Monday, March 16, 2009

Listening Post: Tom Petty & The Heartbreakers - Let Me Up (I've Had Enough)

He duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.




Tom Petty & The Heartbreakers - Let Me Up (I've Had Enough) - 1987 (Buy It)

Oh, the title says it all, doesn't it? Slogging my way through the TP back catalog makes me wish that I had listened to all of these albums 20 years ago so I wouldn't have to listen to them now and I could just say, "Wow, Tom Petty really made some boring music, didn't he?" and I could have left it at that and been done with it, moved on to better things, played with my child more, enjoyed a little bit of life.
Instead, I'm mired ears deep in a morass of listless music by a band that really doesn't seem to care anymore, if they ever did.
Leading off is "Jammin' Me", a song so uninterested in itself that it just sort of gives up at the end as if even it knows that there's no point continuing. Another track, The Damage is Done, continues this aimlessness and makes me wonder just what they were on when they submitted this to the label. And what the label was on when they put it out.
If I hadn't already listened to two horrible Petty records back to back (Long After Dark & Southern Accents) I might have been slightly more forgiving, but this is three turds in a row and my ears are on the verge of giving out on me.
Reading up on this record while listening I was reminded that, around this time, The Heartbreakers had been touring as Bob Dylan's backing band. Now, Petty has always flirted with a Dylan-esque sound, but that always informed the music rather than dictated it. The result here, with the recent psychedelic flirtations on Southern Accents and the Dylan and the sounds of the times results, at times, in some weird roots rock-Peter Gabriel hybrid that should be more interesting than it is but just leaves me cold.
The album picks up a little steam in the back half, kind of like the desperation in "All Mixed Up" and I'm always down for some roots rockin like "Self Made Man", but the album is so ill conceived and boring that nothing, especially not these half-assed attempts, can salvage it.

Grade: D

A Side: Jammin' Me
BlindSide: All Mixed Up, Self Made Man
DownSide: The Damage is Done, Ain't Love Strange

Listening Post: Tom Petty & The Heartbreakers - Southern Accents

He duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.



Tom Petty & The Heartbreakers - Southern Accents - 1985 (Buy It)

Ah, the 80s. What can be said? It was a time when all rock music seemed like it was slathered in lotion or vaseline. When drum machines or electronic drums made everything sound "so fresh!" and immediately dated. No one was immune. Not even, it would seem, Tom Petty and his Heartbreakers.
I don't think I've ever heard "Don't Come Around Here No More" when it wasn't accompanied by that surreal Alice in Wonderland video. How much did we enjoy watching Alice the cake get cut into? And, since smoke machines were the rage in the 80s, all the videos had that vaselined look, too. Without the images, though, it's just another hokey 80s electro-rock track.
In fact, most of the album sounds like that. The "Southern Accents" of the title are not really indicative of a sound as much as they are just a title left over from some not-completed concept album.
I was really kind of hoping that this album, with that monster hit, would have held secrets to the success and long-lastingness of Petty but, I was mistaken.
Eurythmics' Dave Stewart was employed as producer and co-songwriter and I am at a loss to understand why. All he seems to add is a flat and sounds like leftovers from his own band.
It should be noted that the only song I even "kind of" like is "Dogs on the Run" which is co-written by the real genius of TP&tH: Mike Campbell.

Grade D
A Side: Don't Come Around Here No More, Make it Better
BlindSide: Dogs on the Run.
DownSide: Spike, Mary's New Car

Saturday, March 14, 2009

Listening Post: Tom Petty & The Heartbreakers - Long After Dark

He duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.



Tom Petty & The Heartbreakers - Long After Dark - 1982 (Buy It)

You know what you hear a LOT of and get real tired of if you listen to enough Tom Petty? Tambourine. It's all over his stuff. Sometimes it functions a lot like a co-lead vocalist. It's pretty tiring. Just sayin.

The New Wave-y tones on You Got Lucky almost drag it down to latter day J. Geils-land but it's easily rescued by Petty and his craft. Truth is, Peter Wolf could be singing lead on this track and no one would have been the wiser. Less people would have bought it, but.....

The songs are here. None of them really suck. "Finding Out" actually rocks harder than most of the previous record. Instead of being a full meal, Long After Dark is a forgettable lunch. Which is a shame but also, kind of due, right? I mean, four albums that build upon better and better songwriting, touring, fighting with the label, eventually you just gotta be too tired to come up with stuff better than "We Stand a Chance". Okay, maybe that kind of sucks.

You really don't need to hear this record.

Grade D+
A Side: You Got Lucky
BlindSide: A One Story Town, Finding Out.
Downside: We Stand a Chance, Straight into Darkness, The Same Old You (which sounds like bad Aerosmith ripping off bad Stones), A Wasted Life

Listening Post: Tom Petty & The Heartbreakers - Hard Promises

He's duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.



Tom Petty & The Heartbreakers - Hard Promises - 1981 (Buy it)

Here's what I remember about Hard Promises.
At the time the record companies were selling most records for $8.98. They wanted to charge $9.98 for Petty's new one and he wasn't having any of it. He held fast, I think even delaying the release, until the label caved. And now, 28 years later, they can't get more than $10 for a record. In the meantime, Petty and the label kept the fans waiting.
And The Waiting is the hardest part.....
(See what I did there?)

Hard Promises opens with a flourish. As if to say, yeah, the 80s are here and, guess what, we're gonna bring the rock. No compromises and no Damn the Torpedoes part 2.

But there's not much more to say about it than that. It's a great coupling with Damn, but it stands well on its own. By this time, four albums in, Petty and Campbell and crew know what they're doing. Yeah, they're sort of sliding into alt-country more and more, but heartland music is like that. And everyone eventually goes there. Country is more forgiving and easier to sound earnest about (Bon Jovi, Bruce, etc) while at the same time you can really play the hell out of it while you are drunk or, better, stoned. So it's no surprise that these guys all end up on the plains.
That laconic sound definitely padded this album. It's the first to clock in over 40 minutes and that's really just because the sound is more laid back in places than on previous albums. That's the way it is when you are young, I guess, you shoot fast. Gotta get to the point and move on. As you get older you find it's a little more difficult to say what you want to. You're a wee more conscious of your point and want to make sure you've gotten there.
Petty gets you there. Even if, by The Criminal Mind and You Can Still Change Your Mind, the album's closers, he does seem to run out of steam.

Grade A-
A Side: The Waiting, The Nightwatchman, A Thing About You
BlindSide: A Woman in Love, King's Road, Insider
Downside: The Criminal Kind, You can still Change Your Mind

Listening Post: Tom Petty & The Heartbreakers - Damn the Torpedoes

He duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.



Tom Petty & The Heartbreakers - Damn the Torpedoes - 1979 (Buy It)

In 1980 it seemed like every single time I heard "Refugee" it was followed or preceded by Pat Benatar's "Heartbreaker". It was a 1-2 punch that accented my early morning breakfast before school. (And I just got that. Heartbreaker. Followed by the Heartbreakers....funny DJs)
Somehow I never caught Petty fever, or Pat's for that matter. They seemed to get lumped in to a pile of quasi-New Wave and never really felt like that's what they were about. But the rich red on the cover of Damn the Torpedoes, with that cazh slung guitar sort of shouted New Wave from the bins.
It wasn't. And thank goodness, right?

Damn the Torpedoes punches you square in the face right off the bat with "Refugee" and then "Here Comes my Girl". This is a stronger TP&tH. They have eaten their Wheaties. They aren't tremulous at all. They aren't frightened. They are musicians with a lot to prove to a new label and the rest of the world. And when they're done, my guess would have been that you would either be a convert or at the very least have to admire the strength of the songs.

One thing that is becoming more and more clear as these records spin is just how important Mike Campbell, the co-producer and sometimes songwriting guitarist, is to the success of this band. His name pops up as a co-writer on so many of their best tunes: Hurt, Refugee, Here Comes My Girl, to name a few.

Side Note: I think Petty should have sued Bruce for ripping off Century City for his b-side, "Pink Cadillac". It's like a progenitor of the "I was made for loving you" stink.

Damn the Torpedoes is a fine record. One of the best of the era. It deserves all the accolades that have been heaped on it. I'm glad I got to finally hear it. And Louisiana Rain might be my favorite unearthed classic. Well, one of them.

Grade: A
A Side: Refugee, Here Comes My Girl, Don't Do Me Like That
Blindside: Even the Losers, Shadow of a Doubt (Complex Kid), Louisiana Rain.
DownSide: Nothing. This is a quality collection from top to bottom.

Listening Post: Tom Petty & The Heartbreakers - You're Gonna Get It

He duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.



Tom Petty & The Heartbreakers - You're Gonna Get It - 1978 (Buy It)

"You're Gonna Get It" starts off with a sure foot and moves right into the familiar Petty sound on the title track. It's got that "You've Got Lucky Babe" feel to it.
The entire exercise could be called Tom Petty & The Heartbreakers 2 as was the pattern with many acts in the 70s. After all, 30 minutes is not a lot of time, by today's 70+ minute CD standard. So, it could be easy to see some of a band's A stuff spilling over from a strong debut to a tight sophomore entry.
That said, this record takes a long time to get going. I didn't key in until the fourth track, Magnolia, where they album begins to really show some heart. I think, without TP&tH, the Gin Blossoms might have had to find another line of work.
Everything on this record seems to be setting up the TP we will come to know over the last part of the decade.
Ultimately I have to agree with reviewers who say that, in the end, after the record is over, you might forget you even listened to it.
The missteps are few, and innocuous, indeed. A piece of piffle like "No Second Thoughts" wouldn't have made it onto a b-side of a George Harrison single. Before you can realize that you don't want to hear it anymore, it's over, so that's nice and no one really needs to hear "Restless" ever again.

Grade C+
A Side: I Need to Know, Listen to her Heart
BlindSide: When the TIme Comes, Magnolia
DownSide: No Second Thoughts, Restless

Listening Post: Tom Petty & The Heartbreakers - Tom Petty & The Heartbreakers


He duetted with Stevie Nicks. He's pioneered stoner animation videos. He's run the gamut of styles from pop to country rock to, well, just about everything. And he was a Wilbury. But, how well do we know the guy who wrote Mary Jane's Last Dance, Refugee, American Girl, and countless other classic rock staples? Well, I don't know him nearly at all. Hence the latest Listening Post. Let's dive in.




Tom Petty & The Heartbreakers - Tom Petty & The Heartbreakers -1976 (Buy It)

From the opening skiffly, McCartney-esque "Rockin' Around with You" all the way to the closer, American Girl, Tom Petty & The Heartbreakers is the kind of debut that wears its influences on it's sleeve. There's easy Doobie Brothers groove (Breakdown), the aforemetioned Beatles Pop (Rockin'), there's a touch of Springsteen (Hometown Blues, The Wild One;Forever) and more. Is Tom Petty the American Elvis Costello? From this album one might think so.
The album starts off strong and, to be honest, could be the soundtrack for any weekend, parents' basement, lights out makeout session. It's got that Freaks and Geeks timelessness without ever sounding dated.
And American Girl? I gotta be honest. I forgot that song was over 30 years old. I really could have pegged that song as a latter day entry. Shows what I know. Even though it has been in numerous soundtracks, like Fast Times, it still sounds fresh and timeless.
Anything That's Rock and Roll was a minor hit in England. And why not? It's like an Americanized Bay City Rollers or The Sweet.
And I've gotta say, that little backup on American Girl "Make it last all night" has Cheap Trick written all over it.

The record gets a little too Power Poppy for my taste around the middle, and really grinds down to a crawl around Mystery Men & Luna, but at 30 minutes, it really doesn't over stay it's welcome.

Grade A-
A Side: Breakdown, American Girl
BlindSide: Rockin' Around with You,
DownSide: Fooled Again (I Don't Like It) ed.note: I'll say.

Friday, March 13, 2009

DadNabbit. Blogging for a Dad Blog.

I have been asked to write for a Dad Blog, called: DadNabbit. Great name. Great blog.
My first article (and only one so far) was about the phonics alphabet game for Zoe. It can be found here:

but reads like this:



My wife and I went to our first pre-school tour a couple months ago. We live in Los Angeles and had been frightened into action by a friend who was visiting for coffee. The friend was admonishing us for waiting so long to start the waiting list process. After all, Zoe was already eighteen months old. For all intents and purposes, we were “too late to get into any good schools.” The way she said it made it sound as though we had consigned our daughter to a lifetime in the service industry after four years at a community college because the only choice left to us was the J. W. Gacy Clown-Around pre-school.

Before calmer heads had the chance to talk some sense into us we found ourselves in the office of one of the more prestigious pre-schools in the Los Angeles area. The children in this school system graduate to the next level with an average 85% or higher. They don’t mess around here. Only a handful of students per teacher. No holiday is celebrated or hailed so as not to leave anyone out. And the children are not forced into narrow cubbies when they are bad, though a few of them looked like they should be.

What really stood out to me though was when the principal sat us down to give us the low-down. I’ll skip all the details and get to the salient point:

“It used to be,” She said, sternly. “That children came to Pre-K to get ready for Kindergarten, where they would learn the alphabet and their numbers. Nowadays, children come to pre-school already knowing their alphabet and our job is to further enhance their experience to get them ready for a world where they are already ahead of the curve.”

Yipes. When did pre-school get so…advanced? When I was in Nursery school (as we called it) we played Duck, Duck, Goose! Now, the kids are practically pre-algebra! Daunting to say the least. But not impossible to overcome and I’m gonna tell you how we did it. Because it was remarkably simple and our daughter seems to be a genius. Albeit a genius who craps her pants and thinks cheesy poofs are part of the four food groups.


Toss out the flash cards. Forget Sesame Street (Please, god, turn off the TV. It’s a drug. And I’m not getting all preachy here. I have a 1300 square foot house, 2 Tivos, a dual mode DirecTV dvr, a slingbox and a converter to turn virtually anything I want to watch to iPod format. I LOVE TV. But turn off the TV. At least for the first 2 years. Trust me.)

Dump all that stuff because the answer is about twenty bucks away and you won’t have to do a thing. Just sit back, surf the web, make dinner, drink a bottle of wine, whatever, and relax as your child takes the giant step from incomprehensible babbler to genius:

The LeapFrog Fridge Phonics Magnetic Alphabet Set.

It’s simple.

The machine attaches via magnet to your refrigerator or dishwasher. The 26 corresponding letters are also magnets and each one of them fits into the semi-circle slot on the face of the device. When your child puts one in and presses it as if it were a magic button, lo and behold an obnoxious but catchy voice sings, “B! B says ‘buh’! B says ‘buh’! Every letter makes a sound, B says ‘buh’!” to the tune of The Farmer in the Dell. Pull out the letter, and pop in another.

“V! V says ‘vuh’! V says ‘vuh’! Every letter makes a sound, V says ‘vuh’!”

or

“A! A says ‘ay’! A says ‘ay’! Every letter makes a sound, A says ‘ay’!…and ‘Aa’!”

Press the button on the right and the same juvenile voice sings the alphabet.

The success of just putting the letters in the correct slot (the only slot, but still) helps with motor skills and esteem. The repetition of the letters’ names and sounds coupled with the alphabet and this is a toy to be reckoned with.

Within two weeks of this thing in our house I noticed that Zoe was obsessively putting the letters in and making the device work. So I asked her to pick specific letters.

When I asked her to get the A, she got the A and put it in.

When I asked her to get the B, yeah, she got it.

When I asked her to get the W, or as she calls it, “double-boo”, yeah, she got it.

It was incredible. After all, this was not a preschooler I was dealing with. At this point in her life, my daughter had just turned 19 months. She hadn’t even begun to copy our cursing yet.

Then, while showing my wife just what a success her purchase was I pointed to a letter and, rather than ask her to get it, I inadvertently asked her what it was.

“X.” She said.

I pointed to another.

“Z.”

We applauded. She got excited.

“D!” She exclaimed, pulling the letter D from the dishwasher door. She plugged it into the slot, pushed the button and began to dance, spastically, to “D! D says duh! D says duh! Every letter makes a sound. D says duh!”

Now Zoe is our own little sideshow freak. We love to make her pick the right letters for company. Especially the parents who have not discovered this machine and who are very nervous about getting into the right pre-school.

Oh, we’re not too worried about that anymore.

The Scholarship gets some love.

http://www.familytraveloutings.com/Lulu.html

The magazines should hit the newsstands in a matter of days.

A little pr for a good cause, me thinks.

Dardos

I have been remiss. I am hip deep in something that I really shouldn't talk about, so I won't because I like my work and I like the work I am doing at that work.
That said, this is a shout out to Aaron, who nominated me, along with others, for a blogging award. The Dardos.
I am supposed to accept it and pass it on to 5 others and I just don't have the time.
But, the reason he included mine is because of my "Listening Post" series. And, woe is me, there has been no work done on that front in a while.
But it isn't over.
No, far from it.
I am just getting ready for a new one. Can you believe?
And who will be the lucky recipient of my cloistered ears....?

This dude.


I promise. It's a hard promise (he he) considering my time constraints. But, it's coming.....
Stay tuned.....