punk, angry that his preferred rage-fueled group had gone completely soft rejected this out of hand. But I was wrong. It was the 15 year old younger brother who got it. And that kid would grow up to be the first generation to embrace rap and hip hop and send that into the stratosphere.
They were correct. 
Punk had run it’s course. “Please Kill Me” illustrates that in sad and stark terms. 
But that book just ends where punk ends. It doesn’t explain that punk transformed, that it HAD to transform as all things do to survive. It had to become something different. 
Among other things, it became this. 
And this is excellent. 



The 1985 Listening Post - Prophet - Prophet

Prophet - Prophet


#424/1059
1985 Housekeeping
Prophet
Prophet
Genre: Rock
3.75 out of 5



Does anyone know this band? The nearest I can figure is that a member of the band was in another band with someone who co-wrote “Shot Through the Heart” with Jon Bon Jovi and that seems to be the biggest legacy for a band that released 3 albums and had a revolving door of members. 
Doing what VH and a ton of other bands of their llk were at the same time and doing it pretty well, but the market is pretty saturated for this music and, if you weren’t able to cut through, you’re a footnote. 
it’s actually all perfectly acceptable for this style, which is a style I often adore so I gotta give the Jersey kids props for trying. Most of it is right there, ready to be hits (“Heart of the Night”, “Away From You”) especially in 1985. I’m a bit flummoxed as to why it didn’t get there. 
Sometimes they sound like Van Halen, other times, Survivor, or Boston or even a touch of Deep Purple (“Listen to Ya”) and Rush (“Sail Away”).

Founding member, Scott Metaxas, is on Facebook. We have no mutual friends but we have about 10-12 friends who have mutual friends (mostly from the entertainment and music world…looking at you, Robbie).
I have half a mind to reach out for a comment. Thoughts? If you could ask him something, what would you ask? 

 https://www.youtube.com/playlist?list=PLBJ7ztNazTVBXbZBUXUttyEzeH2Mn1gfq

The 1985 Listening Post - Omen - Warning of Danger

Omen - Warning of Danger


#423/1058
October 1985
Omen
Warning of Danger
Genre: Metal
3.25 out of 5


Highlights:
Ruby Eyes (Of the Serpent)
V.B.P.




More of the same from Omen. Last time I just wasn’t in the mood, this time I guess I am. I like it a bit more. It’s a lot of chukka-chukka that’s interchangeable with so many other bands but I haven’t heard Venom in a while. Or Grim Reaper. Or Manowar. So, maybe it’s just that there was SO much of it last time. 
That said, they aren’t reinventing the Metal wheel here. It’ll do to fill that fix, I guess. 


The 1985 Listening Post - Helloween - Walls of Jericho

Helloween - Walls of Jericho



#422/1057
October 1985
Helloween
Walls of Jericho
Genre: Metal
4.5 out of 5


Highlights:
Guardians
Phantoms of Death
Metal Invaders
Heavy Metal (Is the Law)


Is the bass player the main guy? He’s up pretty high in the mix and I don’t mind cuz he’s noodling around with some very interesting and fun bass riffs. 
Is this as good as Iron Maiden, which it is so obviously influenced by? No. But it’s a great place holder while we wait for the next offering from the Eddie crew. 
Until this project I had no idea how much I fucking love this kind of stooopid metal when it’s done well, with an eye of how absurd it really is but also just how much fun. I have had the same reaction to post-punk/post-rock. Interesting.
This is all the right chords for me. 



Side note: One day, when I was filming a commercial in Canada I met a Canadian wrestler named Chris. In retrospect I believe that was Chris Jericho. Looks just like him, as I recall. The name is super familiar. He was on set, hanging around that day. Not sure why, cuz I don’t remember him being IN the commercial. 
Turns out Chris Jericho took his wrestling name from this band as well as his signature move. Had I only been doing this project lo those many years ago I’d have had more to talk to him about.
(I also once sat next to Steve Austin on a plane and we traded tips. I gave him acting notes and he gave me nutrition tips. I’m not entirely sure either of us were of benefit to the other.)


The 1985 Listening Post - Autograph - That's the Stuff

Autograph - That's the Stuff


#420/1055
October 1985
Autograph
That’s the Stuff
Genre: Hair Metal
2.25 out of 5


Last year’s first Autograph record called to mind the 2017 debut record by the Brooklyn band, Station. I loved both records. They were perfect examples of this genre done right.
And, just like Station’s sophomore record, this one is a big, flat, uninspired mess. 
This is a generic hair metal album that makes Kiss’ Lick It Up sound like a positive classic. 
Word of warning: Apple Music has this album listed as it’s original album release, with the cut “Six String Fever” instead of the cover “(We’re An) American Band”. However that track actually is the latter. It’s labeled incorrectly. Which just shows how much effort anyone put in to Autograph. 


The 1985 Listening Post - Scraping Foetus Off the Wheel - Nail!

Scraping Foetus Off the Wheel - Nail!



#419/1054 LISTENING POST DISCOVERY
October 1985
Scraping Foetus Off the Wheel
Nail!
Genre: Post-Everything
4.75 out of 5

Highlights:
Pigswill
Descent Into the Inferno

This is the soundtrack to your nightmare if filmed by a young Rob Zombie who is still trying to find his voice. 
I really didn’t care for the first SFOtW but this one…the gang is inspired here. At times it reminds me of Mitchell Froom’s soundtrack for Cafe Flesh only if fronted by Mojo Nixon (“Descent Into the Inferno”). And if that doesn’t get you to listen, I don’t know how else to do it. 
A stunning piece that defies description. 


The 1985 Listening Post - Alien Sex Fiend - Maximum Security

Alien Sex Fiend - Maximum Security


#418/1053
October 1985
Alien Sex Fiend
Maximum Security
Genre: Industrial Post Punk
2.25 out of 5



Whatever happened to ASF it happened just before they recorded this thing. A drum machine, a fetish for early Gary Numan and a lack of ideas but fueled by a false anger they believe their fans expect of them.
It’s not even challenging enough to pay attention to.


Monday, August 19, 2019

The 1985 Listening Post - Black Flag - In My Head

Black Flag - In My Head



#417/1052
October 1985
Black Flag
In My Head
Genre: ExperiMetal
3.75 out of 5


I’ve made no secret about my dislike for Greg Ginn. There was one good song in Black Flag’s repertoire as far as I am concerned, the sarcastic and obnoxiously hilarious “TV Party”. How Henry Rollins became the poet laureate of Punk is a testament to good PR and stick to it-iveness. 
That said, the sludgy opening of “Paralyzed” and how it leads into the darkly mental “The Crazy Girl” is almost a culmination of so many missed targets coming together in a cohesion that renders all the bad feelings moot. 
Those two tracks actually set the tone for the whole record and then, towards the end, it’s almost as though the guys are aiming for…listenability? (“Society’s Tease” has them proving they learned something from listening to Ramones records)
Amazing that it took getting to their swan song for them to get here. And maybe that’s what ended them. 


The 1985 Listening Post - ABC - How to Be a...Zillionaire!


ABC - How to Be a...Zillionaire!


#416/1051
October 1985
ABC
How to Be a…Zillionaire!
Genre: SynthPop
3.75 out of 5


Highlights:
Be Near Me

It’s impossible to ignore the pop confection of “Be Near Me”. It’s as good as anything Martin Fry has ever written and, in fact, it really belongs in a Broadway show. I think that’s what he always was, anyway. ABC’s sense of theater coupled with their catchiest hooks makes me wonder why this hasn’t actually happened? Is there any other band that is shouting, “Make a jukebox musical out of our catalog!”?
Well, yes. Jukebox the Ghost. 
But, you get it. 
When he’s at his most unctuous (“Ocean Blue”) I just wanna get off the fucking train. It’s another of those moments when I realize how much garbage MTV tried to foist on us and how much we ate up…
When does 120 minutes fire up?
He does sort of out-Adam Adam Ant on “15 Story Halo”. Adam’s never sounded this Ant-y. “A-Z” is so dumb it’s actually fun and the Thomas Dolby-ism of the title track is also kind of infectious. 
Like all previous ABC records, it’s fun and forgettable. Nothing I’d return to, nothing I’d run to turn off when it came on. 


The 1985 Listening Post - Thin White Rope - Exploring the Axis

Thin White Rope - Exploring the Axis


#415/1050    LISTENING POST DISCOVERY
October 1985
Thin White Rope
Exploring the Axis
Genre: Alternative…?
4.75 out of 5 (I soooo wanted to go to 5)




Highlights:
Down in the Desert
Disney Girl
Dead Grammas on a Train
The Three Song
Eleven
Exploring the Axis



This is a really odd duck, this record. It’s unlike anything I’ve heard recently. They are listed as “Paisley Underground” but they really aren’t. In fact, (this might sound weird) I think they have more in common with Butthole Surfers or Ween or, even, Wall of Voodoo. They have their own approach and sound. I know they aren’t like Meat Puppets but I bet they would’ve sounded great on a tour with them. 

If you knew of this band, why didn’t you tell me about them? If you heard this record, why the hell didn’t you tell me about it?????
Everything I wanted Tim by The Replacements to be but wasn’t is evidenced here on “Dead Grammas on a Train”.
“The Three Song” could be Jon-Rae and the River and “Eleven” could be a desert stoner band’s interpretation of The Vapors. And they are both stellar. 



The 1985 Listening Post - Kreator - Endless Pain

Kreator - Endless Pain



#414/1049
October 1985
Kreator
Endless Pain
Genre: Black Metal
2.75 out of 5


Highlights:
Flag of Hate
Bonebreaker

Here’s your reminder that this is just 30 years removed from “Rock Around the Clock”, 20 years from The Beatles’ “Help” and 10 years after “Bohemian Rhapsody”.

This kind of makes me want to go back in time and give young John Osbourne a hug. Take him out to a ball game. Buy him a piece of pie and maybe take him out in the sunshine. 
So, then he might not have helped create the genre that eventually gives us this. 
I am so fucking tired of speed metal. And that’s weird cuz I love love loved Anthrax’s record. This is pointless, though. It’s all that medieval garbage and they couldn’t afford Boris Vallejo so they got a 3rd rate hack version of him to do the cover. 
The fingers are fast, the vocals are Halloween scary, the drums pound at freight train speed. If you love Bathory, this is your jam. Depending on my mood, it either is or it isn’t. 



The 1985 Listening Post - Scattered Order - Career of the Silly Thing

Scattered Order - Career of the Silly Thing



#413/1048
October 1985
Scattered Order
Career of the Silly Thing
Genre: Industrial…funk?
4.25 out of 5


Highlights:
Cut You Up
The Galaxy is Dead

The best I can come up simile-wise is…imagine if PiL were more funk inclined and enjoyed jamming with light synths and the occasional industrial pounding sound effect.
Yes?
I dunno. Is this what burnout feels like? 413 records in to 1985 and I’m not sure I’ve learned anything except there was a shit ton of music released that year and the cream rose and the chaff chaffed. 

You know what? This is one of those records that I would normally lobby to pass on and turns out to be a really interesting experience. Imagine if The Residents were actually trying to sound like a rock band. That’s the vibe I get here. As I moved through it, it grew on me more and more.
I kind of lost track of what song was what since nothing is labelled here but, I really dug this, nonetheless.


The 1985 Listening Post - The Three O'Clock - Arrive Without Traveling

The Three O'Clock - Arrive Without Traveling


#412/1047
October 1985
The Three O’Clock
Arrive Without Traveling
Genre: Paisley Pop
4.5 out of 5



Highlights:
Her Head’s Revolving
Simon in the Park
Another World

You like The Bangles, kid? Here, try the Three O’clock. You’ll love it. 

And, you know what? That record shop dude would probably right. This record is great. Especially if you dig power pop, Sparklejets UK and Long Ryders. 
This is more of the same from these guys but, you know what? They do it very well. I can’t believe this avoided me for 30+ years when I adored this sound in the 80s. I’m happy to know about it now but I feel like the moment has passed. 



The 1985 Listening Post - Eurogliders - Absolutely


Eurogliders - Absolutely


#411/1046
October 1985
Eurogliders 
Absolutely 
3 out of 5


What
The fuck
Is Eurogliders?

It’s super poppy but also just enough occasional crunch to give it a dash of rock cred but it also has enough radio friendly Quarterflash to take its spot right next to latter day Starship for MOR AOR. 
But boy is it long and boring. 


The 1985 Listening Post - Anthrax - Spreading the Disease

Anthrax - Spreading the Disease





#410/1045
October 30 1985
Anthrax
Spreading the Disease
5 out of 5

Highlights:
A.I.R.
Lone Justice
Madhouse
SSC/Stand or Fall
Armed and Dangerous
Medusa


I’ve never heard this album before but, man, did I need this after so much boring crap. 

It’s Saturday morning as I listen to this. My wife is on her way to work, teaching at the school where she was a student just a couple years ago. 
My pre-teen daughter is sacked out after two shows at the musical theater camp she’s in.
My 8 year old son has just traipsed out of the shower in his bathrobe (95% autonomous, this kid), eating yogurt and toast and playing on his iPad.
I’ve got coffee to help me after a restless night of weird sleep. There’s dishes in the washer that need to be put away and laundry from yesterday in the dryer. 
The coffee isn’t helping. 
I am just a groggy mess. 
Until this. 

You can just inject “Lone Justice” straight into my veins, man. Screw Green Mountain anything. Fuck Illy. 
Actually, the whole first side. 
This album is relentless.


The 1985 Listening Post - Pat Benatar - Seven the Hard Way

Pat Benatar - Seven the Hard Way



#409/1044
October 30 1985
Pat Benatar
Seven the Hard Way
3.25 out of 5

Highlights:
Sex As a Weapon
Invincible



The Billy Steinberg hit machine is back, baby. And although “Sex as a Weapon” is a minor one it brings back the edginess that has been missing from Pat’s work for a spell. 
And we are back to the old story here. The originals be Neil and Myron are boring. The cover (“7 Rooms of Gloom”) and the stuff from outside writers (especially “Invincible “) are the gold. 


The 1985 Listening Post - Joni Mitchell - Dog Eat Dog

Joni Mitchell - Dog Eat Dog


#408/1043
October 30 1985
Joni Mitchell
Dog Eat Dog
Genre: Boring
2 out of 5



Man, I think Joni has something to say but she has chosen to eschew melody, hooks, anything interestingly musically to be the vessel for it. She isn’t interesting nor does she even sound interested in her own songs. 
This is so dull I thought it was a new Laura Nyro record. 
Joni dabbles in New Wave (“Shiny Toys”) and it alllllmost doesn’t feel like she’s 5 years too late. 
But she is. 


The 1985 Listening Post - Golden Palominos - Visions of Excess

Golden Palominos - Vision of Excess



#407/1042
October 28 1985
Golden Palominos
Visions of Excess
Genre: Alternative
4.25 out of 5

Highlights:
Clustering Trains
Omaha

THIS is where the 90s starts. 
I say that a lot, I know. It’s weird cuz, although they put out 6+ records in the 80s, R.E.M. is a harbinger of all things 90s that were on the horizon. They were better suited to the era of the nascent Gen-Xers than the toe-holding on the culture Boomers. 
Why am I talking about REM in a Golden Palominos review?
Cuz Fier dumped the wannabe funk from that annoying first record in favor of a moodier stadium sound and enlisted a bunch of greats to help (Chris Stamey, Jack Bruce, Arto Lindsay, Syd Straw, even John Lydon) and fronted the band with Michael Stipe. The result is a record that sounds like…a 90s grunge band. Listen to “Clustering Trains” and tell me that you don’t hear Mother Love Bone or Alice in Chains or even Nirvana in that as well as some deep cut REM.
The reason is that Stipe came into his form in the 80s but was the grandfather of everything 90s. 
And it was because of the inclusion of Stipe that everyone I knew had this cassette. I didn’t buy it and yet, it came into my possession. And not just a copy. Somehow I ended up with an actual copy of it. But it wasn’t like someone just off tossed it in disgust. No. It was lent to me. And then when I mentioned it to the person it turned out they bought another one cuz they had to have their own copy.
Thing is, it takes a hard turn after the first three Stipe included tracks and, boy, did I love when it did. 
Lydon has never sounded better than on “The Animal Speaks”
On the other hand, I’m fairly certain that no on who bought this record listened to Side Two. Which is pretty good but not what those who loved Side One were jonesing for. 
Side Two isn’t awful. It’s just not Side One. 
Still. 
Excellent harbinger of what’s to come. 



The 1985 Listening Post - Oingo Boingo - Dead Man's Party

Oingo Boingo - Dead Man's Party



#406/1042
October 28 1985
Oingo Boingo
Dead Man’s Party
4.25 out of 5


Highlights:
No One Lives Forever
Stay
Help Me
Weird Science


Wow, Listen to that opening track “Just Another Day” Danny Elfman went full Duran Duran. 
And I  know that the song was used in “Back to School” but “Dead Man’s Party” with it’s “walkin’ with a dead man over my shoulder”…how is that not the theme to “Weekend at Bernie’s”??

You know if you get past the obviousness of it’s devotion to being “weird” and “New wavy”, there’s some good tracks in here that suggest everything from the aforementioned Duran Duran Stadium sound to even, Madness (“Stay”) and INXS (“Help Me”)

You know what? This is actually the first Oingo Boingo album that I enjoyed from top to bottom. Even the shitty-hits like the title track and “Weird Science”, though perhaps it’s the familiarity that allows that enjoyment. 
This whole record feels like a calculated attempt at a cash grab while at the same time sounding like a last ditch effort at said cash grab and somehow it all works for me. 


The 1985 Listening Post - ZZ Top - Afterburner

ZZ Top - Afterburner


#405/1041
October 26 1985
ZZ Top
Afterburner
Genre: ZZTopisDisconotRock
3.25 out of 5


Highlights:
Stages
Can’t Stop Rockin’


“Dis-co Sucks! Dis-co Sucks!”

Right? Amirite?

Except that, as I said before and reinforced here: ZZ Top is not a rock band. They are a boogie dance disco band. With guitars. 

And America loved it. This was a huge seller for the band. 

It’s fine for what it is, I guess, but what it is is four on the floor and guitar breaks separated by monotone lyrics sung with about as emotion as can be mustered through that bees nest of a beard. 

Here’s the thing about ZZ Top that I have come to learn:

They wrote one song. Every other track is a variation of that one song. Or two. Sometimes there’s another.



The 1985 Listening Post - Celtic Frost - To Mega Therion

Celtic Frost - To Mega Therion


#404/1040
October 27 1985
Celtic Frost
To Mega Therion
Genre: Heavy Metal
2.75 out of 5



If metal was opera (and the opera was about a psychopathic chainsaw wielding lunatic dressed as Pagliacci’s angrier, thinner, more jack rabbit-y murderous, it might sound like Celtic Frost.

I have no fucking clue what is going on. And I don’t hate it but I feel like I’m slipping down the side of a muddy mountain and there’s nothing to grasp on to. 

Meh.


The 1985 Listening Post - Aldo Nova - Twitch

Aldo Nova - Twitch



#403/1039
October 22 1985
Aldo Nova
Twitch
Genre: Rock
2.75 out of 5



When I was 9 I remember being told a story about why the Chevy Nova was a poor seller in Mexico. As the story went, no one at Chevy bothered to notice that No-Va translates into “Don’t Go”. 
And I think about that story every single time I hear a song by or read about Aldo Nova. 
Weirdly, I do NOT have the same reaction when watching PBS’s NOVA. Or when any sci-fi movie or tv show mentions a Nova or Supernova. This synaptic response is reserved solely for Aldo. 
Sorry, man. I only have room for one Aldo in my life and that, i guess, is the Canadian shoe store chain, Aldo. Yes, that means that there’s no room for Aldo Ray, either. 

This is mediocre hair pop rock. It wouldn’t be such a bad thing that it sounds like so many other bands of the era but, boy “Long Hot Summer” is such a freaking rip on Don Henley’s “Dirty Laundry” it hurts. 

https://www.youtube.com/watch?v=jfeouw3_7bs

The 1985 Listening Post - Midge Ure - The Gift

Midge Ure - The Gift


#402/1038
October 18 1985
Midge Ure
The Gift
Genre: Smooth New Wave
3.25 out of 5


Highlights:
Living in the Past


I had always thought of Midge as Ultravox and the co-writer of “Do They Know It’s Christmas?”. That was the extent. 
Until I was researching Adam And was determined to find that Pete Frame New Romantics flow chart.
The name that kept popping up in weird amalgamations was Midge. 
Starting with Slik, Midge slides over to Rich Kids with Ex-Sex Pistol Glen Matlock and Billy Currie from Ultravox. Then he enlists Steve Strange and they create the studio group Visage. 
But did you know that he spent a couple months as the guitarist for Thin Lizzy? I absolutely did not. 
Only after that does he hook back up with Currie and Warren Cann and Chris Cross to create the last version of Ultravox. 
The guy got around, sure. But, for me, the most interesting aspect of this was the fluidity of Midge’s stylings. He’s a pretty unctuous sounding guy, at times. Like he could give Bryan Ferry a run for his MOR money. Yet, he hooked up with guys from Tubeway Army and Sex Pistols and even Phil Lynott wanted to work with him for a while. And then he writes the epic Christmas Band-Aid classic. 
Maybe Midge is a footnote in modern rock who deserved a little more credit. 
He may not be Bowie or even John Foxx, and he’s certainly not Gabriel, but he had a finger in a lot of pies during this time. 

Does anyone ever cover Jethro Tull? Nope. Does he give Ian Anderson’s “Living in the Past” a New Wave reinterpreting? Yes. Does it work? Definitely. 

The rest of it is pretty pedestrian. Not a lot to hang hats on. Midge is enjoying himself and making some music and maybe you’ll buy it and maybe you’ll listen to it one day whilst reading a book or something. 


There is no link. I had to cobble together all the songs on YouTube. (The things I go through for you guys….)

The 1985 Listening Post - Corrosion of Conformity - Animosity

Corrosion of Conformity - Animosity



#401/1037
October 25 1985
Corrosion of Conformity
Animosity
Genre: ThrashPunkMetal
3.25 out of 5

Highlights:
Prayer

Is this a kitchen sink of all things thrash and metal and punk? Sure sounds like it. But using all the aforementioned elements doesn’t create a new style as much as it just sounds like a mashup of all of them. 
I kind of want them to just pick a lane, man. Like, on “Prayer”, is it punk? Is it metal? it’s both. And I want it to freaking choose and go with it, cuz I’m sure that would be kind of great. 


The 1985 Listening Post - The Residents - The Big Bubble

The Residents - The Big Bubble


#400/1036
October 24 1985
The Residents
The Big Bubble
Genre: Post-everything
1.75 out of 5


I’ve told this before but one of my favorite gags is anytime something is the “fourth in a trilogy”. 
Hitchhikers guide introduced that joke to me and I was admonished by my editor at a New York University film paper for reviewing Rocky IV as “the fourth part of the Rocky trilogy.”
Her cut it out cuz…well…whatever, Marcus Raboy. 

This is the 4th part of The Mole Trilogy. To be honest, I really don’t know what’s happening in that saga. All I do know is that the first two parts were quite something, sonically. Not as great as Eskimo but pretty damned good. The 3rd part never materialized and this is supposed to be a rock band made up of Zenkenites who are hybrids of Moles and Chubs…and…I don’t know. 
The closest they get to either of those previous records is the closer “Kula Bocca Says So”. 

This is one of those times that the band just loses me. And this is it for a few years for them. They’ll release some live stuff but, the previous tours had knocked them around and this was a pretty bad album. We’ll catch up with them again in 1988.


The 1985 Listening Post - Simple Minds - Once Upon a Time

Simple Minds - Once Upon a Time



#399/1035
October 21 1985
Simple Minds
Once Upon a Time
Genre: Rock
4.25 out of 5


Highlights:
Ghostdancing
Alive and Kicking
Sanctify Yourself


All that experimental stuff of the early days seems to have gone by the wayside as the guys really embrace the radio friendliness of “Don’t You Forget About Me”. 
You know what? 
Works for me.
I dig this. 
Make no mistake, though, it’s in that INXS/U2 wheelhouse of anthemic stadium rock that really began to take hold in this Live Aid/Band Aid era. If you told me that “Sanctify Yourself” was INXS I would have no trouble believing you. 


The 1985 Listening Post - The Cult - Love

The Cult - Love



#398/1034
October 18 1985
The Cult
Love
Genre: Rock
4.25 out of 5

Highlights:
Nirvana
She Sells Sanctuary


Apropos of absolutely nothing, I would often get Lisa Lisa and Cult Jam confused with The Cult. 
Just in my head. I’d get mixed up. Like, I thought The Cult hired Lisa and changed their sound. 

Ok. 

I never listened to The Cult outside of a song that might come on the radio. There were enough INXS and U2 bands out there at this time, with their rhythmic, groovy hard rock. 
I missed out. 

I know I say this a lot but…the 90s started in 1985.

How many times did Jeff Ament and Stone Gossard listen to this record before they started a band of their own? 

This album is a bit long but…it’s delicious.


The 1985 Listening Post - Fates Warning - The Spectre Within

Fates Warning - The Spectre Within


#397/1033
October 15 1985
Fates Warning
The Spectre Within
Genre: Prog Metal
2 out of 5

Highlights:
The Apparition

This might be the longest album we’ve covered here at The Listening Post. It’s almost 50 minutes. 
Of noodle-y, time shifting, shriek heavy concept metal.
These aren’t songs. They’re “stories” or “warblings” set to what could be a pre-fab metal music bed. 
Occasionally they tap into that Randy Rhodes/Ozzy type of metal to middling effect (“Without a Trace”, “The Apparition”).
This album was a chore, to say the least. 



The 1985 Listening Post - James Taylor - That's Why I'm Here

James Taylor - That's Why I'm Here



#396/1032
October 17 1985
James Taylor
That’s Why I’m Here
Genre: Adult Contemporary
3.25 out of 5


Highlights:
Turn Away


I used to spend my summers in Bar Harbor, Maine. 
From 1978 - 1985 and then once more in 1988. 
The radio station was all soft rock at the time. We had no satellites back then. 
With Saturday Night Live off for the summer they didn’t run no rerun up in Maine. No no no. There was some garbage country fair type backwoods Lawrence Welk type show in it’s stead. 
We didn’t really have any buskers that I recall. But if we did, no doubt they would all have been James Taylor clones. (And this isn’t really fair since the local musical watering hole, Geddy’s, would have Taj Mahal in every year for a stint)
I was young. What I would see in my limited capacity was what I wanted to see. Jaundiced and jaded, I guess.
For me, this music is the sound of a time and a place that hadn’t quite caught up with the rest of the world. 
For better or worse, globalization and the internet has altered that landscape. I haven’t been back. I might not ever go back. Lots of memories and I don’t want them replaced. I want my Bar Harbor to be the way I remembered it in the 80s. 
Riding my scooter down Cottage St., with a James Taylor soundtrack playing in the montage, wind in my thick, wavy 17 year old’s hair, rear end of the car in front of me stopping short, flying off the handles, scraping the entire side of my face on the concrete.

Good times.


Softening Buddy Holly to the point of utter toothlessness is…sad. And annoying. 




The 1985 Listening Post - Possessed - Seven Churches

Possessed - Seven Churches


#395/1031
October 16 1985
Possessed
Seven Churches
Genre: Death Metal
4.5 out of 5


Highlights:
Pentagram
Seven Churches
Holy Hell


Remember when I said that Hirax sounded like High School students who found themselves in a studio? This IS that.
Literally. 
High School juniors Jeff Becerra and Larry LaLonde found themselves in a recording studio and created a new kind of metal. Death Metal. I know we’ve used that term before but, apparently, its really meant to be attributed to Possessed for its earliest coinage. Also “Grindcore”. 
And that’s what this sounds like. And unlike the formless, gormless Hirax, Possessed is the sound of a murderous army out for mayhem and unabated and wanton destruction.
The power of youth. 


The 1985 Listening Post - The Replacements - Tim

The Replacements - Tim


#394/1030
October 14 1985
The Replacements
Tim
Genre: Alternative
4 out of 5 


Highlights:
Bastards of Young
Left of the Dial



I’m gonna get killed here.

I’m bored. The whole first side is just uninteresting to me. 

“Hold My Life” feels like it’s 9 minutes long. It’s cleaner than previous ‘Mats stuff, but all that means to me is that they, like X on Ain’t Love Grand, sound like they’re going for radio play.
I know I’m supposed to extol this, worship it as one of the greatest records of the era but…I don’t get it. 
“Kiss Me on the Bus” is so over produced, with SO MUCH ECHO it doesn’t really sound like that ramshackle bunch of drunkards that I actually adored on Pleased to Meet Me. Or, it does, but it’s more like they sobered up juuuuuuuuust enough to record and then producers got their hands on it and mixed the shit out of it until it was an American Rolling Stones record circa 1985. 
All that said, “Bastards of Young” is one of the great alternative tracks of the era and the album deserves a point just for that one. And I do believe all of what’s come with Nirvana and all the grunge bands can be found in “Left of the Dial”.

Boy do I wish anyone other than Tommy Ramone produced this one. And I kind of think Westerberg should just buy a bar somewhere and play his songs every once in a while, serve some regulars and live out his life in a corner there, handing out the tips to the staff. 


The 1985 Listening Post - Hirax - Raging Violence

Hirax - Raging Violence



#393/1029
October 
Hirax 
Raging Violence 
Genre: Death Metal
1 out of 5


Did a high school band get a record contract??
I can play drums, like, really fast, dude. 
I know a bunch of power chords and pentatonic scales...sort of. 
I can impersonate Dio...if I try really hard and don’t shit my pants. 
Let’s do this!!!!
Hirax!

Ugh. It’s the same thing...over and over. Why even name these “songs”?


Thursday, August 15, 2019

The 1985 Listening Post - Rush - Power Windows

Rush - Power Windows


#392/1028
October 14 1985
Rush
Power Windows
Genre: Rock
3.75 out of 5


Highlights:
Marathon

Rush ended for me with the Moving Pictures concert. It wasn’t bad. I remember we had nosebleed seats at Madison Square Garden. There was a cool video for “Red Barchetta” and everything. The band sounded great. We were kids. 16. Taking a train together too and from NYC. My parents were cool with it. All of ours trusted us back then. It was good times.
And I loved Moving Pictures. 
I bought Permanent Waves and started trying to write lyrics like Peart. I didn’t know, at the time, that his writings, pedantic and obnoxiously overarching, were steeped in Ayn Randian Objectivism.
But, after Moving Pictures, I dropped out. They weren’t on my radar anymore. 
With this project I got back to the boys and, with each subsequent record I felt the same: Excellent playing. Brilliant musicianship. Interesting song construction. But…where are the songs?
“The Big Money” is the closest to something I could hear on the radio and I liked it. In fact, there’s nothing I *don’t* like. 

It’s like an old friend. You may not have anything in common with them anymore but it’s nice to see them after 30 years. 
And then, after they’ve gone and you get back to your routine and your life, it’s better to have seen them again than to actually see them again.


The 1985 Listening Post - INXS - Listen Like Thieves

INXS - Listen Like Thieves


#391/1027
October 14 1985
INXS
Listen Like Thieves
Genre: Rock
4 out of 5

Highlights:
What You Need
Listen Like Thieves
This Time
One X One

After the turgid The Swing, here comes the BIG INXS record. The one with the massive hits, where everything was sort of ear candy. The Dance Rhythm Rock Meets U2 & The Doors that the band started to show on Shabooh Shoobah.
This is a groovy record built on a few excellent tracks with not-so terrific but not-so-bad bits filling out the rest. 


The 1985 Listening Post - Death in June - Nada!


Death in June - Nada!

#390/1026
October 11 1985
Death in June
Nada!
Genre: Goth
2.25 out of 5

So, remember when I hate Burial?
Yeah. Neither did I. I had to look it up cuz, as this was playing I thought, “This sounds like a band I might’ve heard before and really didn’t like but got good reviews elsewhere and just shows how tastes are different.”
And, sure enough, I had heard them. And I did hate Burial.
And this…well…it’s not entirely the same. It’s not as industrial. It’s but, boy is it mono-droning. And I want so badly to figure out what makes people tune in to this and love it but, aside from dropping Molly and zoning out in some blissed out disco for the Manson Family I can’t tell what that would be. 
I get the sense that Death in June would rather start a religious cult than be in a band. 
Or be the house band for an alternative religion.